April is getting booked up with several private walks, talks to local groups and new ventures with primary school pupils and students looking at history and tour guiding. Thanks everyone for spreading the word!
The Carrington Crawl for Ukraine sold out – donations clocked up at over £390 – huge thanks to everyone who donated or enquired about the DEC Ukraine Humanitarian Appeal. You can still donate here.
There are some tickets available for the Debbie Bryan Watson Fothergill Walk on 8 May, start 10am, now with the option of Afternoon Tea or Cream Tea after the walk, tickets here.
The first public walk of the year will be a collaboration with Debbie Bryan’s Lace Market Tea Room. Tickets include afternoon tea, with many dietary options available including Traditional, Vegan, Vegetarian and gluten-free.
The walk starts at 10 am on 10 April 2022, arriving at Debbie Bryan on St Mary’s Gate at 12 noon.
Tickets are £38 each – includes a two-hour walk followed by a full afternoon tea.
Tickets are now available for a Cream Tea option priced £22 each with the same array of dietary options.
“Lucy is a super guide and we had a great time, also learned a lot! Not least to keep looking up!”
A look at one of the few buildings that Fothergill worked on outside Nottinghamshire.
I was in the neighbourhood recently, so took the opportunity to have a closer look at an intriguing building. Dunedin, now called Burnage Court, on Lawrie Park Avenue in Syndenham, South London. It’s something of a mystery how Fothergill Watson came to work on additions to this house, but I’ve done some digging to see what I can find. (As this was in 1888, it was before his name change to Watson Fothergill.)
Dunedin, now Burnage Court, Sydenham. Photo: Lucy Brouwer
I took some photos from the road, and then I knocked on a couple of doors to see if there was anyone in. Huge thanks to Ritchye for talking to me and letting me have a little look around inside her flat. (It was on the market last year and photos are still online).
The date stone on the side of the building. The carved animal at the top looks a little like the one on the Fothergill villa on Mansfield Road, but I’m uncertain if these are original features. Photo: Lucy Brouwer
There is a date stone on the side of the house that matches the date in Fothergill’s 1888 diary when he records a visit “to Littleton’s house Sydenham about additions” (quoted in Darren Turner: Fothergill: A Catalogue of The Works of Watson Fothergill, new edition with photos now available).
Certainly the red brick parts of the house and some of the details seem recognisable as part of Fothergill’s oeuvre, but “additions” points to the fact that he was working to alter an existing property, perhaps in a similar way to the work done on St Andrews House in Nottingham, where he added sections to an existing Georgian house.
A little digging uncovered a few clues. Not least this painting by Impressionist painter Camile Pissarro…
Camille Pissarro
The Avenue, Sydenham
1871
Oil on canvas, 48 × 73 cm
Bought, 1984
NG6493
https://www.nationalgallery.org.uk/paintings/NG6493
Compare the view that Pissarro painted “en plein air” during his London exile during the Franco-Prussian war with the view down Lawrie Park Avenue today and St Bartholomew’s church is still easy to spot… I believe Dunedin, as it would have been before Fothergill’s additions, is the cream-coloured building near the centre of the picture.
A search of local blogs reveals that there was a house called Dunedin on the spot since around the 1860s and it was adjacent to Westwood House. The road was renamed Lawrie Park Avenue later. The clues from Fothergill’s diary entry start to make some sense.
The rest of Fothergill’s diary entry reads: “The mansion in the grounds called Westwood was built by Pearson 3 or 4 years ago. Bright red bricks with elaborate Royal and figure Carvings to all windows. The roof all of bright red tiles with turrets etc. This and the houses of the two sons lighted by electricity throughout.”
So, we have Mr Littleton, his two sons and a mansion called Westwood built by Pearson.
Mr Littleton was Henry Littleton (1823 – 1888), a music publisher who had risen in his profession to take over the Novello empire. (No relation to the performer Ivor Novello – who took the name for the stage as it was well known in musical circles). I delved into Michael Hurd’s exhaustive history of the firm, Vincent Novello & Co and Two Centuries of Soho by JH Cardwell. (available to browse on the Internet Archive).
Henry Littleton in later life, from Two Centuries of Soho by JH Cardwell 1898.
At his retirement about a year before his death, Henry had appointed his sons, Alfred Henry Littleton (1845-1914) and Augustus James Littleton (1854-1943) as directors of the firm which was then called Novello, Ewer & Co. Both sons had joined the firm aged 17, with Alfred eventually becoming the head of the firm and Augustus looking after the bookbinding and printing side of the enterprise.
Alfred H Littleton from The Musical Times 1911
Augustus Littleton as Falstaff (with sword) circa 1886, performing with the Irving Dramatic Club. (via Google images).
Henry Littleton purchased a farmhouse on the south slope of Sydenham’s West Hill in 1874, this was the first version of Westwood House. He engaged the architect John Loughborough Pearson to extend and remodel the house in red brick, with the air of a French Chateau. The house had “gables, turrets and tall chimneys sprouted everywhere. Spacious windows with heads of great composers set in stained glass medallions along with a coat of arms drummed up for Sir Henry de Littleton”. The effect was theatrical.
