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Interview

Guest interview: Nick Coupland Illustration

In these strange times while I’m not able to take walks out to look at buildings, I thought I would ask some of the people whom I’ve connected with through mutual interest in Fothergill and the buildings of Nottingham to answer a few questions to see what I could learn about their perspective.

First up illustrator Nick Coupland. I stumbled upon Nick’s drawings on Twitter and recently purchased a print of his drawing of Watson Fothergill’s office on George Street, Nottingham. It’s on the wall in front of my desk, reminding me of what’s out there waiting when I can get back to the tours…

Fothergill’s Office on George Street, Nottingham by Nick Coupland. You can buy a print here.

Nick is based near Hull, but his illustrations range from Modern Architecture icons to football stadiums, recently he has started drawing music venues. I asked him a few questions via email and learned a little about what makes him tick:

Lucy Brouwer:             You draw a lot of modern architecture, very different from Fothergill’s Gothic – what made you want to draw his Nottingham office building?

Nick Coupland:            I was initially asked to draw the Fothergill building as a commission. I’d noticed the architect’s work on a few visits to Nottingham so it was nice to get stuck into it, as it really is a unique building. It doesn’t visually follow any set formula so you really have to draw it as you see it- there’s no cheating with this one. 

I normally draw a lot of post war architecture as I have a bit of a personal interest in it, but really I’ll turn my pen to any style. I’ve drawn anything from people’s first terraced houses to palaces and grand railway terminus.

The thing that made the Fothergill building so nice to draw is its changes in texture, form and shade- when you draw in pen and ink theses are the features that really make a building jump from the page.

LB:            I really like your architectural map of Beverley – would you consider drawing more Nottingham buildings to make something similar?

NC:            I originally did a cluster drawing of Hull and it worked quite nicely so I wanted to do something popular for the local market town of Beverley. I had a nice customer base there so I thought it would make sense to draw the architecture of the town. 

For someone who enjoys post-war architecture, Beverley was fairly limited in that sense however it has a lovely range of contrasting styles.

Nottingham would be ideal due to it having a good mix, both Modern and Classical. I’ve previously drawn the old Boots building and am currently working on Rock City for a new project.

LB:            I see from your social media that you’ve been drawing some favourite music venues lately; can you tell me a bit about these? (Love the Barras one! My first tour guiding gig was at The Barrowlands, Glasgow’s premier live venue)

Barrowland Ballroom, Glasgow by Nick Coupland.

NC:            I’m a big music fan and really enjoy live music- especially at independent venues. It’s long been an ambition to combine the two interests in a project. I’ve been working on a series of drawings charting the nation’s iconic venues up and down the country including those no longer around. The lockdown has meant a really tough time for music venues and the future looks uncertain for many of them so I’m exploring ways of possibly making the project beneficial in some way.

One thing I have noticed is how unique these venues are – I’ve loved drawing Glasgow Barrowland with its iconic illuminated sign, then I’ve also loved drawing Hull’s Adelphi, which is basically an end terrace. What’s noticeable though is how much these venues are adored by the public and how close they hold them to their hearts. 

Concerts always seem to create good memories.

CB GB, legendary New York City music venue, by Nick Coupland.

LB:            Are there any buildings you’d like to draw that you’ve not had the chance to do yet? Do you need to visit them to draw them?

NC:             There’s so many beautiful buildings out there calling to be drawn, but the problem like so much of life is finding the time. I always have a few projects on the go at once and my style of drawing takes quite a long time to complete. I try to get to the building for sketches and photographs (and also just to get a feel for the place). However with so much architecture being demolished and many frontages being renovated- I often have to do a bit of detective work with old photos.

 A good example this was drawing Portsmouth’s now demolished Tricorn Centre. It took me a couple of weeks of looking at old photos and making sketches- my studio wall looked like a Hollywood detective’s with pictures and notes stuck everywhere. I’ve always had a bit of an ambition to draw a long landscape of Habitat 67 in Montreal, I’ve made sketches so hopefully I’ll get round to finishing it. Barrowland and New York’s CBGB’s were on my to-do list for ages.

