Trying out my tours with smaller groups has worked well so far. Here are some photos from The Carrington Crawl this weekend.
The Carrington Crawl: Social Distancing version Photo: @theparkestate
This was a private booking for 5 people, and as you can see there is room to spread out and see some beautiful examples of Fothergill and Summers’ domestic architecture.
The Norris Homes on The Carrington Crawl. Photo: @theparkestate
At last! The walks are returning with added social distancing! Having completed the preparation for Visit England’s We’re Good To Go mark, I am now delighted to invite groups of up to 5 people (maximum groups are 6 so that includes your guide!) to accompany me on The Watson Fothergill Walk, tour of Nottingham city centre.
As groups have to remain small for now, I am offering private tours for groups of up to 5 people. Please contact me if you can make up a group of 5 or are happy to join another small group to make up a tour. The walk takes 2 hours and is best at quiet times of day.
I am also scheduling Sunday morning walks… the first will start at 10am, on 2 August 2020. Tickets are £12 each.
The next will be on 16 August 2020, 10am. Again tickets are £12.
NEWS FLASH! These have filled up very quickly so I have added more and will add more as demand dictates. If you can do weekdays please let me know as with small groups it might be possible to conduct tours at quieter times. TICKETS for all forthcoming dates (August 2, 16, 23, 30) are on Eventbrite.
If you would like to organise a walk for up to five people, please contact Lucy to select a suitable date and time.
At the moment I am only able to take groups of up to 6 (including me!) so there are just 5 tickets for The Carrington Crawl on 15 August 2020.
NEWS FLASH! The first walk is already full! But I have added more dates (Aug 20, 11am & Aug 22, 2pm): Tickets for all forthcoming walks are available on Eventbrite.
If you have a group of 5 people or less and would like to arrange a time to do the walk then please get in touch. (I can also do walks on weekdays.)
We successfully tried out the walk with social distancing in place and so I’d like to try more dates.
Thanks to the Promenaders for trying out The Carrington Crawl!
The Carrington Crawl looks at the domestic architecture of Watson Fothergill and his assistant LG Summers at Mapperley Road, Sherwood Rise and Carrington.
You won’t be surprised to learn that I enjoy watching programmes about architecture on television. A great series that presents an accessible introduction to the history of architecture is currently running on Yesterday – Architecture The Railways Built, with the wonderfully enthusiastic Tim Dunn.
This week’s episode looks at St Pancras Station, one of my favourite London buildings. The station was built by the Midland Railway and the adjoining hotel’s architect was Sir George Gilbert Scott.
St Pancras Station, 2019. Photo: Lucy Brouwer
As the programme discussed, the station was built using materials brought to London from the Midlands – Butterley Iron from Derbyshire, Mansfield red sandstone, Minton tiles from Stoke on Trent and Nottingham bricks.
St Pancras Station, 2019. Photo: Lucy Brouwer
These bricks share their distinctive orange colour with many of Watson Fothergill’s Nottingham buildings, and G G Scott is one of the architects celebrated by Fothergill on the facade of his George Street Office.
Detail from the front of the George Street Watson Fothergill Office. Photo: K.F. Onion Watson Fothergill’s Office, George Street, Nottingham. April 2020. Photo: Dan Simpkin
Looking at the details of the hotel at St Pancras, which was completed in the 1870s, it seems very probable that it was an influence on Fothergill, who would likely have travelled through it on his regular trips to London (to visit art galleries and to see cricket matches at Lords).
St Pancras Booking Office, now a bar. Photo: Lucy Brouwer
I took some photos last time I was in London. I also went for a drink in the hotel and got to explore the interior, which is fantastic. I think there it’s very likely that Fothergill would have admired the materials used and also the quality of the work, the flamboyant details and the overall beauty of the building. The carved stones, red bricks, sculpture and gothic flare are all recognisable features that Fothergill uses in his Nottingham buildings.
Half way up the cantilevered staircase of the Renaissance St Pancras Hotel. 2019. Photo: Lucy Brouwer
Architecture The Railways Built continues on Tuesdays and Saturdays on the Yesterday channel, or on demand on UKTV player. Other episodes look at Kings Cross Station, the “Derby Gothic” style of the Midland Railway on the Settle to Carlisle line and much more.
For more on the building of St Pancras, I’d recommend architectural historian Simon Bradley’s short but thorough book, St Pancras Station.
The Watson Fothergill Walk is currently on hiatus due to Covid-19 restrictions, but you can purchase gift vouchers to redeem against bookings for future walks.
The last walk I took to look at architecture in Nottingham, before Lockdown, was around The Park Estate.
