Art Deco, Research, Travels

A Beeston Bimble*

Plus Nottingham architecture events now booking.

My next Vat & Fiddle talk, on Watson Fothergill in the Park Estate, is now sold out. However, if you’d like to book me to give a talk to your group or club, please do not hesitate to contact me.

The first few tours of the year are filling up nicely – Deco in the Details Part 1 on 15 February is now full, but there is space left on Deco in the Details Part 2 on 29 March, and on the Watson Fothergill Walk on 22 February and 22 March. There will be more tours throughout the year, with The Carrington Crawl and Hine Hike also returning, so keep an eye on these emails for future dates.

Photo: Lamar Francois

The weather has not been particularly conducive for tours this month, so I took a day off for a wander around Beeston. (This is not a guided tour, just something I do!)

Beeston’s history is well-documented, and the Beeston Civic Society have been doing great work. If you live there or visit, you’ll know that there are loads of cafes and bars, interesting shops and charity shops. A few buildings caught my eye…

Beeston Library, Photo: Lucy Brouwer.

As a former Library Assistant and full-time bookworm, I made a beeline for Beeston Library. The building on Foster Avenue was designed by the County Architect E. W. Roberts in 1938. He was also responsible for West Bridgford Library. The builders of the Library, local firm Hofton & Son, also built Beeston Town Hall, which is now used as a church, and sits opposite. It opened in 1938 and was designed by the architects Evans, Clark & Wollatt with H.H. Goodall. It has a solid Neo-Georgian look with Art Deco details.

Former Town Hall, Beeston. Photo: Lucy Brouwer.

After a very nice coffee at Greenhood, itself in a former Birds the Confectioners shop on the High Road, our daunder** took us past the former Primitive Methodist Church on Wollaton Road. This 1882 building was one of many Victorian-era Methodist churches by Nottingham architect Richard Charles Sutton.

Former Primitive Methodist Church, Beeston. Photo: Lucy Brouwer.

R.C. Sutton was a very prolific architect in his day; his buildings can be found all over Nottingham and outlying areas. I’m hoping to explore his work and his connections to Bromley House Library, where he had his office, further this year.

Back on the High Road, the former NatWest Bank stands out. It was originally built for the Nottingham and Notts bank, 1905-08, and was likely designed by the Coalville architect Thomas Ignatius McCarthy. The Pevsner guide describes it as “abstracted Neo-Tudor.” It ceased to be a bank in 2023 and is now a kitchen showroom.

Former Nottingham & Notts/ NatWest Bank, Beeston. Photo: Lucy Brouwer.

Further down the High Road, the familiar Home Brewery lettering on a white building caught my eye. The Pudding Pantry cafe was previously The Durham Ox pub.

A very detailed history of the pub can be found on David Hallam’s Beeston History website. The present building was built in 1925, and was one of many pubs rebuilt by the Nottingham architect Albert Edgar Eberlin, as mentioned in my Art Deco Pubs talk. Eberlin also worked on The Fox, The Royal Children, The Beechdale and many more pub buildings around Nottingham.

Another Deco-era building I noticed, the recently closed Poundland, was in fact a former Woolworths.

This was Woolworth’s store 578 and was completed in 1934 by their in-house architect, Harold Winbourne. I noticed the parapet and margin glazing in the metal-framed windows. Head over to the Woolies Buildings website for archive pictures of this one in its former glory and to Building Our Past for shop architecture historian Kathryn A. Morrison’s in-depth look at Woolworths and their architects.

Does your neighbourhood have any buildings that catch your eye? Look up and see what you can see next time you’re out. Or if you have a building you’d like me to research – get in touch.

* Bimble; English, informal: a leisurely walk or journey.
** Daunder; Scots: to stroll, saunter or wander aimlessly.

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Art Deco, Research

90 years of The Savoy Cinema

On 7 November 1935, Nottingham’s Art Deco Savoy Cinema opened to the public.