Sometimes it’s nice to take a little break from buildings though this does tend to be more personal rather than commercial. I recently got into a weird habit of drawing guitar foot pedals – I love the typography on them as well as their strange names.

Huge thanks to Nick for taking the time to talk to me, you can see more and buy his work at Nick Coupland Illustration or follow him on Twitter or Instagram.

Watson Fothergill in Nottingham

Demolished Fothergill Buildings: 7 Mapperley Road

The earliest house that architect Watson Fothergill (born Fothergill Watson, 1841) is known to have built is the dwelling he designed for himself and his family, which stood at 7 Mapperley Road, Nottingham.

Fothergill noted in his diary in 1870: “This Autumn after searching all over town for a site we liked I bought a piece of land on the northern side of Mapperley Road in Mr Patchitt’s estate.” Edwin Patchitt (1807-1888) was a solicitor and also a member of the Notts County Cricket team; he was Mayor of Nottingham for two terms between 1858 and 1860 and was the Secretary to the Enclosure Commissioners. He owned a triangle of land between Woodborough Road, Mansfield Road, Redcliffe Road and Elm Bank. Costing Fothergill £375, the land comprised 1,250 sq. yds and had a frontage of 105ft to Mapperley Road.

Site of Mr Fothergill’s house, digital sketch from plans for extension held in Nottinghamshire Archives.

The first brick was laid on 3rd March 1871, and the Fothergill Family, which at this time comprised Fothergill, his wife Anne and their daughters Marion, Annie Forbes, and Edith Mary, moved from the house they had been renting on Hampden Street on 26th March 1872, “though the workmen were not yet out of it.”

Digital sketch of photo of 7 Mapperley Road based on photo Bedford Lemere photo held by Historic England archives.

No drawings are known to survive of the original plan for the house, and there are few photos. I asked Nottingham-based architect and historic building consultant Peter Rogan to help me imagine what the house would have been like…

The house reflected High Victorian style with its asymmetry, individualism and accentuated features: brick with terracotta and stone details, prominent tall chimneys, and a four storey tower with decorative brickwork and a steep pitch roof. The house had an eclectic mix of window types: some sashes with stone lintels, bays and some with tracery. An entrance porch on the south-western side had slender decorative columns, above it an archway with a stone tympanum pieced by a window in the form of an eight-pointed star. On the side facing the road: trefoil decorations, circular windows and possibly a date stone. The gables made for broken rooflines creating a picturesque effect, capturing the light and shade that Fothergill found so alluring about the Gothic style.

South-west front of the house on Mapperley Road, from Picture Nottingham

In June 1872, Fothergill’s fourth child, Eleanor, was born: his three subsequent children, Samuel Fothergill 1874, Harold Hage 1877 and Clarice 1879, were also born here.

“The snuggest of houses! That is what we aimed at. Comfort, not great cold rooms, but gems of art sparkling round, an inviting home.”

Fothergill Family Record 1892.

Fothergill described the various features of the interior – sculptures, stag’s heads, green wallpaper in the style of Pugin, velvet curtains and tablecloths, and “modern” paintings on the walls. A brown wooden ceiling with gold details and floral decorations inscribed with a motto: “He that striveth for the mastery is temperate in all things.” (1 Corinthians 9:25) A portrait of Dr John Fothergill, his Quaker ancestor looked down on them from over the archway, and this was just the hall…

The rooms were adorned with brown silk and blue velvet, green walls and carpet, carved woodwork and decorated ceilings, but “everything is but a ground on which to display the pictures and the china” Among Fothergill’s collection of art works:  a water colour interior of Salisbury Cathedral by JMW Turner and a St Cecilia by George Romney. (Links are guesses at the possible pictures, Fothergill is mentioned in catalogues of various exhibitions as he lent out the paintings, but I’ve got more research to do here!)