For this installment of my series of interviews with people I’ve met through doing The Watson Fothergill Walk, I talked to Dan Simpkin, who lives in The Park and is responsible for maintaining the @theparkestate Instagram account, a great source of photos and information on the history and architecture of this unique part of Nottingham.
Lucy Brouwer: You take photos and maintain the Instagram account @theparkestate, can you briefly tell me how that came about and what you hope to achieve through sharing your knowledge of Park houses?
Dan Simpkin: I’ve lived in The Park for over fifteen years and love the architecture, atmosphere and community. I’ve recently become a committee member of the Nottingham Park Residents’ Association (NPRA) who organise events aimed at encouraging community within the estate with the remit to look after their social media. I’ve got an interest in architecture, photography and history, and like to walk, so as I’m walking around The Park I naturally take a lot of photographs. I had the idea that Instagram might be a good addition to the NPRA communications as a way to bring attention to their underused website looking at all the pre-1918 houses in The Park.
Screen shot ofthe NPRA’s Nottingham Park Houses website. A fantastic resource for home owners and anyone interested in the architecture and history of Nottingham’s Park Estate.
I hope that the Instagram profile highlights how rich in history and architecture The Park is. In short, I’d like people to be more engaged and knowledgable about the built environment we have so close to Nottingham City Centre, and treasure it as much as I do.
LB: Do you have a favourite house in The Park? Which one and why?
DS: I’d say I have a few favourite houses. Not one favourite. In no particular order:
LB:What do you enjoy about living in The Park Estate?
DS: The feeling that you’re in a calm place when you’re less than half a mile away from Nottingham City Centre. The great architecture, landscape and light. The sense of community is also great, which you might not expect in a large city.
LB: You’ve recently been sharing stories about notable people who have lived in The Park over the years. Do you have one of these you’d like to share?
DS: When I was lookinh into past residents’ lives, I think the stories of adversity spoke to me most: Albert Ball’s nationally mourned death, Dame Laura Knight‘s recognition in the male-dominated art world, and Justin Fashanu’s tragic life, were all stories I’d heard but not read about in detail before. To hear about these people’s lives, when they have lived within metres of where I live, really bought it home to me.
LB: Anything else you’d like to add about things you’re working on?
DS: Although the Instagram profile @theparkestate is predominantly my photography, I’m very much an amateur. I’m keen to feature proper photographers that see and create different types of images. I like the seasons being well represented, The Park is as nice a place in Autumn and Winter as in the Spring and Summer months, maybe more atmospheric. I’ve also got feature series in the pipeline of Park stained glass and modern Park architecture as well as a look at nature. Suggestions and contributions are always welcome though. I love hearing what people want to see and their experience of this very special area.
Many thanks to Dan for his contribution, in his “day job” Dan is Creative Director of Brand Design Agency Simpkin Burley, based in West Bridgford.
While I’m staying at home (and not in Nottingham city centre), my brother Jim, who does live in the city, offered to take his camera on a walk to have a look at one of the buldings that I feature on my Watson Fothergill Walk walking tour.
So here are the results – a look at one of my favourite Fothergill buildings that serves as a taster for the tour.
While I’m unable to take walks to look at buildings, I thought I would talk to some of the people who I’ve connected with through a mutual interest in Fothergill and the buildings of Nottingham.
In this installment I talk to Jo Ackroyd, a Pre Construction professional at Willmott Dixon Construction. I helped Jo with some research on a Watson Fothergill building for a project on Conservation and Heritage. Jo and his colleagues gave me some great professional insight into Fothergill’s techniques and use of materials when I took them on a tour of Nottingham.
Lucy Brouwer:Can you briefly tell me about your professional interest in architecture and building conservation?
Jo Ackroyd: There are fewer and fewer people who have an understanding of the skills and trades of yesteryear. As these skills are lost, the industry is replacing them with poorly judged and ill placed modern materials. I see these incompatible materials and cheap attempts to repair historic fabric and find myself wondering why and how are these seen as acceptable? To learn about these old buildings means to study both the architecture and the skills required to construct them.
As with Alice, the more you learn, the more the rabbit hole opens and you find yourself sucked into a fascinating and detailed world. Moreover, the people involved are usually, ‘individuals’!
It is also an aspiration that following a specialism such as this will enable me to move away from modern construction.
Express Chambers, Nottingham, April 2020, Photo: Dan Simpkin
LB:You did a project on Watson Fothergill’s Express building – what drew you to that building in particular?
JA: It is one of Fothergill’s significant buildings. Significant by its size, position in the city, use of materials and its history of adaptions.
I needed a building with a rich history and many of his other works are relatively small by comparison.
