Interview, TC Hine

Guest Interview: Felicity Whittle, Gold Star Guides

At the moment, we’re not able to go out at our leisure to look at Nottingham (or anywhere else for that matter), so I decided to catch up with some of the interesting people who I’ve met through doing these Watson Fothergill Walks. For this installment I talked to Felicity Whittle, of Gold Star Guides, who conducts the Nottingham Booklovers Tour and she recently launched a programme of virtual #NottGoing Out tours, including one of Nottingham’s Exchange Arcade.

Blue Badge Guide Felicity Whittle: Gold Star Guides

Lucy Brouwer:             You conduct the Nottingham Booklovers Tour, looking at writers produced by the city and the places that feature in their books. Have you found that there is a sense of place in Nottingham literature?

Felicity Whittle:             Yes, many local writers most definitely convey a sense of place and you can often follow a route through the city in their novels. There is an online Alan Sillitoe trail that imagines following the two squaddies who are out to get Arthur Seaton in ‘Saturday Night and Sunday Morning’; it follows their progress across the city through the various places and pubs that are mentioned in the novel.

The novels of John Harvey, with his police detective Charlie Resnick, have a great sense of place, though the Nottingham he (Resnick) worked in has changed somewhat over the last couple of decades.  But Harvey includes events such as a film festival at Broadway, visiting stalls in the Vic Centre market or shops in Broadmarsh, and you get a real sense of the neighbourhoods in which his characters live, be that St Anne’s or the Park estate.

Kim Slater, who writes thrillers under the name KL Slater, has said that although she uses several different parts of the city for her novels she does sometimes move things around a bit to fit the requirements of her characters or her plots.  I’m sure she’s not alone amongst writers in doing this!

LB:              Do you have a favourite building in Nottingham? Which one and why?

FW:            The Council House. I’ve recently become a volunteer tour guide there so have learned more about it and about Exchange Arcade – I love its grandeur and the sense of civic pride that it evokes.  There are all sorts of amazing details, from the vacuum system built into the skirting boards, to the paintings that incorporate Nottingham people into historical scenes, which make it a very special place. 

Nottingham’s Council House, by architect Thomas Cecil Howitt. Photo: Lucy Brouwer

LB:             Nottingham architect Thomas Chambers Hine‘s granddaughter Muriel was a novelist, have you read any of her work? Does she draw on her family background in her books?

FW:             Her most autobiographical book is probably ‘A Great Adventure’, in which a family move from Wollaton to a house in the Raleigh Street area of Lacingham (a thinly disguised version of Nottingham!). The father is an architect who wins a competition to design a hospital… so you can see the parallels with her own family life.

The house on Raleigh Street, Nottingham where Muriel Hine’s father George Thomas Hine lived. Designed by Hine and Son. Photo: Lucy Brouwer

In ‘Wild Rye’ the main character comes to live in Lacingham with her grandparents who seem to be based on Hine’s own grandparents.  In the novel they live in a big house in the Oxford Street area, so again you can see the influences of her own experience.

Thomas Chambers Hine’s house and office on corner of Regent Street and Oxford Street, Nottingham. Photo: Lucy Brouwer

Other of her novels address very specifically the changing position of women at the turn of the 20th century, the struggle for the vote and whether they needed a man, marriage, children, etc. to feel complete or what the possibilities were of life without any of those things. They are interesting to read because although it can seem quite foreign to us, she was writing about attitudes and conventions that were very real in her lifetime.

LB:            Do you find that people notice the buildings in Nottingham? Do you think conducting tours changes the way people see a place?

FW:            I find people notice buildings to a certain extent, but often don’t see the detail.  One of the best rewards for a guide (as I’m sure you know), is one someone says the ‘I never noticed that before’ phrase, often about somewhere that they’ve walked past a thousand times, or worked nearby but never really looked at. It makes all that research worthwhile!

Without trying to sound too philosophical or mystical about it, I think that hearing the stories about a building, knowing that some other person had a particular connection with it, sort of personalises our built environment and gives us a relationship with those who have been in this place before us.

Many thanks to Felicity for answering my questions. You can keep up with all her tours, both virtual and live, via her Facebook page.

Felicity is hosting a short series of themed virtual tours of Nottingham locations:

May 16, 2020: The Exchange Arcade

May 23, 2020: Kings, Nurses and A Poet

May 30, 2020: Arrows, architects and alcohol

Tours are free but please book in advance and give a donation to Felicity’s chosen charity, Maggie’s Nottingham. #NottGoingOut.