The Savoy Cinema, on Derby Road, Lenton, opened 90 years ago on 7 November 1935. It is the only surviving pre-WW2 cinema in Nottingham, although it has been much altered, it still has some original features surviving.

The cinema is celebrating this anniversary with newly refurbished seating and special prizes for cinema-goers, but what of the building’s beginnings and its architect?

The Savoy as pictured in The Nottingham Journal, 7 November 1935. (BNA)

It was designed by architect Reginald W. Cooper (1902-1969), who had been an assistant to another Nottingham architect, Alfred J. Thraves, also known for his cinema designs and for his work on Nottingham’s Palais de Danse. (As covered on my Deco in the Details tour).

Reginald William Gaze Cooper was born in Long Eaton in 1902. By the age of 19, he was working as an architect. In January 1935, when plans for the Savoy were announced, his office was in Queen’s Chambers on King Street (a building familiar to anyone who has been on my Watson Fothergill Walk tour, as it was designed by Fothergill and completed in 1897).

The new Savoy cinema was described at its inception as being in the “Austrian style, with a frontage carried out in cream with stainless steel columns used to obtain decorative effect.” (Nottingham Journal, Wednesday 16 January 1935).

On the Derby Road trolley bus route, The Savoy was built to cater for the suburban populations of Lenton, Radford, and Wollaton Park. The “new picture house embodies every modern idea in cinema design”. It was planned to “provide accommodation for some 1,200 patrons”.

The frontage to Derby road was “striking in cream Cullamix (render) and green and black glass.”

The Savoy, as pictured in a Pilkington Glass Vitrolite Specifications catalogue (late 1930s). (Internet Archive).

In the Pilkington’s Vitrolite Specification catalogue, (pictured above) the canopy over the door of the cinema is highlighted. It describes black and green Agate Vitrolite bands with columns of green Agate and black. Vitrolite was a super-strength glass made by heating chemical compounds to extreme temperatures, it was often used on Art Deco buildings. 

Inside the elliptical-shaped foyer, there was a central pay box and a chocolate counter. The flooring was made from Dunlop Rubber, as seen in this advertisement from The Architect’s Journal in 1947.

Dunlop Rubber Flooring, Architects’ Journal 1947 (Internet Archive)

The Nottingham Journal described an interior colour scheme of pale green, deep cream, and silver. “No cinema in the city possesses such a perfect screen.” Seating, carpets, and curtains were all supplied by Griffin & Spalding (the local department store, eventually to become Debenhams).

The opening film was Flirtation Walk, a musical of 1934 starring Dick Powell and Ruby Keeler. 

Nottingham Journal (BNA)
Poster for Flirtation Walk (1934) Source

Here’s crooner Dick Powell singing the title song with some clips from the film

Reginald W. Cooper was also the architect of many other Nottingham cinema buildings, including The Roxy, Daybrook, The Capitol, Radford (Still standing as a church and worth seeking out), The Ritz-Carlton (in Carlton!), The Adelphi, Bulwell, and The Metropole on Mansfield Road, Sherwood. He was also responsible for the typically Art Deco Ritz cinema in Ilkeston and the Nottingham Stadium Ice Rink.

Read more about The Savoy in Left Lion, source of this 1940s photo. 
The Savoy circa 1965 (Found on Facebook). 
The front of the Savoy being altered circa 1968 (Read more about The Lenton Picture House Co and The Savoy in The Lenton Times, the source of this photo).

These days, The Savoy has an altered frontage, added in the late 1960s, and the interior has undergone an array of alterations. More about the ongoing history of The Savoy in West Bridgford Wire.

If you’re heading to The Savoy to see the films they’re showing this week – including The Choral and Bugonia – enjoy the movie and remember one of Nottingham’s great Art Deco-era buildings.

For more about Art Deco architecture and the buildings of the 1920s and 1930s, join me for my talk on Nottingham’s Art Deco Pubs, which I’ll be running again on Tuesday, 20th January 2026 at The Vat & Fiddle pub.

