Art Deco, Research

90 years of The Savoy Cinema

On 7 November 1935, Nottingham’s Art Deco Savoy Cinema opened to the public.

The Savoy Cinema, on Derby Road, Lenton, opened 90 years ago on 7 November 1935. It is the only surviving pre-WW2 cinema in Nottingham, although it has been much altered, it still has some original features surviving.

The cinema is celebrating this anniversary with newly refurbished seating and special prizes for cinema-goers, but what of the building’s beginnings and its architect?

The Savoy as pictured in The Nottingham Journal, 7 November 1935. (BNA)

It was designed by architect Reginald W. Cooper (1902-1969), who had been an assistant to another Nottingham architect, Alfred J. Thraves, also known for his cinema designs and for his work on Nottingham’s Palais de Danse. (As covered on my Deco in the Details tour).

Reginald William Gaze Cooper was born in Long Eaton in 1902. By the age of 19, he was working as an architect. In January 1935, when plans for the Savoy were announced, his office was in Queen’s Chambers on King Street (a building familiar to anyone who has been on my Watson Fothergill Walk tour, as it was designed by Fothergill and completed in 1897).

The new Savoy cinema was described at its inception as being in the “Austrian style, with a frontage carried out in cream with stainless steel columns used to obtain decorative effect.” (Nottingham Journal, Wednesday 16 January 1935).

On the Derby Road trolley bus route, The Savoy was built to cater for the suburban populations of Lenton, Radford, and Wollaton Park. The “new picture house embodies every modern idea in cinema design”. It was planned to “provide accommodation for some 1,200 patrons”.

The frontage to Derby road was “striking in cream Cullamix (render) and green and black glass.”

The Savoy, as pictured in a Pilkington Glass Vitrolite Specifications catalogue (late 1930s). (Internet Archive).

In the Pilkington’s Vitrolite Specification catalogue, (pictured above) the canopy over the door of the cinema is highlighted. It describes black and green Agate Vitrolite bands with columns of green Agate and black. Vitrolite was a super-strength glass made by heating chemical compounds to extreme temperatures, it was often used on Art Deco buildings. 

Inside the elliptical-shaped foyer, there was a central pay box and a chocolate counter. The flooring was made from Dunlop Rubber, as seen in this advertisement from The Architect’s Journal in 1947.

Dunlop Rubber Flooring, Architects’ Journal 1947 (Internet Archive)

The Nottingham Journal described an interior colour scheme of pale green, deep cream, and silver. “No cinema in the city possesses such a perfect screen.” Seating, carpets, and curtains were all supplied by Griffin & Spalding (the local department store, eventually to become Debenhams).

The opening film was Flirtation Walk, a musical of 1934 starring Dick Powell and Ruby Keeler. 

Nottingham Journal (BNA)
Poster for Flirtation Walk (1934) Source

Here’s crooner Dick Powell singing the title song with some clips from the film

Reginald W. Cooper was also the architect of many other Nottingham cinema buildings, including The Roxy, Daybrook, The Capitol, Radford (Still standing as a church and worth seeking out), The Ritz-Carlton (in Carlton!), The Adelphi, Bulwell, and The Metropole on Mansfield Road, Sherwood. He was also responsible for the typically Art Deco Ritz cinema in Ilkeston and the Nottingham Stadium Ice Rink.

Read more about The Savoy in Left Lion, source of this 1940s photo. 
The Savoy circa 1965 (Found on Facebook). 
The front of the Savoy being altered circa 1968 (Read more about The Lenton Picture House Co and The Savoy in The Lenton Times, the source of this photo).

These days, The Savoy has an altered frontage, added in the late 1960s, and the interior has undergone an array of alterations. More about the ongoing history of The Savoy in West Bridgford Wire.

If you’re heading to The Savoy to see the films they’re showing this week – including The Choral and Bugonia – enjoy the movie and remember one of Nottingham’s great Art Deco-era buildings.

For more about Art Deco architecture and the buildings of the 1920s and 1930s, join me for my talk on Nottingham’s Art Deco Pubs, which I’ll be running again on Tuesday, 20th January 2026 at The Vat & Fiddle pub.