Videos, Watson Fothergill in Nottingham

Tour taster video: Queen’s Chambers

While I’m staying at home (and not in Nottingham city centre), my brother Jim, who does live in the city, offered to take his camera on a walk to have a look at one of the buldings that I feature on my Watson Fothergill Walk walking tour.

So here are the results – a look at one of my favourite Fothergill buildings that serves as a taster for the tour.

Queen’s Chambers – Lockdown Video Special!

We might do some more while conditions are like this – stay tuned and subscribe to my new Watson Fothergill Walk YouTube channel for more.

Watson Fothergill in Nottingham

Demolished Fothergill Buildings: 7 Mapperley Road

The earliest house that architect Watson Fothergill (born Fothergill Watson, 1841) is known to have built is the dwelling he designed for himself and his family, which stood at 7 Mapperley Road, Nottingham.

Fothergill noted in his diary in 1870: “This Autumn after searching all over town for a site we liked I bought a piece of land on the northern side of Mapperley Road in Mr Patchitt’s estate.” Edwin Patchitt (1807-1888) was a solicitor and also a member of the Notts County Cricket team; he was Mayor of Nottingham for two terms between 1858 and 1860 and was the Secretary to the Enclosure Commissioners. He owned a triangle of land between Woodborough Road, Mansfield Road, Redcliffe Road and Elm Bank. Costing Fothergill £375, the land comprised 1,250 sq. yds and had a frontage of 105ft to Mapperley Road.

Site of Mr Fothergill’s house, digital sketch from plans for extension held in Nottinghamshire Archives.

The first brick was laid on 3rd March 1871, and the Fothergill Family, which at this time comprised Fothergill, his wife Anne and their daughters Marion, Annie Forbes, and Edith Mary, moved from the house they had been renting on Hampden Street on 26th March 1872, “though the workmen were not yet out of it.”

Digital sketch of photo of 7 Mapperley Road based on photo Bedford Lemere photo held by Historic England archives.

No drawings are known to survive of the original plan for the house, and there are few photos. I asked Nottingham-based architect and historic building consultant Peter Rogan to help me imagine what the house would have been like…

The house reflected High Victorian style with its asymmetry, individualism and accentuated features: brick with terracotta and stone details, prominent tall chimneys, and a four storey tower with decorative brickwork and a steep pitch roof. The house had an eclectic mix of window types: some sashes with stone lintels, bays and some with tracery. An entrance porch on the south-western side had slender decorative columns, above it an archway with a stone tympanum pieced by a window in the form of an eight-pointed star. On the side facing the road: trefoil decorations, circular windows and possibly a date stone. The gables made for broken rooflines creating a picturesque effect, capturing the light and shade that Fothergill found so alluring about the Gothic style.

South-west front of the house on Mapperley Road, from Picture Nottingham

In June 1872, Fothergill’s fourth child, Eleanor, was born: his three subsequent children, Samuel Fothergill 1874, Harold Hage 1877 and Clarice 1879, were also born here.

“The snuggest of houses! That is what we aimed at. Comfort, not great cold rooms, but gems of art sparkling round, an inviting home.”

Fothergill Family Record 1892.

Fothergill described the various features of the interior – sculptures, stag’s heads, green wallpaper in the style of Pugin, velvet curtains and tablecloths, and “modern” paintings on the walls. A brown wooden ceiling with gold details and floral decorations inscribed with a motto: “He that striveth for the mastery is temperate in all things.” (1 Corinthians 9:25) A portrait of Dr John Fothergill, his Quaker ancestor looked down on them from over the archway, and this was just the hall…

The rooms were adorned with brown silk and blue velvet, green walls and carpet, carved woodwork and decorated ceilings, but “everything is but a ground on which to display the pictures and the china” Among Fothergill’s collection of art works:  a water colour interior of Salisbury Cathedral by JMW Turner and a St Cecilia by George Romney. (Links are guesses at the possible pictures, Fothergill is mentioned in catalogues of various exhibitions as he lent out the paintings, but I’ve got more research to do here!)

Around 1899 Fothergill added electric light and more bay windows to the house to provide light for displaying his collections of porcelain and Venetian glass.