Around 1899 Fothergill added electric light and more bay windows to the house to provide light for displaying his collections of porcelain and Venetian glass.

“Indeed there is no doubt that the mediaeval style, call it old English if you will, in which both house and furniture are designed, does particularly lend itself to a home-like effect. It lacks but age, with a few ancestral traditions attached to it, to render it dear to us – no it cannot be more dear.”

Fothergill Family Record 1892.

In 1901, Fothergill purchased the adjacent land extending down to Chestnut Grove, from the lace merchant Thomas Birkin, it cost just over £1000. This became an ornamental garden and a tennis court.

When Fothergill died aged 87 in 1928, the house was sold and his art collection and the furniture was put up for auction, presumably so proceeds could be split between his five daughters, both his sons having failed to outlive him.

Nottingham Journal, 14 July 1928, announcement of the auction of the contents of 7 Mapperley Road. British Newspaper Archive.

In the 1940s and 1950s, it appears that Councillor (later Lord Mayor) John Edwin Mitchell, lived at no. 7, then known as Park House (but I’m not 100% sure, as the numbering of the street has been altered).

Eventually the house was turned into flats, but it was demolished in 1968 – the value of the land too tempting to prevent developers from building many more dwellings on the site.

Circa 1968, when the house was about to be demolished. Picture Nottingham.

The present houses on the site were developed in the 1970s. They’re considerably less spectacular, but the development is at least called Fothergill Court!

Fothergill Court, Mapperley Road. Photo: Lucy Brouwer

The site of Fothergill’s house and more of his buildings in Mapperley Park, Sherwood Rise and Carrington will feature in my new walk, The Carrington Crawl. Dates will be announced as soon as the global situation allows… Meanwhile you can buy gift vouchers for yourself or friends and redeem them against future Watson Fothergill Walks with tour guide Lucy Brouwer.

Events

Coronavirus Cancellations

A Message from Lucy Brouwer: Following official government advice, which recommended that people should avoid social gatherings to help slow the spread of coronavirus, I have taken the decision to cancel ALL forthcoming events. If you have booked, you will receive a refund in due course.

If you have any further questions, please don’t hesitate to contact me.

Meanwhile, I will be back with more walks later in the year and will issue updates here on my website, facebook page and mailing list (if you haven’t already signed up, please click through and add your email address).

I am also making gift vouchers available, so you can buy tickets for a future walk in advance – and we can all have something to look forward to!

Wishing you well in these difficult times, I hope to see you on the other side,

take care,

Lucy

Events, Inside, Lawrence G Summers, Research, Watson Fothergill in Nottingham

A New Walk! The Carrington Crawl.

For a while now I’ve been working on a walk to look at some of Watson Fothergill’s domestic archtecture, and I’m happy to say that The Ukrainian Cultural Centre at Clawson Lodge have invited me to bring the new tour to their building on Mansfield Road, Nottingham.

A chance to go inside Clawson Lodge, a house designed by Fothergill on Mansfield Road.

Presenting The Carrington Crawl: a look at houses by Fothergill and his chief assistant Lawrence G. Summers in Mapperley Park, Sherwood Rise and Carrington, finishing with a chance to visit Clawson Lodge, where tea and coffee will be served.

The first of these new walks will take place on 4 April 2020, starting at 1pm.

Tickets are available here.

DETAILS:

A NEW WALK FOR 2020 from the producer of the Watson Fothergill Walk and the Hine Hike.

The Carrington Crawl: Victorian Nottingham’s most flamboyant architect not only helped shape the city centre with commercial landmarks, he also designed dwellings. Explore some of the domestic architecture of Watson Fothergill and his assistant Lawrence G. Summers with tour guide Lucy Brouwer. Discover more about the buildings, those who built them, and the lives of the people who lived in them.