NOW SOLD OUT – Make sure you’ve subscribed for announcements of new dates!

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Art Deco, Events, Research

Deco in the Details: The Bath Inn

Soak up the history of one of Nottingham’s most distinctive pub buildings and the brewery that turned it Egyptian.

There are still a few places available for my architecture tour Deco in the Details Part 1, Thursday 23 October, 11 am – see the previous post for more info on one of the featured buildings.

I’m going to be covering the other side of town on Deco in the Details Part 2 on Thursday 30 October, 11 am so I thought I’d highlight one of the buildings that we will visit – The Bath Inn, Handel Street, Sneinton Market.

The Bath Inn, Handle Street, Sneinton Market. Photo: Louise Hunter

I touched on the history of The Bath Inn when I looked at Nottingham’s Art Deco Pubs, but since then I met a descendant of Thomas Losco Bradley (the owner of the Midland Brewery, originally responsible for refurbishing the pub in Egyptian style), so I thought I’d delve a little more deeply into the story.

There is an older building, originally built in the 1820s, beneath the 1928 refaced exterior of The Bath Inn, which itself has been restored and reinvigorated by the present publican, Piers Wheatcroft Baker. 

The Bath Inn circa 1900 (Picture Nottingham)

Before it was refurbished in the 1920s, the landlord was Frederick Knibb (possibly seen in the photo above). The name above the door is a previous landlord, Thomas Bagshaw (c.1885). By the time the work was done on the exterior, the landlord was Tom Hollingworth, who had previously been a tobacconist. His wife Annie carried on running the pub after his death in 1934 until at least 1939. 

The Bath Inn 2009 (Photo: Alan Murray-Rust, Geograph)

The pub is a Listed Building described as stucco with a faience pubfront (the glazed tiles are typical of those used in many 1920s and 1930s buildings). It has a rebated, rounded corner and on both sides, the now-rare Egyptian stylings are visible in the ornamented cornice and the columns with bunched reeds as capitals around the doors. There are giant Egyptian pilasters with decorated capitals down the length of the building, now partly hidden behind the hanging baskets. 

Ancient Egypt was all the rage in the 1920s thanks to the discovery of Tutankhamun’s tomb in 1922. Read more about it on Historic England’s blog.

The Bath Inn, 2015 (Photo: Stephen Richards, Geograph)

In the 1920s, The Bath Inn was one of the tied houses belonging to The Midland Brewery, owned by Thomas Losco Bradley. The Midland Brewery was then based at 119 Northgate, New Basford, but had begun in the late 1890s when Bradley started brewing ales at the pub he kept on Raleigh Street, The Barleycorn (now demolished). 

Thomas Losco Bradley was the son of Thomas Bradley, who had run another pub in Radford, The Cricketers Arms on Alfreton Road. They were at the Cricketers in 1881 but by the time of the census in 1891, the Bradleys had moved to The Barleycorn. 

The Cricketers Arms c. 1976 (Photo: Closed Pubs)

Thomas Losco Bradley took over The Barleycorn from his father and began brewing his own beers. He lived at Second Avenue, Sherwood Rise, with his wife Alice and son Thomas Losco Bradley Jr. 

Football News, 1892 (BNA)

Around 1907 the business expanded and Thomas Losco Bradley purchased the brewery building on Northgate, New Basford from Madden & Dell. By now the company was called The Midland Brewery and their beers came to be known (in their advertising at least) as “Bradley’s Brilliant Ales.”

Bradley’s beer label c.1930s (Pic: Brewery History)

In 1928, Bradley’s Ales were awarded First Prize at the Brewers’ Exhibition in London. Perhaps The Bath Inn was refitted in celebration of this victory?

Thomas Losco Bradley was a well-known figure locally. He owned racehorses and as master of the Rufford Hunt, was often photographed in The Tatler mingling with the county set. His wife bred Fox Terriers at their home Munden House and was featured in The Ladies’ Field magazine in 1917 with her dogs, who all had the pedigree name ‘Cromwell’. 