“Indeed there is no doubt that the mediaeval style, call it old English if you will, in which both house and furniture are designed, does particularly lend itself to a home-like effect. It lacks but age, with a few ancestral traditions attached to it, to render it dear to us – no it cannot be more dear.”

Fothergill Family Record 1892.

In 1901, Fothergill purchased the adjacent land extending down to Chestnut Grove, from the lace merchant Thomas Birkin, it cost just over £1000. This became an ornamental garden and a tennis court.

When Fothergill died aged 87 in 1928, the house was sold and his art collection and the furniture was put up for auction, presumably so proceeds could be split between his five daughters, both his sons having failed to outlive him.

Nottingham Journal, 14 July 1928, announcement of the auction of the contents of 7 Mapperley Road. British Newspaper Archive.

In the 1940s and 1950s, it appears that Councillor (later Lord Mayor) John Edwin Mitchell, lived at no. 7, then known as Park House (but I’m not 100% sure, as the numbering of the street has been altered).

Eventually the house was turned into flats, but it was demolished in 1968 – the value of the land too tempting to prevent developers from building many more dwellings on the site.

Circa 1968, when the house was about to be demolished. Picture Nottingham.

The present houses on the site were developed in the 1970s. They’re considerably less spectacular, but the development is at least called Fothergill Court!

Fothergill Court, Mapperley Road. Photo: Lucy Brouwer

The site of Fothergill’s house and more of his buildings in Mapperley Park, Sherwood Rise and Carrington will feature in my new walk, The Carrington Crawl. Dates will be announced as soon as the global situation allows… Meanwhile you can buy gift vouchers for yourself or friends and redeem them against future Watson Fothergill Walks with tour guide Lucy Brouwer.

Events, Inside, Lawrence G Summers, Research, Watson Fothergill in Nottingham

A New Walk! The Carrington Crawl.

For a while now I’ve been working on a walk to look at some of Watson Fothergill’s domestic archtecture, and I’m happy to say that The Ukrainian Cultural Centre at Clawson Lodge have invited me to bring the new tour to their building on Mansfield Road, Nottingham.

A chance to go inside Clawson Lodge, a house designed by Fothergill on Mansfield Road.

Presenting The Carrington Crawl: a look at houses by Fothergill and his chief assistant Lawrence G. Summers in Mapperley Park, Sherwood Rise and Carrington, finishing with a chance to visit Clawson Lodge, where tea and coffee will be served.

The first of these new walks will take place on 4 April 2020, starting at 1pm.

Tickets are available here.

DETAILS:

A NEW WALK FOR 2020 from the producer of the Watson Fothergill Walk and the Hine Hike.

The Carrington Crawl: Victorian Nottingham’s most flamboyant architect not only helped shape the city centre with commercial landmarks, he also designed dwellings. Explore some of the domestic architecture of Watson Fothergill and his assistant Lawrence G. Summers with tour guide Lucy Brouwer. Discover more about the buildings, those who built them, and the lives of the people who lived in them.

This walk will begin at the junction of Mansfield Road and Mapperley Road, outside St Andrew’s Church, it will then look at some of Fothergill’s houses in Mapperley Park, including the site of his own family home, continuing to Sherwood Rise, then return to Carrington to finish, after a walk of approximately 2 hours / 3km, at Clawson Lodge on Mansfield Road, where tea and coffee will be available.

Participants are asked to come prepared for appropriate weather eventualities and to wear footwear suitable for city walking.

Meet for 1pm start on Mapperley Road near the junction with Mansfield Road, outside St Andrew’s Church, Nottingham.

Advanced booking is essential as places are limited.

TICKETS: £12 each including tea or coffee at Clawson Lodge.

Events

Nottingham Heritage Champions 2020!

Last week I was invited by The Story of Nottingham, the Nottingham Heritage Partnership, to pick up a Heritage Champion 2020 medal at The Urban Room!

Some of the Nottingham Heritage Champions 2020!

After some community workshops and an online survey, about a dozen of us were picked to be #HeritageChampions2020. As you can see the other medallists were a diverse bunch, including among others a Chinese Heritage Vlogger, an historian of Black coal miners, an urban greening activist, Nottingham’s premier cultural newspaper Left Lion, a skateboarding collective and even the 21st century Robin Hood!

Medals await their recipients.

A big thank you to everyone involved! It was a real surprise to be recognised in this way and to meet some of the other people who all work so hard to celebrate and share the heritage of Nottingham.

EXTRA: A blog from Marketing NG.