This walk will begin at the junction of Mansfield Road and Mapperley Road, outside St Andrew’s Church, it will then look at some of Fothergill’s houses in Mapperley Park, including the site of his own family home, continuing to Sherwood Rise, then return to Carrington to finish, after a walk of approximately 2 hours / 3km, at Clawson Lodge on Mansfield Road, where tea and coffee will be available.

Participants are asked to come prepared for appropriate weather eventualities and to wear footwear suitable for city walking.

Meet for 1pm start on Mapperley Road near the junction with Mansfield Road, outside St Andrew’s Church, Nottingham.

Advanced booking is essential as places are limited.

TICKETS: £12 each including tea or coffee at Clawson Lodge.

Events

Nottingham Heritage Champions 2020!

Last week I was invited by The Story of Nottingham, the Nottingham Heritage Partnership, to pick up a Heritage Champion 2020 medal at The Urban Room!

Some of the Nottingham Heritage Champions 2020!

After some community workshops and an online survey, about a dozen of us were picked to be #HeritageChampions2020. As you can see the other medallists were a diverse bunch, including among others a Chinese Heritage Vlogger, an historian of Black coal miners, an urban greening activist, Nottingham’s premier cultural newspaper Left Lion, a skateboarding collective and even the 21st century Robin Hood!

Medals await their recipients.

A big thank you to everyone involved! It was a real surprise to be recognised in this way and to meet some of the other people who all work so hard to celebrate and share the heritage of Nottingham.

EXTRA: A blog from Marketing NG.

My next walks are on 29 March 2020 and I hope to continue throughout the Spring and Summer. Sign up to the mailing list for the latest news!

Events

Photos from February walk and forthcoming dates.

Some great photos of Lucy in action during a wet but enjoyable Watson Fothergill Walk on 16 February. It was great to see people so keen to join in the first public tour of the year! Photos by theparkestate on Instagram (follow them for some great photos of houses by Fothergill, Hine and other Nottingham architectes in Nottingham’s Park Estate).

I’ve got more walks coming up in March and April. So far the dates are 29 March 10am and 29 March 1pm and I’ve now added 26 April 10am and 26 April 1pm.

Tickets from Eventbrite here.
and afternoon tickets for 26 April here.

If you wish you can also buy tickets with cash or card at Debbie Bryan on St Mary’s Gate, Nottingham.

Sign up for the mailing list to get news of all future walks and events by clicking HERE and adding your name and email address.

Events, Watson Fothergill in Nottingham

Afternoon walk in March

I’ve now added an afternoon walk to 29th March 2020, which starts at 1pm. Tickets are £12 and included coffee or tea and a cake at Debbie Bryan.

29 March 1pm TICKETS HERE

As previously mentioned, I’ve listed the walks on TripAdvisor, had some lovely reviews so far. If you’ve been on my walk (and enjoyed it!) please leave a review.

Links to all the tickets for forthcoming walks are here on Eventbrite.

reviews

New TripAdvisor Page

I have set up a TripAdvisor page for the Watson Fothergill Walk. It would be great to reach a wider audience and introduce them to this most interesting of Nottingham architects! If you’ve enjoyed the walk, please leave a review – it would be a great help. You can also post photos if you have some.

I look forward to seeing some of you again on future walks… I have plans for more Hine Hikes and a Carrington Crawl to look at some of Fothergill’s domestic architecture… coming soon!

Events

New dates for 2020!

I’ve been busy reading, researching and thinking about new walks and talks for the new year. But I’m ready to get out walking again, so I’ve set up some dates for The Watson Fothergill Walk in February and March 2020.

The first walk, which will start at 10am outside Nottingham Tourism Centre and finish at Debbie Bryan on St Mary’s Gate, will take place on 16 February. Tickets are £12 each and include coffee or tea and cake at the end of the walk.

Tickets for 16 February 10am here.

UPDATE: I have also organised a walk on 22 29 March, this is also a morning walk starting at 10am. Tickets are available here.