The Tatler 1928 (Archive.org)

At the time of his death in 1930, Thomas Losco Bradley Snr had moved to Holly Lodge, Oxton and he was buried in his pink hunting kit after a service at St Barnabas Cathedral. His ‘favourite lemon and white smooth haired Fox Terrier, “Nettle”, with a black bow round its neck attended the funeral’. (Granthan Journal, 5 April 1930).

The Brewery continued to be run by his son Thomas Losco Bradley Jr, with several tied houses, many of which are still Nottingham pubs today, including The Sir John Borlase Warren, The King William (aka The Billy), The Hand in Heart, and The Foresters (New Foresters), along with several outside the city

Sir John Borlase Warren, Canning Circus, Nottingham, as a Bradley’s pub. (Photo: Brewery History)

In 1954, Shipstones purchased the brewery and its pubs, The Bath Inn and the others became Shipstones houses. In the 1990s, it was briefly a Greenall’s pub, and for a while it was part-pub, part-fish and chip shop. 

It closed down, but in 2021 was reopened by Piers Wheatcroft Baker, who has gone on to do great things. He has restored the exterior and added an Art Deco flavour to the inside of the pub, along with many characterful elements worthy of his pedigree – his father is Doctor Who actor Tom Baker and his mother was part of the Wheatcroft family of Sneinton rose growers, including her uncle, the flamboyant Harry Wheatcroft, who was born in Handel Street, just a stone’s throw from the pub. Read more about the regeneration of The Bath Inn in Nottingham’s own Left Lion or drop in for a pint (sadly not of Bradley’s Brilliant Ales).

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Art Deco, Travels

Art Deco buildings in Long Eaton

On Saturday, 13 September I’m doing the second of my Nottingham Art Deco architecture tours for Art Deco Society UK. As I write, there are just 3 tickets remaining. I’d recommend joining ADSUK if you love all things Deco, and you will receive a discount on their events.

Nottingham: Art Deco in the Details, 2 pm, Saturday 13, September 2025. 

Since I’ve followed up my interest in Art Deco architecture, I’ve been looking for it everywhere I go. After taking note of Long Eaton’s Fothergill building, we headed to the other end of the High Street to find the former Burton shop. If you’ve been on any of my Art Deco walks in Nottingham, you’ll know that I am a bit obsessed with the shops built by Montague Burton The Tailor of Taste. The one in Long Eaton was opened in 1935 in a hail of hyperbolic publicity. 

The Long Eaton Advertiser, Friday, December 6, 1935 waxed lyrical about the “mammoth building” which “stands like a crystal palace, glistening in the sunshine and adding dignity to Long Eaton’s shopping centre.”

“Montague Burton buildings are easily recognisable throughout the country by the originality and beauty of their design, but now the palace is stamped and sealed with Neon Sign Lettering, telling the world that it belongs to Montague Burton, Ltd.”

Burton Long Eaton, 1935. British Newspaper Archive.

“A magnificent structure, noble in conception, graceful in design, and occupying a prominent position in the centre of town. Impressive in appearance, and commanding the admiration of the general public, this triumph of the building profession should form an enduring monument to the vision and enterprise of Montague Burton, whose ever-increasing chain of tailoring establishments throughout Great Britain and Ireland forms one of the most interesting romances of trade.”

“The building and its two lofty storeys, with stately columns rising to the top, and crowned with a massive pediment bearing the firm’s name, which at night is illuminated, suggests solidity of construction enhanced by artistic ensemble.”

You get the gist… this was a showpiece of the Burton empire, so much so that not only did it feature The Chain of Merit Windows but also five foundation stones with the names of members of the Burton family. 