My next walks are on 29 March 2020 and I hope to continue throughout the Spring and Summer. Sign up to the mailing list for the latest news!

Events

Photos from February walk and forthcoming dates.

Some great photos of Lucy in action during a wet but enjoyable Watson Fothergill Walk on 16 February. It was great to see people so keen to join in the first public tour of the year! Photos by theparkestate on Instagram (follow them for some great photos of houses by Fothergill, Hine and other Nottingham architectes in Nottingham’s Park Estate).

I’ve got more walks coming up in March and April. So far the dates are 29 March 10am and 29 March 1pm and I’ve now added 26 April 10am and 26 April 1pm.

Tickets from Eventbrite here.
and afternoon tickets for 26 April here.

If you wish you can also buy tickets with cash or card at Debbie Bryan on St Mary’s Gate, Nottingham.

Sign up for the mailing list to get news of all future walks and events by clicking HERE and adding your name and email address.

reviews

New TripAdvisor Page

I have set up a TripAdvisor page for the Watson Fothergill Walk. It would be great to reach a wider audience and introduce them to this most interesting of Nottingham architects! If you’ve enjoyed the walk, please leave a review – it would be a great help. You can also post photos if you have some.

I look forward to seeing some of you again on future walks… I have plans for more Hine Hikes and a Carrington Crawl to look at some of Fothergill’s domestic architecture… coming soon!

Events

New dates for 2020!

I’ve been busy reading, researching and thinking about new walks and talks for the new year. But I’m ready to get out walking again, so I’ve set up some dates for The Watson Fothergill Walk in February and March 2020.

The first walk, which will start at 10am outside Nottingham Tourism Centre and finish at Debbie Bryan on St Mary’s Gate, will take place on 16 February. Tickets are £12 each and include coffee or tea and cake at the end of the walk.

Tickets for 16 February 10am here.

UPDATE: I have also organised a walk on 22 29 March, this is also a morning walk starting at 10am. Tickets are available here.

March walk is now on 29th at 10am – tickets here.

It is once again likely that I will be adding afternoon walks to these dates if there is sufficient demand, so if you prefer to start at 1pm, please get in touch to express an interest…

Research

The Bodega, Pelham Street: Part Two

Previously, I began telling the story behind the building of The Bodega on Pelham Street. These days it’s a popular music venue and bar, but it’s been through several image changes over the years… I spoke to Alan Clifford on BBC Radio Nottingham about the building.

While it’s nothing to do with Watson Fothergill (as far as I know!) this building has opened up some interesting avenues of research and I’ve found myself scouring archives, reading about the social history of the English pub and obsessively asking people if they remember drinking there in the 1970s and ’80s…

Part one of this blog left off in 1904. The Bodega was listed as a Billiard Saloon, and seems to have departed from the Bodega Company’s Wine Bar model. The First World War hit the English licensed trade hard, with opening hours dramatically reduced, “treating’ (i.e. buying drinks for other people), giving credit and the long pull (serving more than the correct measure to attract custom) were all made illegal. (The minimum drinking age of 18 didn’t come in until 1923, and children could still buy alcohol from pubs to take home to their parents as long as it was in stoppered containers!) The war also pushed up the price of drink, and it stayed up, while the actual strength of drinks fell. For more on this and all things PUB, read The Local: A History of The English Pub by Paul Jennings. (By the time you read this I’ll have taken it back to the library...)

The 1915-16 Kelly’s Trade Directory of Nottingham lists Bodega Wine Co. Ltd. at 23 Pelham Street, trading as Bodega for the Bodega Wine and Spirit Merchants. Thomas S Poole, of 48 Harlaxton Drive is the manager. (Their phone number, Nottingham 1880, stayed the same into the 1940s.)

Robert Banks Lavery, the original owner of the Bodega Company, died in 1915 leaving his fortune of £13,2723 (approx. £ 15,049,738.89 in 2019) to various Catholic charities. The Bodega Company share price fluctuated after the war, but the business seemed to be steady around the country.

In March 1916, the Aberdeen Daily Journal reported that The Bodega Company had been admonished in the High Court by the makers of a certain beef drink, for passing off Oxo and “other meat preparations” when orders were placed for Bovril. The defendant denied the accusations but the injunction was passed and The Bodega Company paid costs.

1921 was a particularly bad year for the company’s share price, as the country recovered from the war.