Westwood House was not only a “noble and imposing mansion with a carriage drive and ornamental lodge at the entrance” (as it was described when it was sold in 1895), it also boasted a teak panelled music salon. It opened in July 1881 and Henry Littleton used the house to host big names whose work he published, including Dvorak and Franz Liszt .
Frank Loughborough Pearson, the architect’s son, was to marry Alfred’s daughter Cecilia Littleton and go on to work on a headquarters for Novello and Co on Wardour Street. There is a very tenuous connection to Fothergill here: Pearson worked with sculptor Nathanial Hitch, who may also have worked on the friezes on the Nottingham and Notts bank HQ.
Augustus Littleton is cited as the source for photographs in several books of the period dealing with interior design and sculpture. Indeed, the rest of Fothergill’s 1888 diary entry concerns viewing a bust of Liszt that Augustus Littleton had in his drawing room, which is likely to have been a clay model for this sculpture by Boehm.
In the 1881 census, both Alfred and Augustus Littleton and their families are listed as living in the vicinity of West Hill. Alfred at The Avenue, Dunedin House and Augustus at Laurie Park Gardens. By 1891 all the Littleton family members seem to have left the area. Alfred was then residing in Hyde Park Gardens, but several of his children were born in Syndenham.
So, it’s difficult to confirm who commissioned the work on Dunedin, how Fothergill might have been connected to the wealthy Littleton brothers and for how long they might have stayed in the house (and, indeed, if they lived in it after Fothergill worked on it). The 1939 register indicates that the house had been turned into flats by that time, with some of it empty when the register was taken.
Westwood House was to suffer a more drastic fate… It was sold off and in 1899 became the Passmore Edwards Teachers’ Orphanage, it closed in 1939 and was demolished in 1952. There is now a housing estate and a care home named Westwood House on the site.
The front of Burnage Court. Photo: Lucy BrouwerThe back of the house. Photo: Lucy Brouwer
The house is now divided into 8 flats, one was recently on the market for rent, and one is occasionally available as accommodation via Airbnb.
The building is not listed, and various alterations have been made over the years. A lot of coloured glass, which looks typical of Fothergill, remains. Looking closer at the photos, I think that Dunedin was originally made of yellow brick (typical of other houses in the area) and Fothergill added red brick elements, timber details and decorations, perhaps to compliment the adjacent Westwood House. The chimneys, the brick nogging, the timber cladding inside and the tower all make sense in this context.
If anyone knows any more about Dunedin, The Littleton family or Fothergill’s possible connections to South London please contact me. (Fothergill attended Mr Long’s School, Clapham Park School as a child and visited Upper Norwood with his wife in 1883. He later named some streets in a speculative development in Nottingham Clapham, Norwood, Brixton and Sydenham, so perhaps had some affection for the area?)
Watson Fothergill Virtual Walk: Fothergill’s Buildings in Mansfield, 8 February 2022, 7 pm. Tickets £5 +booking fee
Thanks to everyone who has taken part in a Watson Fothergill Walk this year, also to all those who have sent messages about Fothergill’s buildings – I’ve written up reports of some visits on my blog, with more to come soon! If you live in a Fothergill or have memories of working in one of the buildings, do email me!
The architect Watson Fothergill, or as he was known until 1892, Fothergill Watson, was born in 1841 in Mansfield, Notts. He had many connections in his home town and some of his buildings can still be found there.
I have been working on an introduction to these buildings in the form of a “Virtual Walk”, a new illustrated Zoom talk that will take place on 8 February 2022 at 7 pm, tickets £5 (plus booking fee). Join me to learn more about the buildings that remain and those that have been lost.
If you missed out on the original Watson Fothergill Virtual Walk, there will be another chance to join me for the Zoom version of my walking tour on 20 January 2022 at 7 pm. If you can’t attend these events “live” then a recording will be made available to ticket holders afterwards.
Meanwhile… in-person walks will be back in Spring 2022. If you’d like to cover the cost of a walk, or to purchase tickets as a gift, vouchers are delivered by email.
Meanwhile if you haven’t already, make sure your email is on the mailing list to receive all the latest news and walk dates as soon as they’re finalised!
Sometimes I’m lucky enough to be invited to explore Fothergill buildings. The latest of these was The Red House, on Cator Lane, Chilwell.
From the road, The Red House has a distinctive chimney that stands out from the surrounding buildings… Photo: Lucy Brouwer
The Red House is listed in the Fothergill Catalogue as a “Minor Work”, as it was not originally built by the architect. However, the additions he made to the property are quite extensive.
With its very tall chimney and red bricks, The Red House stands out amid the 1930s suburban semis that make up the rest of the street. Indeed, for a long time the original house (then called Hill House) was the only building on this part of Cator Lane, it is visible on maps from around 1850 – it may have been built even earlier, around 1840 from the style of the windows in the original parts of the house.