NOW SOLD OUT – Make sure you’ve subscribed for announcements of new dates!

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Art Deco, Events, Research

Deco in the Details: The Bath Inn

Soak up the history of one of Nottingham’s most distinctive pub buildings and the brewery that turned it Egyptian.

There are still a few places available for my architecture tour Deco in the Details Part 1, Thursday 23 October, 11 am – see the previous post for more info on one of the featured buildings.

I’m going to be covering the other side of town on Deco in the Details Part 2 on Thursday 30 October, 11 am so I thought I’d highlight one of the buildings that we will visit – The Bath Inn, Handel Street, Sneinton Market.

The Bath Inn, Handle Street, Sneinton Market. Photo: Louise Hunter

I touched on the history of The Bath Inn when I looked at Nottingham’s Art Deco Pubs, but since then I met a descendant of Thomas Losco Bradley (the owner of the Midland Brewery, originally responsible for refurbishing the pub in Egyptian style), so I thought I’d delve a little more deeply into the story.

There is an older building, originally built in the 1820s, beneath the 1928 refaced exterior of The Bath Inn, which itself has been restored and reinvigorated by the present publican, Piers Wheatcroft Baker. 

The Bath Inn circa 1900 (Picture Nottingham)

Before it was refurbished in the 1920s, the landlord was Frederick Knibb (possibly seen in the photo above). The name above the door is a previous landlord, Thomas Bagshaw (c.1885). By the time the work was done on the exterior, the landlord was Tom Hollingworth, who had previously been a tobacconist. His wife Annie carried on running the pub after his death in 1934 until at least 1939. 

The Bath Inn 2009 (Photo: Alan Murray-Rust, Geograph)

The pub is a Listed Building described as stucco with a faience pubfront (the glazed tiles are typical of those used in many 1920s and 1930s buildings). It has a rebated, rounded corner and on both sides, the now-rare Egyptian stylings are visible in the ornamented cornice and the columns with bunched reeds as capitals around the doors. There are giant Egyptian pilasters with decorated capitals down the length of the building, now partly hidden behind the hanging baskets. 

Ancient Egypt was all the rage in the 1920s thanks to the discovery of Tutankhamun’s tomb in 1922. Read more about it on Historic England’s blog.

The Bath Inn, 2015 (Photo: Stephen Richards, Geograph)

In the 1920s, The Bath Inn was one of the tied houses belonging to The Midland Brewery, owned by Thomas Losco Bradley. The Midland Brewery was then based at 119 Northgate, New Basford, but had begun in the late 1890s when Bradley started brewing ales at the pub he kept on Raleigh Street, The Barleycorn (now demolished). 

Thomas Losco Bradley was the son of Thomas Bradley, who had run another pub in Radford, The Cricketers Arms on Alfreton Road. They were at the Cricketers in 1881 but by the time of the census in 1891, the Bradleys had moved to The Barleycorn. 

The Cricketers Arms c. 1976 (Photo: Closed Pubs)

Thomas Losco Bradley took over The Barleycorn from his father and began brewing his own beers. He lived at Second Avenue, Sherwood Rise, with his wife Alice and son Thomas Losco Bradley Jr. 

Football News, 1892 (BNA)

Around 1907 the business expanded and Thomas Losco Bradley purchased the brewery building on Northgate, New Basford from Madden & Dell. By now the company was called The Midland Brewery and their beers came to be known (in their advertising at least) as “Bradley’s Brilliant Ales.”

Bradley’s beer label c.1930s (Pic: Brewery History)

In 1928, Bradley’s Ales were awarded First Prize at the Brewers’ Exhibition in London. Perhaps The Bath Inn was refitted in celebration of this victory?

Thomas Losco Bradley was a well-known figure locally. He owned racehorses and as master of the Rufford Hunt, was often photographed in The Tatler mingling with the county set. His wife bred Fox Terriers at their home Munden House and was featured in The Ladies’ Field magazine in 1917 with her dogs, who all had the pedigree name ‘Cromwell’. 