However, these days, since Burton closed down in 2021, the shop is not in a great state. It’s currently on the market, and it retains part of its original shop front. So we had a close look…

Former Burton shop, High Street, Long Eaton (2025). (Photo: Lucy Brouwer)
Montague Burton The Tailor of Taste, Long Eaton (Photo: Lucy Brouwer)

Foundation stones laid by Lady Montague Burton (Sophie Amelia Marks Burton (1887-1957) born Worksop, wife of Montague Maurice Burton (1885-1952) (born Meshe David Osinsky, in Lithuania). Their twin sons, Raymond Montague Burton and Stanley Howard Burton (stone covered), their younger son Arnold James Burton, and Austin Stephen Burton (a nephew or cousin or possibly an infant grandchild at the time?).

An original Burton grate at street level. (Photo: Lucy Brouwer)
Curved plate glass windows on the side of the shop were most recently in use as a Burton. (Photo: Lucy Brouwer)

Upstairs, a snooker club – I wonder if this was the original use, as often Burton’s upstairs floors were used for billiard rooms.

It would be wonderful if this shop could regain some of its former glory. Fingers crossed. 

Back at the Market Place, another building caught my eye, The Oxford pub, this had the words “Therm House” on the parapet. I immediately guessed it must have been a gas showroom, lo and behold, I was right.

Therm House, High Street, Long Eaton (Now The Oxford). (Photo: Lucy Brouwer)

Therm House was announced in November 1938 in the Long Eaton Advertiser:

“A building which will add dignity to the Long Eaton Market Place will be “Therm House,” which Messrs F. Perks and Son will commence erecting within the next few days. The Long Eaton Gas Company have certainly planned through Mr. J E. Dodd, the well-known architect, attractive and commodious premises which will occupy the site… On the ground floor there will be showrooms and offices. The first floor provides for a demonstration room to accommodate 300 people, along with a projector room and accommodation for a cafe.”

Indeed, the Oxford Cafe was in the building for a period (and the name remains today on the pub). 

“Therm House” will radiate “light and power” in the old market.”

Mr Therm was an anthropomorphic flame character used by Gas companies in the UK to advertise the convenience of their power and household appliances, appearing from the early 1930s to around the 1960s. The Mr Therm logo was originally at the top of the building between the two words on the parapet.

Mr Therm even had his own swinging theme song…”Meet Mr Therm”. With some choice lyrics:

“Meet Mr Therm, he’ll make your life more easy and very much less greasy, so meet Mr Therm…”

Mr Therm, in the guise of Sherlock Therm, appeared in a series of adverts in the press in the 1930s. British Newspaper Archive.

Finally, for now, Long Eaton has recently lost its Art Deco Cinema. This is all that’s left of the Galaxy Cinema on Derby Road, Long Eaton.

Site where The Galaxy Cinema once stood, Derby Road, Long Eaton. (Photo: Lucy Brouwer/ Louise Hunter)

There will be a few more interesting buildings in Long Eaton in the next post. Until then, if you’d like to find out more about Art Deco Architecture and the buildings of the 1930s, join me for a tour of Nottingham for Art Deco Society UK on Saturday, 13 September, 2 pm.

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Fothergill Bank Long Eaton
Fothergill Buildings Outside Nottingham

Fothergill in Long Eaton

I finally made it to Long Eaton to see the building Fothergill designed for Samuel Smith’s Bank. Just over the border into Derbyshire, Long Eaton is a half-hour bus ride away from the centre of Nottingham (I caught the Sky Link airport bus and met up with my friend Louise on the way).

The Halifax (former Samuel Smith & Co, Bank), 24 Market Place, Long Eaton. Architect: Fothergill Watson, 1889. (Photo: Louise Hunter).

Halifax are closing this branch in September 2025, so we wanted to visit while it was still possible to go inside. However, the interior was fairly modern with the only evidence of the original detail being the coffered wooden ceiling. I didn’t take a photo, as by then the counter assistants were wondering if I was casing the joint.

In March 1889, Fothergill Watson (pre-name change) submitted plans, commissioned by Messrs Samuel Smith & Co, Bankers, but these do not survive in archives. There are several other Fothergill buildings linked to this association with Smiths Bank, including alterations to a house on Cator Lane, Chilwell, for Mr F.C. Smith (see blogs passim), Hucknall Institute & Coffee Tavern (memorial stone laid by Mrs F. C. Smith), and a branch in Bullwell (now demolished).