March walk is now on 29th at 10am – tickets here.

It is once again likely that I will be adding afternoon walks to these dates if there is sufficient demand, so if you prefer to start at 1pm, please get in touch to express an interest…

Research

The Bodega, Pelham Street: Part Two

Previously, I began telling the story behind the building of The Bodega on Pelham Street. These days it’s a popular music venue and bar, but it’s been through several image changes over the years… I spoke to Alan Clifford on BBC Radio Nottingham about the building.

While it’s nothing to do with Watson Fothergill (as far as I know!) this building has opened up some interesting avenues of research and I’ve found myself scouring archives, reading about the social history of the English pub and obsessively asking people if they remember drinking there in the 1970s and ’80s…

Part one of this blog left off in 1904. The Bodega was listed as a Billiard Saloon, and seems to have departed from the Bodega Company’s Wine Bar model. The First World War hit the English licensed trade hard, with opening hours dramatically reduced, “treating’ (i.e. buying drinks for other people), giving credit and the long pull (serving more than the correct measure to attract custom) were all made illegal. (The minimum drinking age of 18 didn’t come in until 1923, and children could still buy alcohol from pubs to take home to their parents as long as it was in stoppered containers!) The war also pushed up the price of drink, and it stayed up, while the actual strength of drinks fell. For more on this and all things PUB, read The Local: A History of The English Pub by Paul Jennings. (By the time you read this I’ll have taken it back to the library...)

The 1915-16 Kelly’s Trade Directory of Nottingham lists Bodega Wine Co. Ltd. at 23 Pelham Street, trading as Bodega for the Bodega Wine and Spirit Merchants. Thomas S Poole, of 48 Harlaxton Drive is the manager. (Their phone number, Nottingham 1880, stayed the same into the 1940s.)

Robert Banks Lavery, the original owner of the Bodega Company, died in 1915 leaving his fortune of £13,2723 (approx. £ 15,049,738.89 in 2019) to various Catholic charities. The Bodega Company share price fluctuated after the war, but the business seemed to be steady around the country.

In March 1916, the Aberdeen Daily Journal reported that The Bodega Company had been admonished in the High Court by the makers of a certain beef drink, for passing off Oxo and “other meat preparations” when orders were placed for Bovril. The defendant denied the accusations but the injunction was passed and The Bodega Company paid costs.

1921 was a particularly bad year for the company’s share price, as the country recovered from the war.

In 1927, at the Nottingham Bodega, there was one of a spate of fires, leading to the Nottingham Evening Post headline: “Incendrism suspected!” Barrels of oil from the Nottingham Perfumery Co. caught fire in the passage. The branch is called The Bodega Hotel at this point, and a Mr Dominic is the employee who telephoned for the fire brigade, averting any serious damage.

In 1928, Slater’s Restaurants acquired Bodega. Slater’s were one of the largest catering companies in the world at this time. The million pound take over led to the company being known as Slaters and Bodega, bringing Bodega’s 30 outlets and 2 hotels into the company. Catering supplies had become integral to the operation. Bodega had previously been known for their outside catering, providing food and drink for race meetings, agricultural shows and the like. In 1931 there was a further takeover bid by Welsh firm RE Jones, but this failed.

One night in April 1931, the manager of the Nottingham Bodega, John Edward Marshall, was killed on Radford Road when a bus struck him after he alighted from a tramcar on his way home to Noel Street. A military man, he had seen action with the 10th Hussars. At least 11 members of staff from Bodega Wine And Spirit Company’s Saloon attended his funeral.

Plans in Nottinghamshire Archives show that improvements were made to the toilet facilities and the layout of the Bodega in 1933 and 1936. The ground floor now had a bar and a “cold counter”. Newspaper reports of a break-in by some young boys in 1940 refer to the Bodega simply as “a public house”.

In the 1950s, Billiards and Snooker were the main attractions of the Bodega in Nottingham, with several matches warranting newspaper reports on the games and their results.