The Tatler 1928 (Archive.org)

At the time of his death in 1930, Thomas Losco Bradley Snr had moved to Holly Lodge, Oxton and he was buried in his pink hunting kit after a service at St Barnabas Cathedral. His ‘favourite lemon and white smooth haired Fox Terrier, “Nettle”, with a black bow round its neck attended the funeral’. (Granthan Journal, 5 April 1930).

The Brewery continued to be run by his son Thomas Losco Bradley Jr, with several tied houses, many of which are still Nottingham pubs today, including The Sir John Borlase Warren, The King William (aka The Billy), The Hand in Heart, and The Foresters (New Foresters), along with several outside the city

Sir John Borlase Warren, Canning Circus, Nottingham, as a Bradley’s pub. (Photo: Brewery History)

In 1954, Shipstones purchased the brewery and its pubs, The Bath Inn and the others became Shipstones houses. In the 1990s, it was briefly a Greenall’s pub, and for a while it was part-pub, part-fish and chip shop. 

It closed down, but in 2021 was reopened by Piers Wheatcroft Baker, who has gone on to do great things. He has restored the exterior and added an Art Deco flavour to the inside of the pub, along with many characterful elements worthy of his pedigree – his father is Doctor Who actor Tom Baker and his mother was part of the Wheatcroft family of Sneinton rose growers, including her uncle, the flamboyant Harry Wheatcroft, who was born in Handel Street, just a stone’s throw from the pub. Read more about the regeneration of The Bath Inn in Nottingham’s own Left Lion or drop in for a pint (sadly not of Bradley’s Brilliant Ales).

Make sure you subscribe for more and keep up to date with my blogs and events: Watson Fothergill Walk – Lucy Brouwer on Substack

Research, Watson Fothergill in Nottingham

Another Fothergill on the market

A couple of small flats are for sale in another Fothergill building, the former Marhill Brewery building at Carlton, to the north of the city centre.

The former Marhill Brewery, Carlton from the listing for a flat in the upper floor on Rightmove

Originally built for Mr Vickers in 1899, it was converted to residential use around 2005. It seems that the Brewery was quite a short-lived enterprise, The Vickers family held the licence at The Black’s Head pub close by in Carlton in the late 1800s.

“Brewing in Nottinghamshire” has an older picture of the building and states that the Carlton Brewery was short-lived. With Mrs Vickers there in 1902 and Willam (her son?) there between 1904-1906. It was sold in 1904, 1906 and 1909. It became a laundry, then a print works and then it was used as a dye works owned by the Ilkeston Hosiery Finishing Company. The sequence of these changes is not entirely clear according to the official listing on Historic England.

This building is too far out of the city centre to feature on my tour but you can reach it by bus then walk from Carlton Square.

More pictures of my FothergillSpotting on the Watson Fothergill Walk Instagram!

Public Art, Research

WTF is this?

I’ve been trying to create a tour that people could do without me being physically present. I put a lot into presenting my tours and it takes a lot out of me…

A sunny day in St Peter’s Square, Nottingham. Photo: Lucy Brouwer

I’ve tested a few options including audio tour apps (hit and miss quality-wise), printed tours (where’s my reading glasses?) and dragging guidebooks with me onto the street (haphazard and increasingly heavy to lug around – the updated Nottinghamshire Pevsner guide weighs almost 1kg). 

One of my ideas for an audio tour was for an in-depth look at some of Nottingham’s public artworks and commemorative plaques. Now come on, don’t yawn…

Who doesn’t love a statue selfie? Me with one of the Lions from the demolished Black Boy Hotel, now in the grounds of Nottingham Castle.

So while the sun was out I popped down to the centre of town to walk a route I had in mind, I wanted to include the new Standing In This Place sculpture in this survey of statues, so I headed down towards the Broadmarsh.