The Grade II Listed bank makes good use of its location, with both side elevations projecting into the street; there is a porch on the south corner with a typical polished granite column.

Smith’s Bank, Long Eaton. South Elevation. (Photo: Lucy Brouwer)

The building uses Fothergill’s favoured red brick with blue brick bands, stone dressing the terracotta dressings. Elaborately moulded chimneys and a slate roof are also typical.

The front has five moulded Caernarvon arched windows with polished granite columns with foliage capitals. (Caernarvon arch is a term often used by Historic England and refers to an arch comprising a wide keystone resting on two corbels shaped to fit the keystone.)

Caernarvon arched window. (Photo: Lucy Brouwer)

Below the windows is a continuous moulded sill band and above a moulded terracotta frieze (now mostly visible thanks to a smaller Halifax signboard).

Close up of the terracotta moulding. (Photo: Lucy Brouwer)

The porch has semi-circular headed stone arches supported by a large polished granite column with foliage capital. There is wrought ironwork in the tympanums and grid iron work below (it looks like originally there would have been another grid gate to close off the entrance).

Porch with wrought ironwork. (Photo: Lucy Brouwer)

The date stone overlaps 1889 and is rather discreetly placed in the stone arch of the window.

Date stone in window arch. (Photo: Lucy Brouwer)

On the north corner, a canted oriel mullioned and transomed window with terracotta panels to the base and coloured brick corbels below.

Canted Oriel window. (Photo: Lucy Brouwer)

On the north side, facing into the church yard, a grand stair window with a stepped base and below a large moulded arch with a door and window.

North side door. (Photo: Lucy Brouwer)

While we were exploring Long Eaton, I was pleasantly surprised to discover there were several other buildings of note. More coming up…

If you’d like to learn more about the architect Watson Fothergill, why is swapped his names around, how to spot his buildings, and much more, then join me for The Watson Fothergill Walk, an architectural walking tour of Nottingham City Centre. Next date 7 September 2025.

Research, Watson Fothergill in Nottingham

Another Fothergill on the market

A couple of small flats are for sale in another Fothergill building, the former Marhill Brewery building at Carlton, to the north of the city centre.

The former Marhill Brewery, Carlton from the listing for a flat in the upper floor on Rightmove

Originally built for Mr Vickers in 1899, it was converted to residential use around 2005. It seems that the Brewery was quite a short-lived enterprise, The Vickers family held the licence at The Black’s Head pub close by in Carlton in the late 1800s.

“Brewing in Nottinghamshire” has an older picture of the building and states that the Carlton Brewery was short-lived. With Mrs Vickers there in 1902 and Willam (her son?) there between 1904-1906. It was sold in 1904, 1906 and 1909. It became a laundry, then a print works and then it was used as a dye works owned by the Ilkeston Hosiery Finishing Company. The sequence of these changes is not entirely clear according to the official listing on Historic England.

This building is too far out of the city centre to feature on my tour but you can reach it by bus then walk from Carlton Square.

More pictures of my FothergillSpotting on the Watson Fothergill Walk Instagram!

Public Art, Research

WTF is this?

I’ve been trying to create a tour that people could do without me being physically present. I put a lot into presenting my tours and it takes a lot out of me…

A sunny day in St Peter’s Square, Nottingham. Photo: Lucy Brouwer

I’ve tested a few options including audio tour apps (hit and miss quality-wise), printed tours (where’s my reading glasses?) and dragging guidebooks with me onto the street (haphazard and increasingly heavy to lug around – the updated Nottinghamshire Pevsner guide weighs almost 1kg). 

One of my ideas for an audio tour was for an in-depth look at some of Nottingham’s public artworks and commemorative plaques. Now come on, don’t yawn…

Who doesn’t love a statue selfie? Me with one of the Lions from the demolished Black Boy Hotel, now in the grounds of Nottingham Castle.

So while the sun was out I popped down to the centre of town to walk a route I had in mind, I wanted to include the new Standing In This Place sculpture in this survey of statues, so I headed down towards the Broadmarsh.