In 1954, Slaters and Bodega were taken over by Charles Forte’s catering and hotel empire (to become Trust House Forte in later years). In 1956, JA Charles is installed in Pelham Street as the licensee.

Daily Herald, 23 December 1953. British Newspaper Archive.

Here the trail goes a little cold, as Bodega gets swallowed up into the Forte empire. But there are photographs showing what the outside of the Bodega looked like in the 1960s and 1970s.

The Bodega in 1962. You can just see the words ‘Manchester and Liverpool’ on the shield. from: Nottingham in the 1960s and 1970s by Douglas Whitworth.

By 1966 the Bodega in Nottingham was being run by Ind Coope Brewery from their Derby office. In 1967 they added the stairs to the front of the building and did some improvements to the toilets inside.

Sketch/trace of the proposed improvements in 1967, by architect G. Hakesly for Ind Coope. Nottinghamshire Archives.

Ind Coope were still running the pub in 1970 when they added an extension over both floors to the rear, containing the Ladies’ toilets upstairs and a store room downstairs.

The Bodega as it looked in 1973. Picture Nottingham

Ind Coope were involved until at least 1983 (photos below). They had become part of Allied Breweries in 1961, merging with Ansells and Tetley Walker. Allied in turn merged with food and catering giant J. Lyons and Co. in 1978 to form Allied Lyons, then again in 1992 with Carlsberg to become Carlsberg-Tetley. I haven’t been able to find out (as yet) when Bodega left the Forte empire (as it doesn’t tend to be noted when companies are sold off).

Bodega in 1983. Picture Nottingham.
The pub sign in 1983, harking back to the original idea of a Bodega as a wine cellar. Picture Nottingham.

Some people I’ve spoken to remember a bierkeller-feel to the pub in the 1980s. Licensing laws again have an effect on the way pubs are organised in 1987-1988, with the introduction of flexible drinking times.

Ansells, who are quoted in 1988 as the owners of the Bodega, ring the changes and refurbished the bar as Cairo’s Disco Bar… The Evening Post reported:

“ Three traditional city centre pubs are being transformed into upmarket bars for young trendsetters in a £860,000 refit by owners Ansell’s. By the end of August… Bodega will have become Cairo’s. Ansell’s plan to create a circuit of bars with style and sophistication for Nottingham’s young trendsetters – and hope they will also cut down on night-time city centre violence. … Cairo’s Disco bar, which opens around August 23, will spin the discs until 12,30am on the first floor with a bar down below. … Ansell’s regional director: “Nottingham has more class, more fashionable people with real style, than any other city in the East Midlands…”

New look for 3 city centre pubs. Evening Post 12 July 1988.
Cairo’s Opening 28 September 1988. (Manager Rory Fallon, centre). Nottingham Evening Post.

Cairo’s is remembered as being “very neon”… it also featured as a location in an episode of Central TV’s “Boon” in 1990.

By 1993 though, Ansells had refitted the bar once more, this time to become Irish-themed Rosie O’Brien’s Pumphouse, a chain with branches across the Midlands (there was another Nottingham branch in Carrington on Mansfield Road, in 2019 the pub is called Turners.)

Rosie O’Brien’s Pumphouse. 1998. Picture Nottingham

In 2004 the pub became The Social, under the management of The Breakfast Group, who run music venues in London and other parts of the UK.

In 2004, Nottingham’s music venue promoting powerhouse DHP took over and in 2007, the venue’s name reverted to The Bodega.

Now The Bodega is celebrating 20 years as a music venue with a special gig on 1st December 2019.

Birthday gig at The Bodega. Dec 1st 2019.

If you’d like to hire me to conduct in-depth research and detective work into buildings, businesses, architecture or local history, please get in touch!

The Watson Fothergill Walk and Hine Hike, as well as illustrated talks, will return with dates in 2020!

UPDATE: Here’s an article on The Social years featuring an interview with founder Jeff Barrett.