On the way, at St Peter’s Square (outside M&S) there is a sculptural work, placed in the 1980s by the well-meaning City Council, back when it had money to spend on the Public Realm. I snapped a photo and as I went by something caught my eye. There was something written in felt tip pen on the marble.

WTF? Photo: Lucy Brouwer

Now, I’m always on the lookout for stuff to put on the Watson Fothergill Walk Instagram, so a little later I launched this photo of Leaf Stem with brief information about the artwork, I was a bit peeved but not massively so, it’s rather neglected and hardly anyone notices it these days. I didn’t think much more about it.

It auto-posted to Facebook and there were a few comments – the usual mild outrage that I’d suggested “LOCAL PEOPLE” might have committed vandalism, a few tales about how people thought it looked like a certain anatomical shape and the names they used to call it when they arranged to meet their friends by it, that sort of thing. 

What I hadn’t really considered was that the algorithms love a bit of rage. The post started to get a bit more traction than my usual photos of buildings with names and dates. However, the next morning I awoke to a text from a friend – Saw this Notts Post headline and thought “I know her!”

It even made the print edition! Modern journalism, eh?

A little late notoriety for Paul Mason’s Leaf Stem – here’s a blog telling the story of the work in more depth. 

So I suppose I should put something together, possibly with all the slightly rude names that this sculpture has collected over the years… 

Nottingham has some great sculptures – Robin Hood, Brian Clough, Rachel Carter’s fantastic new Standing In This Place, not to mention the Left and Right Lions. They all have stories to tell. Would you like a self-guided public art trail? Do let me know…

Events, Research

Let’s see Nottingham differently!

As promised, more walks are coming up. There are still tickets available for both parts of Deco in the Details in February. March sees the return of the Carrington Crawl, plus more chances to join me for the Watson Fothergill Walk and Hine Hike in Nottingham city centre. I can also take private bookings for groups of 5 or more on weekdays and I can present illustrated talks to groups, so please drop me a line if you’d like to organise an event. Terms and conditions apply.

Click on the links below for info and tickets: 

Nottingham: Deco in the Details Part One – Weds, 12 February, 2 pm

Nottingham: Deco in the Details Part Two – Weds, 19 February, 2 pm

Watson Fothergill Walk: City Centre – Sun, 23 February, 10 am SOLD OUT more walks soon or book a private tour

Watson Fothergill Walk: The Carrington Crawl – Sat, 8 March, 1 pm

Watson Fothergill Walk: City Centre – Sun, 16 March, 10 am

Hine Hike: The Buildings of Thomas Chambers Hine – Sun, 23 March, 2 pm

Tickets are £20 each* 

Valid gift vouchers purchased before the end of 2024 will be honoured – please send an email if you have any difficulty redeeming vouchers. 

*This now includes ALL FEES and is the same price across all platforms (Eventbrite, Yuup and TripAdvisor) whose fees vary. This helps my small business to reach a larger audience. 

Thanks to Jane for the photo!

Hire a House Historian

Lucy Brouwer (seen here with her mate the Left Lion) is a tour guide, art historian and researcher who likes to look at things differently. If you’d like to hire a researcher to look into the history of your house, business premises or other pre-1940 building then send an email via this form. Rates start at £57 for a preliminary investigation into each property. More details here.

Research

Hire a House Historian

I am now available to carry out research on the history of houses and the people who lived in them, in Nottingham and the surrounding area. I’m particularly interested in Victorian properties but will branch out where appropriate resources are available. 


If you’d like to see who lived in your house* through time or maybe you want to discover if a renowned architect was involved in designing your property, then please contact me to arrange a research package. 

For more details see the Hire a House Historian page here.

*or shop!

Have a look at some research I did last year on a house in Elm Bank, Mapperley Park… Inside Elm Bank

And here’s another house, this time in Chilwell, with Watson Fothergill connections that I looked into in 2021.

I’m not only interested in Fothergill houses… Nottingham has a lot of Victorian architecture and I’m always interested to find out more.