On the way, at St Peter’s Square (outside M&S) there is a sculptural work, placed in the 1980s by the well-meaning City Council, back when it had money to spend on the Public Realm. I snapped a photo and as I went by something caught my eye. There was something written in felt tip pen on the marble.

WTF? Photo: Lucy Brouwer

Now, I’m always on the lookout for stuff to put on the Watson Fothergill Walk Instagram, so a little later I launched this photo of Leaf Stem with brief information about the artwork, I was a bit peeved but not massively so, it’s rather neglected and hardly anyone notices it these days. I didn’t think much more about it.

It auto-posted to Facebook and there were a few comments – the usual mild outrage that I’d suggested “LOCAL PEOPLE” might have committed vandalism, a few tales about how people thought it looked like a certain anatomical shape and the names they used to call it when they arranged to meet their friends by it, that sort of thing. 

What I hadn’t really considered was that the algorithms love a bit of rage. The post started to get a bit more traction than my usual photos of buildings with names and dates. However, the next morning I awoke to a text from a friend – Saw this Notts Post headline and thought “I know her!”

It even made the print edition! Modern journalism, eh?

A little late notoriety for Paul Mason’s Leaf Stem – here’s a blog telling the story of the work in more depth. 

So I suppose I should put something together, possibly with all the slightly rude names that this sculpture has collected over the years… 

Nottingham has some great sculptures – Robin Hood, Brian Clough, Rachel Carter’s fantastic new Standing In This Place, not to mention the Left and Right Lions. They all have stories to tell. Would you like a self-guided public art trail? Do let me know…

Events, Research

Let’s see Nottingham differently!

As promised, more walks are coming up. There are still tickets available for both parts of Deco in the Details in February. March sees the return of the Carrington Crawl, plus more chances to join me for the Watson Fothergill Walk and Hine Hike in Nottingham city centre. I can also take private bookings for groups of 5 or more on weekdays and I can present illustrated talks to groups, so please drop me a line if you’d like to organise an event. Terms and conditions apply.

Click on the links below for info and tickets: 

Nottingham: Deco in the Details Part One – Weds, 12 February, 2 pm

Nottingham: Deco in the Details Part Two – Weds, 19 February, 2 pm

Watson Fothergill Walk: City Centre – Sun, 23 February, 10 am SOLD OUT more walks soon or book a private tour

Watson Fothergill Walk: The Carrington Crawl – Sat, 8 March, 1 pm

Watson Fothergill Walk: City Centre – Sun, 16 March, 10 am

Hine Hike: The Buildings of Thomas Chambers Hine – Sun, 23 March, 2 pm

Tickets are £20 each* 

Valid gift vouchers purchased before the end of 2024 will be honoured – please send an email if you have any difficulty redeeming vouchers. 

*This now includes ALL FEES and is the same price across all platforms (Eventbrite, Yuup and TripAdvisor) whose fees vary. This helps my small business to reach a larger audience. 

Thanks to Jane for the photo!

Hire a House Historian

Lucy Brouwer (seen here with her mate the Left Lion) is a tour guide, art historian and researcher who likes to look at things differently. If you’d like to hire a researcher to look into the history of your house, business premises or other pre-1940 building then send an email via this form. Rates start at £57 for a preliminary investigation into each property. More details here.

Research

Hire a House Historian

I am now available to carry out research on the history of houses and the people who lived in them, in Nottingham and the surrounding area. I’m particularly interested in Victorian properties but will branch out where appropriate resources are available. 


If you’d like to see who lived in your house* through time or maybe you want to discover if a renowned architect was involved in designing your property, then please contact me to arrange a research package. 

For more details see the Hire a House Historian page here.

*or shop!

Have a look at some research I did last year on a house in Elm Bank, Mapperley Park… Inside Elm Bank

And here’s another house, this time in Chilwell, with Watson Fothergill connections that I looked into in 2021.

I’m not only interested in Fothergill houses… Nottingham has a lot of Victorian architecture and I’m always interested to find out more.