As I discovered more about the building, I found errors in texts, stories of the building’s development and use, the influence of technological change and how the building reflected societal development. Essentially the buildings of the age performed many functions and assisted the growth of individual businesses and the development of the city as a whole. The investors were very canny about spreading the assets uses to decrease risk.
I also found an otherwise unmentioned Newlyn Datum. An important mark which hitherto had not been mentioned in the texts and reflected the status of the building and the importance of its position.
LB: Do you have a favourite building in Nottingham? Which one and why?
JA: I do like the old Fothergill former NatWest Bank. It’s a deviation from his usual style and materials and the way it was extended is astounding.
There’s also a form of Ghost Sign on the front façade, as the old NatWest sign was removed its left an urban mark behind, which I intend to discuss in my next paper.
By comparison, I also like the Halifax Bank in Long Eaton, it’s a stand alone Fothergill of some status.
It uses all his usual hallmark materials and designs and is set in quite a unique way to augment its proportions.
Halifax/ former Smith & Co Bank, Long Eaton. Photo: David Lally
LB: From a builder’s point of view, what’s special about Fothergill’s architecture and the way he uses materials?
JA: I don’t believe his approach was unique. I do think the way he reused his elements was straight from a pattern book.
This in itself isn’t new, Robert Adam had the same approach, but Fothergill mixed the colours and textures very well to create a unique aesthetic.
He obviously used the same materials, skill and trades, the same individuals on each of his projects.
I suspect that’s how he died a millionaire! I assume his supply chain was very tight and he benefited greatly from this.
Not least because he acted as architect, project manager and quantity surveyor.
These elements now stand out in Nottingham as many other forms of architecture lack the polychromatic tracery, the ornate and intricate carvings and the shear willingness to build a spire which has absolutely no use whatsoever!
Many thanks to Jo for taking the time to answer my questions. And thanks again for all the insights into building – I incorporate a lot of them into my tours! If you’d like to join me for a walk when we are able to get out again, then you can purchase a gift voucher to redeem against future events.
The earliest house that architect Watson Fothergill (born Fothergill Watson, 1841) is known to have built is the dwelling he designed for himself and his family, which stood at 7 Mapperley Road, Nottingham.
Fothergill noted in his diary in 1870: “This Autumn after searching all over town for a site we liked I bought a piece of land on the northern side of Mapperley Road in Mr Patchitt’s estate.” Edwin Patchitt (1807-1888) was a solicitor and also a member of the Notts County Cricket team; he was Mayor of Nottingham for two terms between 1858 and 1860 and was the Secretary to the Enclosure Commissioners. He owned a triangle of land between Woodborough Road, Mansfield Road, Redcliffe Road and Elm Bank. Costing Fothergill £375, the land comprised 1,250 sq. yds and had a frontage of 105ft to Mapperley Road.
Site of Mr Fothergill’s house, digital sketch from plans for extension held in Nottinghamshire Archives.
The first brick was laid on 3rd March 1871, and the Fothergill Family, which at this time comprised Fothergill, his wife Anne and their daughters Marion, Annie Forbes, and Edith Mary, moved from the house they had been renting on Hampden Street on 26th March 1872, “though the workmen were not yet out of it.”
Digital sketch of photo of 7 Mapperley Road based on photo Bedford Lemere photo held by Historic England archives.
No drawings are known to survive of the original plan for the house, and there are few photos. I asked Nottingham-based architect and historic building consultant Peter Rogan to help me imagine what the house would have been like…
The house reflected High Victorian style with its asymmetry, individualism and accentuated features: brick with terracotta and stone details, prominent tall chimneys, and a four storey tower with decorative brickwork and a steep pitch roof. The house had an eclectic mix of window types: some sashes with stone lintels, bays and some with tracery. An entrance porch on the south-western side had slender decorative columns, above it an archway with a stone tympanum pieced by a window in the form of an eight-pointed star. On the side facing the road: trefoil decorations, circular windows and possibly a date stone. The gables made for broken rooflines creating a picturesque effect, capturing the light and shade that Fothergill found so alluring about the Gothic style.
South-west front of the house on Mapperley Road, from Picture Nottingham
In June 1872, Fothergill’s fourth child, Eleanor, was born: his three subsequent children, Samuel Fothergill 1874, Harold Hage 1877 and Clarice 1879, were also born here.
“The snuggest of houses! That is what we aimed at. Comfort, not great cold rooms, but gems of art sparkling round, an inviting home.”
Fothergill Family Record 1892.