Events, Research

Researching buildings PLUS Summer dates for tours

I’m busy researching buildings for what I hope will be at least one new tour in Nottingham and maybe something else for extra-keen Fothergill-spotters (all very exciting and I will share this properly with you when things are closer to being ready!)

Research!

Meanwhile, there are some of my walks coming up, including Watson Fothergill Walk and Hine Hike.

Here are the dates and links to tickets.

Watson Fothergill Walk (Nottingham City Centre tour), Sunday 26 May, 10 am

June 2024

A summer evening Watson Fothergill Walk (Nottingham City Centre tour) Thursday 13 June, 6pm 

Watson Fothergill Walk(Nottingham City Centre tour) Sunday June 23, 10am 

Hine Hike – The Buildings of Thomas Chambers Hine, Sunday 30 June, 2pm

Lucy, your tour guide, being over excited about a Watson Fothergill building – in this case The Simons and Pickard Paper Warehouse 1894, now Castle Court, Nottingham.

Please check out some of the lovely reviews people have been leaving on TripAdvisor (thank you so much if you’ve taken the time to write one.) (Booking directly through me or Eventbrite is the best value option for tickets).

It’s getting harder and harder to reach new people on social media… so if you’ve enjoyed Watson Fothergill Walk please tell your friends!

So, if you live in or around Nottingham or just visiting, you’re interested in History, architecture, and eccentricity (me? the architect?) you might enjoy my tour. Plus you get your steps in & there’s a pub at the end!

Dates in June with tickets available – all details and links to tickets here or sign up to the mailing list to hear about new dates each month. Thank you everyone!

Inside, Research, Watson Fothergill in Nottingham

Inside Thurland Street Bank

Observant Nottinghamians will have noticed some changes taking place in one of the city’s largest Fothergill buildings recently. The sports bar chain Box has moved into the Former Nottingham & Notts Bank (lately All Saints and before that Nat West) on the corner of Pelham Street and Thurland Street.

Picture of how the Thurland Street Nottingham and Notts Bank looked circa 1898 from The Builder (found at archive.org) Building was completed 1882 – “Fothergill Watson” carved beneath the date stone as this predates his 1892 name change.
Thurland Street Bank, November 2023. Note how the chimneys have changed over the years (there is one fancy one left at the back of the building). Photo: Lucy Brouwer


I’ve waited a long time to get inside parts of this building and my ambition to have a look at the stained glass upstairs was finally realised as the bar opened to the public last week. Thanks to the friendly staff for letting me have a look around. The building has been developed with strict rules about how the listed interior can be used, so hopefully the fabric of this fantastic example of Fothergill’s work will survive this regeneration for use as a party venue!


I’ll hopefully get time to do a more thorough post on the history of the building soon but meanwhile here are some photos of the stained glass, which is in a part of the building that is not open to the public.

The oriel window features Chaucer and Shakespeare. The motto: Tolle Lege “Take up and read”. Photo: Lucy Brouwer

Fothergill has form with Chaucer – inside his office, there is a carved quotation:

“The lyf so short, the craft so long to lerne, Th’assay so hard, so sharp the conquerynge”. 

The Parliament of Fowls, Geoffrey Chaucer.

See previous blog for a full translation into modern English. 

Fothergill was also fond of a religious quotation “Tolle lege” are the words spoken to St Augustine during his conversion to Christianity…

Chaucer – was one of the authors revered and published by William Morris also an inspiration to Watson Fothergill? Photo: Lucy Brouwer
William Shakespeare – recognisable even from outside when back to front! Photo: Lucy Brouwer
From the outside this window looks like it was once on a staircase, that is long gone like the rest of the interior decoration upstairs, but the quality of the work shines through. Photo: Lucy Brouwer

The female figures on this window represent Art, Science, Agriculture, Commerce, Manufacture and Mining. This chimes with the frieze on the exterior that represents the three major industries of Nottinghamshire in the 1880s – Agriculture, Textiles and Mining. The quotation underneath is:

“Whatsoever thy hand findeth to do, do it with all thy might. For there is no work nor device for knowledge nor wisdom in the grave wither thou goest. The race is not to the swift nor the battle to the strong neither yet bread to the wise nor yet riches to men of understanding nor yet favour to men of skill but time and chance happeneth to them all.”