Events, Research

Researching buildings PLUS Summer dates for tours

I’m busy researching buildings for what I hope will be at least one new tour in Nottingham and maybe something else for extra-keen Fothergill-spotters (all very exciting and I will share this properly with you when things are closer to being ready!)

Research!

Meanwhile, there are some of my walks coming up, including Watson Fothergill Walk and Hine Hike.

Here are the dates and links to tickets.

Watson Fothergill Walk (Nottingham City Centre tour), Sunday 26 May, 10 am

June 2024

A summer evening Watson Fothergill Walk (Nottingham City Centre tour) Thursday 13 June, 6pm 

Watson Fothergill Walk(Nottingham City Centre tour) Sunday June 23, 10am 

Hine Hike – The Buildings of Thomas Chambers Hine, Sunday 30 June, 2pm

Lucy, your tour guide, being over excited about a Watson Fothergill building – in this case The Simons and Pickard Paper Warehouse 1894, now Castle Court, Nottingham.

Please check out some of the lovely reviews people have been leaving on TripAdvisor (thank you so much if you’ve taken the time to write one.) (Booking directly through me or Eventbrite is the best value option for tickets).

It’s getting harder and harder to reach new people on social media… so if you’ve enjoyed Watson Fothergill Walk please tell your friends!

So, if you live in or around Nottingham or just visiting, you’re interested in History, architecture, and eccentricity (me? the architect?) you might enjoy my tour. Plus you get your steps in & there’s a pub at the end!

Dates in June with tickets available – all details and links to tickets here or sign up to the mailing list to hear about new dates each month. Thank you everyone!

Nottingham Architects, T Cecil Howitt

A tour of the Council House with the former Lord Mayor

Earlier this year, the former Lord Mayor of Nottingham Wendy Smith accompanied me on the Watson Fothergill Walk… this week she invited me to take a tour of the interior of the Council House with her. As a former mayor, she knows more than most about this historic building. Completed in 1929, it was designed by architect Thomas Cecil Howitt. Inside there are lots of beautiful original details, domes, stained glass, walnut wood panelling and made-to-measure furniture. Here are some photos from my visit.

The interior dome over the central staircase
Mural by Noel Denholm Davis representing “commerce” and statue “Welcome” by William Reid Dick
Council Chamber ceiling and frieze by sculptor Joseph Else
The author takes a turn in the Mayor’s chair in the Council Chamber. (It’s on rails so you can hutch up!)
The Ballroom (being made ready for a Citizenship Ceremony) view from the minstrel’s gallery.
Beautiful original Electroliers in The Ballroom (electric light chandeliers).
The view out over the Exchange Arcade (Murals by Noel Denholm Davis just visible) The rents from the shops help pay for the upkeep of the building. The Exchange Arcade was inspired by Galleria Vittorio Emanuele II in Milan.
The architect of Nottingham’s Council House Thomas Cecil Howitt (photo displayed in the Lord Mayor’s parlour) – he also built some of Nottingham Council Housing in the post WW1 period, the Home Brewery and Raleigh’s HQ.
Stained Glass from the original Exchange Building which was demolished in 1926 to make way for this building. , representing architecture. (Lord Mayor’s Parlour)
Telephone Booth in the entrance of The Council House (one of a pair with the Enquiries booth).

All photos taken by Lucy Brouwer.

If you’d like to book a tour of the Council House please contact Nottingham City Council via this link. (Please don’t contact me – only special volunteers can lead the free tours!) You can also hire rooms in The Council House for weddings and special occasions.

Huge thanks to Wendy for showing me around and telling me all about the rooms, their functions and the history of the building.

I still have a few copies of Nottingham Civic Society’s book on the Council House with some excellent colour photos by Martine Hamilton Knight – available for sale in the webshop.

An earlier photo of the Council House by Lucy Brouwer

Remember to look up next time you’re in town and notice the decorations (sculptures by Joseph Else and his students outside and Noel Denholm Davis inside the Exchange Arcade) on Nottingham’s magnificent Council House!