In 1927, at the Nottingham Bodega, there was one of a spate of fires, leading to the Nottingham Evening Post headline: “Incendrism suspected!” Barrels of oil from the Nottingham Perfumery Co. caught fire in the passage. The branch is called The Bodega Hotel at this point, and a Mr Dominic is the employee who telephoned for the fire brigade, averting any serious damage.

In 1928, Slater’s Restaurants acquired Bodega. Slater’s were one of the largest catering companies in the world at this time. The million pound take over led to the company being known as Slaters and Bodega, bringing Bodega’s 30 outlets and 2 hotels into the company. Catering supplies had become integral to the operation. Bodega had previously been known for their outside catering, providing food and drink for race meetings, agricultural shows and the like. In 1931 there was a further takeover bid by Welsh firm RE Jones, but this failed.

One night in April 1931, the manager of the Nottingham Bodega, John Edward Marshall, was killed on Radford Road when a bus struck him after he alighted from a tramcar on his way home to Noel Street. A military man, he had seen action with the 10th Hussars. At least 11 members of staff from Bodega Wine And Spirit Company’s Saloon attended his funeral.

Plans in Nottinghamshire Archives show that improvements were made to the toilet facilities and the layout of the Bodega in 1933 and 1936. The ground floor now had a bar and a “cold counter”. Newspaper reports of a break-in by some young boys in 1940 refer to the Bodega simply as “a public house”.

In the 1950s, Billiards and Snooker were the main attractions of the Bodega in Nottingham, with several matches warranting newspaper reports on the games and their results.

In 1954, Slaters and Bodega were taken over by Charles Forte’s catering and hotel empire (to become Trust House Forte in later years). In 1956, JA Charles is installed in Pelham Street as the licensee.

Daily Herald, 23 December 1953. British Newspaper Archive.

Here the trail goes a little cold, as Bodega gets swallowed up into the Forte empire. But there are photographs showing what the outside of the Bodega looked like in the 1960s and 1970s.

The Bodega in 1962. You can just see the words ‘Manchester and Liverpool’ on the shield. from: Nottingham in the 1960s and 1970s by Douglas Whitworth.

By 1966 the Bodega in Nottingham was being run by Ind Coope Brewery from their Derby office. In 1967 they added the stairs to the front of the building and did some improvements to the toilets inside.

Sketch/trace of the proposed improvements in 1967, by architect G. Hakesly for Ind Coope. Nottinghamshire Archives.

Ind Coope were still running the pub in 1970 when they added an extension over both floors to the rear, containing the Ladies’ toilets upstairs and a store room downstairs.

The Bodega as it looked in 1973. Picture Nottingham

Ind Coope were involved until at least 1983 (photos below). They had become part of Allied Breweries in 1961, merging with Ansells and Tetley Walker. Allied in turn merged with food and catering giant J. Lyons and Co. in 1978 to form Allied Lyons, then again in 1992 with Carlsberg to become Carlsberg-Tetley. I haven’t been able to find out (as yet) when Bodega left the Forte empire (as it doesn’t tend to be noted when companies are sold off).

Bodega in 1983. Picture Nottingham.
The pub sign in 1983, harking back to the original idea of a Bodega as a wine cellar. Picture Nottingham.

Some people I’ve spoken to remember a bierkeller-feel to the pub in the 1980s. Licensing laws again have an effect on the way pubs are organised in 1987-1988, with the introduction of flexible drinking times.

Ansells, who are quoted in 1988 as the owners of the Bodega, ring the changes and refurbished the bar as Cairo’s Disco Bar… The Evening Post reported:

“ Three traditional city centre pubs are being transformed into upmarket bars for young trendsetters in a £860,000 refit by owners Ansell’s. By the end of August… Bodega will have become Cairo’s. Ansell’s plan to create a circuit of bars with style and sophistication for Nottingham’s young trendsetters – and hope they will also cut down on night-time city centre violence. … Cairo’s Disco bar, which opens around August 23, will spin the discs until 12,30am on the first floor with a bar down below. … Ansell’s regional director: “Nottingham has more class, more fashionable people with real style, than any other city in the East Midlands…”

New look for 3 city centre pubs. Evening Post 12 July 1988.
Cairo’s Opening 28 September 1988. (Manager Rory Fallon, centre). Nottingham Evening Post.

Cairo’s is remembered as being “very neon”… it also featured as a location in an episode of Central TV’s “Boon” in 1990.