Fothergill described the various features of the interior – sculptures, stag’s heads, green wallpaper in the style of Pugin, velvet curtains and tablecloths, and “modern” paintings on the walls. A brown wooden ceiling with gold details and floral decorations inscribed with a motto: “He that striveth for the mastery is temperate in all things.” (1 Corinthians 9:25) A portrait of Dr John Fothergill, his Quaker ancestor looked down on them from over the archway, and this was just the hall…
The rooms were adorned with brown silk and blue velvet, green walls and carpet, carved woodwork and decorated ceilings, but “everything is but a ground on which to display the pictures and the china” Among Fothergill’s collection of art works: a water colour interior of Salisbury Cathedral by JMW Turner and a St Cecilia by George Romney. (Links are guesses at the possible pictures, Fothergill is mentioned in catalogues of various exhibitions as he lent out the paintings, but I’ve got more research to do here!)
Around 1899 Fothergill added electric light and more bay windows to the house to provide light for displaying his collections of porcelain and Venetian glass.
“Indeed there is no doubt that the mediaeval style, call it old English if you will, in which both house and furniture are designed, does particularly lend itself to a home-like effect. It lacks but age, with a few ancestral traditions attached to it, to render it dear to us – no it cannot be more dear.”
Fothergill Family Record 1892.
In 1901, Fothergill purchased the adjacent land extending down to Chestnut Grove, from the lace merchant Thomas Birkin, it cost just over £1000. This became an ornamental garden and a tennis court.
When Fothergill died aged 87 in 1928, the house was sold and his art collection and the furniture was put up for auction, presumably so proceeds could be split between his five daughters, both his sons having failed to outlive him.
Nottingham Journal, 14 July 1928, announcement of the auction of the contents of 7 Mapperley Road. British Newspaper Archive.
In the 1940s and 1950s, it appears that Councillor (later Lord Mayor) John Edwin Mitchell, lived at no. 7, then known as Park House (but I’m not 100% sure, as the numbering of the street has been altered).
Eventually the house was turned into flats, but it was demolished in 1968 – the value of the land too tempting to prevent developers from building many more dwellings on the site.
Circa 1968, when the house was about to be demolished. Picture Nottingham.
The house being demolished circa 1968. Photos from Nottstalgia (I’ve tried to track down the person who took them to no avail!)
The present houses on the site were developed in the 1970s. They’re considerably less spectacular, but the development is at least called Fothergill Court!
The site of Fothergill’s house and more of his buildings in Mapperley Park, Sherwood Rise and Carrington will feature in my new walk, The Carrington Crawl. Dates will be announced as soon as the global situation allows… Meanwhile you can buy gift vouchers for yourself or friends and redeem them against future Watson Fothergill Walks with tour guide Lucy Brouwer.
For a while now I’ve been working on a walk to look at some of Watson Fothergill’s domestic archtecture, and I’m happy to say that The Ukrainian Cultural Centre at Clawson Lodge have invited me to bring the new tour to their building on Mansfield Road, Nottingham.
A chance to go inside Clawson Lodge, a house designed by Fothergill on Mansfield Road.
Presenting The Carrington Crawl: a look at houses by Fothergill and his chief assistant Lawrence G. Summers in Mapperley Park, Sherwood Rise and Carrington, finishing with a chance to visit Clawson Lodge, where tea and coffee will be served.
The first of these new walks will take place on 4 April 2020, starting at 1pm.
A NEW WALK FOR 2020 from the producer of the Watson Fothergill Walk and the Hine Hike.
The Carrington Crawl: Victorian
Nottingham’s most flamboyant architect not only helped shape the city centre
with commercial landmarks, he also designed dwellings. Explore some of the
domestic architecture of Watson Fothergill and his assistant Lawrence G.
Summers with tour guide Lucy Brouwer. Discover more about the buildings, those
who built them, and the lives of the people who lived in them.
This walk will begin at the junction of Mansfield Road and Mapperley Road, outside St Andrew’s Church, it will then look at some of Fothergill’s houses in Mapperley Park, including the site of his own family home, continuing to Sherwood Rise, then return to Carrington to finish, after a walk of approximately 2 hours / 3km, at Clawson Lodge on Mansfield Road, where tea and coffee will be available.
Participants are asked to come prepared
for appropriate weather eventualities and to wear footwear suitable for city
walking.
Meet for 1pm start on Mapperley Road near the junction with Mansfield Road, outside St Andrew’s Church, Nottingham.
Advanced booking is essential as places are limited.
Some great photos of Lucy in action during a wet but enjoyable Watson Fothergill Walk on 16 February. It was great to see people so keen to join in the first public tour of the year! Photos by theparkestate on Instagram (follow them for some great photos of houses by Fothergill, Hine and other Nottingham architectes in Nottingham’s Park Estate).
16 February 2020 Watson Fothergill Walk. Lucy guiding in the rain! Thanks to theparkestate for the photos.