Ecclesiastes Chapter 9 verses 10 & 11, King James Bible Version

I’d love to track down evidence of the artist who designed this stained glass, so if anyone has any leads please get in touch!

A first attempt at video so forgive the portrait mode!

Research, Travels

A Visit to Wightwick Manor & The De Morgan Foundation

Today (16th November) marks the anniversary of the birth in 1839 of the artist William De Morgan.

William De Morgan portrait by Evelyn De Morgan and De Morgan shop sign in tiles at De Morgan Foundation, Wightwick Manor (better image at NPG) Photo: Lucy Brouwer

De Morgan was a lifelong friend of William Morris, a potter who designed tiles, stained glass and furniture for Morris and Co. I have wanted to visit the wide-ranging collection of his work and the work of his wife, artist Evelyn De Morgan at Wightwick Manor, near Wolverhampton for some time and last weekend I had the chance to see the house and its fantastic contents.

Image of Wightwick Manor Wikimedia Commons Rick Massey


The house itself is something of a trickster, built by architect Edward Ould for Theodore Mander in two parts in 1887 and 1892 in an Old English style with timber framing, red brick and tile hanging it looks like a carefully restored medieval building but it is not all it seems. On closer inspection the house is almost too good to be true – the timbers and patterns are a front and don’t reflect the construction of the place at all. There is a long process of restoration taking place and scaffolding was up when I visited, the untreated timbers are gradually being replaced and the illusion is being upheld.

Entrance to Wightwick Manor under restoration. I think Fothergill would have liked the faux-medieval tower… Photo: Lucy Brouwer
Tile hanging and timber at Wightwick Manor. Photo: Lucy Brouwer
Timbers full of detail at Wightwick Manor. Photo: Lucy Brouwer


The Mander family who made their fortune in paint and varnish later turned to local politics. They wanted period details for their home, and it was comfortably furnished with attention to craftsmanship and artistic interest. Stained glass by Charles Eamer Kempe (see previous blog on Lichfield Cathedral), wallpapers and rugs by William Morris, the house is a great example of late Victorian taste. I imagine that the lush textures and busy walls resemble to some extent what Fothergill’s house at 7 Mapperley Road in Nottingham might have looked like. Art, porcelain and glass but set off with electric lights. Carefully chosen objects and medieval themes dominate.

Four seasons stained glass by Charles Kempe at Wightwick Manor. Photo: Lucy Brouwer
William De Morgan plate. Bold colour and strong shapes. Photo: Lucy Brouwer


In the 20th century, Geoffrey Mander and his wife Rosalie gave Wightwick to the National Trust but continued to live there and collect Pre-Raphaelite art, William Morris designs and the pottery of William De Morgan. The house also contains paintings by Evelyn De Morgan – a painter whose skills and contribution to this colourful style are enjoying closer attention in the 21st century.

Evelyn De Morgan’s colours were fantastic but I also really liked this Study of a head. Better photos of some of the work here


The De Morgan Foundation – set up by Evelyn’s sister the redoubtable Wilhelmina Stirling – houses some of both artists’ work in the coach house on the site. The lustreware tiles and bowls made by William are startlingly modern and bright, Evelyn’s drawing and painting to my mind sometimes even finer than that of the more celebrated Edward Burne Jones.

A couple of people I’ve met who live in Fothergill houses have mentioned that they have tiles that might be De Morgan or at least inspired by his style. I love these galleons that were in the medieval hall at Wightwick Manor. Photo: Lucy Brouwer

Next on my list of places to visit – Cannon Hall near Barnsley where more of William and Evelyn De Morgan’s work is housed.