By 1993 though, Ansells had refitted the bar once more, this time to become Irish-themed Rosie O’Brien’s Pumphouse, a chain with branches across the Midlands (there was another Nottingham branch in Carrington on Mansfield Road, in 2019 the pub is called Turners.)

Rosie O’Brien’s Pumphouse. 1998. Picture Nottingham

In 2004 the pub became The Social, under the management of The Breakfast Group, who run music venues in London and other parts of the UK.

In 2004, Nottingham’s music venue promoting powerhouse DHP took over and in 2007, the venue’s name reverted to The Bodega.

Now The Bodega is celebrating 20 years as a music venue with a special gig on 1st December 2019.

Birthday gig at The Bodega. Dec 1st 2019.

If you’d like to hire me to conduct in-depth research and detective work into buildings, businesses, architecture or local history, please get in touch!

The Watson Fothergill Walk and Hine Hike, as well as illustrated talks, will return with dates in 2020!

UPDATE: Here’s an article on The Social years featuring an interview with founder Jeff Barrett.

Research

The Bodega, Pelham Street : Part One

Earlier in the year, I was invited to talk to Alan Clifford on BBC Radio Nottingham about my walk The Hine Hike and the buildings of Thomas Chambers Hine. The programme recently got in touch with me to see if I’d like to talk to Alan on the radio again.

They asked if I knew anything about The Bodega on Pelham Street, as it is celebrating 20 years in its current incarnation as a live music venue.

As a detective, I’m even keener than Coleen Rooney, so I couldn’t resist delving into the archives to see what I could find. This building is NOT A FOTHERGILL nor is it related to his work at all as far as I know, but I’m really interested in developing the research side of my work. Here’s what I’ve found so far…

The Bodega, now at 16 Pelham Street, but previously listed as being No. 23 was built on the site of what was previously a pub called The Durham Ox.

The Durham Ox, previously on the site at Pelham Street. Picture Nottingham.

The Durham Ox was the starting point for mail coaches to Lincoln and Newark. It was also in this pub that the Lacemakers and Printers Trade Unions would hold their weekly meetings in the early Victorian era. In 1855, the Inn made the transition to a minor music hall, hosting what were called ‘Free and Easies’, with customers supplying their own entertainment. The New Amateur Musical Society performed regularly at the Durham Ox, the Garrick Society staged dramatic reading there, and it was said to be the most popular of Nottingham’s music hall pubs. By 1900 it wasn’t considered to be quite fit to continue to be licensed. It was bought by The Bodega Company in 1901 and demolished.

They employed experienced London pub architect George Dennis Martin to rebuild the pub. The result was light and elegant, a long graceful archway with a hanging light. Projecting through a hipped roof is an exaggerated dormer with a swollen pediment on top bearing the date 1902.

Sketch/ tracing of GD Martin’s design for “Rebuilding of The Durham Ox”, taken from plans held by Nottinghamshire Archives.

The pub was still called The Durham Ox on the plans and was labelled as having a Bodega on the ground floor and a Club Room on the first floor. The Bar was on the right hand side, and the smaller arch at the front leads to a passageway.

The Bodega Company was started by Robert Banks Lavery (b.1835-6), a Captain in the Lancashire Rifle Volunteer Corps, who resigned his commission in 1861. Lavery & Co Bodega Spanish Wine Cellars was set up as a Wine and Spirit Merchant with branches in Manchester, London and Birmingham. In 1871 the company held wholesale and bottling vaults at St Pancras and the retail business offered – “each wine clearly and distinctly marked at its price per dock glass, bottle, dozen or quarter cask. The taster pays the proportionate small price for his sample 3d to 1s 3d and is therefore fully able to arrive at an opinion of quality.”

This delightfully verbose news item sums up the “Bodega” method of doing business:

The Bodega. – Few residents in London are unaware of the existence of the wine stores of Messrs. Lavery & Co. in Glass-house Street, Regent-Street, known more similarly by its trademark, “The Bodega”, where wines of the highest qualities are retailed in the smallest quantities, either in the form of the occasional glass for luncheon, or the modest gallon for limited homesteads. This kind of enterprise, it may be said, was altogether unknown in the wine trade, and it can easily be believed that it has excited no little jealousy on the part of the old-fashioned wine merchants, to whom the infringement of the traditions of the trade could but appear to be not only heretical but mischievous. The success that has attended the enterprise of Messrs. Lavery & Co. has proved that the latter surmises were correct. In Manchester, Birmingham, Liverpool, and Glasgow, Messrs. Lavery & Co. have opened the same character of wine bar, and with no difference in the result. The visitor “tastes” as a matter of passing convenience, according to his humour, and, if so minded can order more largely upon the sample set before him. The success spoken of has suggested the establishment of similar stores in the City, and yesterday afternoon a few friends were invited to Nos. 5 and 6 Bucklersbury, to inspect the new premises taken for the purpose. The arrangements are similar to those alluded to, both at the West End and in the provinces, and there can be little doubt the good fortune which is rewarded Messrs. Lavery & Co.’s efforts elsewhere will not be denied them in the heart of the great metropolis, where such institutions have not only larger public within reach as regards the daily necessities of refreshment, but one the best calculated to avail itself of the economical opportunities which it is the special province of “The Bodega” and its branches to afford.

27 August 1874, The Shipping And Mercantile Gazette, London.

The Bodega’s offered “wines from the wood” and Champagne by the bottle. In 1876, Lavery took one of his Manchester competitors to court for using the name “Bodega”, alleging that as a name and method of doing business it was not in use before he opened The Bodega Wine Company.

Lavery seems to have done rather well for himself, he disolved his original partnership with Francis Alfred Nicholson in 1871, and in 1881 he was to be found at Gosport taking to the waves in his yawl and cutter. In 1882 the Royal Portsmouth Yacht Club noted that member Mr. Lavery “used to run their refreshment department”. In 1895, Lavery and fellow board member of the Bodega Company, Edward Talbot Wolesley (b. 1849) wind up their interests in the Mexican Tobacco Plantation Ltd and in 1896, Lavery and another Bodgea board member, John Henry Mortimer Scott become directors of the vendor syndicate for the Almaraz Tin Mining and Smelting Company (with interests in Spanish tin mines).

In 1897, The Bodega Company is incorporated and shares are sold. It is described thus: “So long established that no description is necessary in the prospectus!”

1901, Standard Newspaper Advertisement. British Newspaper Archives. Some of these branches are noted on Pubwiki.

In 1901, as Edward Talbot Wolesley was buying up The Durham Ox, The Bodega Company had 10 branches in London, 3 in Birmingham and further establishments in Liverpool, Manchester, Edinburgh, Dundee, Dublin, Belfast, Cork, Cardiff, Wolverhampton, Ryde, Wigan, Folkestone, Sheffield, Brighton and Hastings. (28 branches in all).

They provided Wine, Spirits, Liquors, Cigars and even sell their own Bodega Smoking Mixture in branded tins. The Bodega Trade Mark was protected, and the shield device (which can be seen on the front of the Nottingham building), was described as having “black letters on an orange band, crossing a shield with a garter at the foot.”

In 1901, Edward Talbot Wolesley found himself being tasked with purchasing The Durham Ox, and in 1902, GD Martin’s design was realised on Pelham Street.

Bodega shield (sketch) as it appears on the front of the building now.

The pub was licenced on behalf of Wolesley, Chairman of The Bodega Company Limited, London, at the Nottingham Sessions. “A great improvement had been effected. The building would be more open to police supervision than ever the old house was.” The upstairs Billiard Room was sanctioned as long as no side entrance was available for use by the public. Permission was granted.

1902 Advertisement for the Bexhill on Sea branch of Bodega, placed in the Bexhill on Sea Observer in December (around the same time that the Nottingham branch would have opened.) British Newspaper Archive.

In 1903, the licence for the Nottingham Bodega passed from Edward Talbot Wolesley to Cuthbert Johnson Collingwood, a bar manager for several branches of the chain, who had become Managing Director of the Bodega Company.

In 1904 the Nottingham Evening Post reported that Wolesley, former chairman of the company, had been declared bankrupt and resigned his post in 1903 over some irregularities connected to his purchase of the Durham Ox (and other establishments around the same time). He had received £9,180 in “secret commission” which was considered to be fraud!

The Bodega is listed as a “Billiard Saloon” around 1904 and regular advertisements for staff continue to appear in local papers. By 1909 there are 34 branches of Bodega around the country.

The Bodega, as it is in 2019. Photo: Lucy Brouwer

Listen out to Radio Nottingham tomorrow (8 November 2019 around 2pm) for more about The Bodega and read the next installment of this blog coming soon!