The Red House from the back, which is now the front.. the porch is a modern addition. Photo: Lucy BrouwerThe “front” of The Red House, Fothergill’s extension includes the porch and landing above, the large bays over two floors, bay windows added to the original rooms and possibly the attic rooms. Photo: Lucy Brouwer
The plans for Fothergill’s alterations were submitted in October 1895, approved in November and presumably carried out shortly after. The extension is shown on the 1900 OS map of the area. After the work, the house is called “The Red House” on maps and it is apparently the only substantial dwelling on Cator Lane until about 1930. I’ve found advertisements in newspapers from 1933 offering houses for sale (for £550 per house) on The Red House Estate on Cator Lane, most of the houses nearby look as if they were built around this date.
1933 advert in The Long Eaton Advertiser for The Red House Estate
Ian, the present owner of The Red House, gave me a tour and told me what he knows about the history of the building.
The house had been a parsonage and the client for the extension work was Frederic Chatfield Smith (1824-1905) of Bramcote Hall, at one time an MP for the area and the head of Smiths Bank in Nottingham. However, Smith did not live in the house.
There is a plaque commemorating Smith in the nearby Christ Church in Chilwell, he endowed the church but this wasn’t until 1903. He was known for his charitable work as his obituary in Nottingham Evening Post, 22 April 1905 notes:
“He manifested a warm interest in religious and philanthropic work, being an ever-generous subscriber to charitable and other institutions. He was a patron of the living of Bramcote with Attenborough, and he exercised discriminating influence in church matters.”
So did Frederick Chatfield Smith extend the house to encourage a new vicar to move to Chilwell? It seems that after the improvements the house remained as a small farm, with a quantity of pasture land and some animals. Ian has an advertisement that describes the house when it was offered for auction in the 1920s.
Auction notice for the house from circa 1921-22. Photo: Lucy Brouwer
I’ve found that in 1864, the house had been lived in by the then late Joseph Morris – cited in a marriage announcement for his sixth daughter Pattie.
In 1889, the householder was The Rev. James Crabtree – so it was presumably still a parsonage at this point.
After the extension was added, I’ve found a few of the residents and some information:
Around 1898-1899 G.W. Baxter, his wife, son and daughters can be found at the house. Baxter and family rode with the Earl of Harrington’s hunt in 1898, and in April 1899 GW Baxter could be found selling a horse at the Black Boy Repository (behind the hotel?) in Nottingham. In November 1899, both he and his servants donated to the Shilling Fund.
Brigadier General Charles Tyrell Shipley CB (1863-1933) was another resident of the Red House. I’ve found a couple of photographs of him: here in uniform and here as a younger man, and something of his war record, he seems to have had an illustrious military career, commanding the 46th North Midlands Division and according to his obituary in the Nottingham Evening Post (13 Nov 1933) he lived at The Red House “before the war” (WW1).
Newspaper classified ads are another way of discovering who lived in a house. Between 1915-1918, the Barnett family various posted notices for the sale of a Great Dane puppy, an appeal to find their lost Airedale bitch, Jessie, and a “wanted ad” for a Daily Help or a good cook-general.
In both September 1919 and December 1921 the house was part of a selection of properties and land up for auction (in 1921 the tenant was cited as Mr W. Lucas). I believe the poster Ian showed me (pictured above) is from around this time.
23 Jan 1926, Nottingham Evening Post. (British Newspaper Archive). More Pigs For Sale from the Harrisons at The Red House.
Between 1923 and 1933 Kennedy William Harrison and his family were resident in the house – for several years running they annually offer for sale a litter of pigs (there was a pigsty outside the house, which is still recognisable among the outbuildings) as well as a litter of retriever puppies and “50 second season fowls in full lay” (Present owner Ian’s lockdown project was to install a small coop with hens!).
There are also reports of Mrs Harrison being involved in a motor bus accident in 1923 when a Barton Bros bus ran into a telegraph pole in Beeston. Despite being a “victim of the mishap” Mrs Harrison was “progressing satisfactorily” at the time of the report in the Beeston Gazette and Echo (6 October 1923). A company, Harrison and Hill Ltd, was formed in 1932, with Mr Harrison going into business with a certain Miss Gwendoline Hill in a firm of manufacturers and dealers of clothing and wearing apparel.
Between around 1933 and 1936, The Red House Estate was being developed on surrounding land off the newly created Brookland Drive. The builder Cecil C. Blythe advertises houses in local papers with tag lines including, “Have you visited The Red House Estate, Cator Lane? If not, why not?” the houses were “modern and labour saving” (Beeston Gazette and Echo, 4 Nov 1933). All these nuggets were found using the British Newspaper Archive.
Fothergill’s extension to The Red House. Photo: Lucy BrouwerFothergill’s extension protrudes from the square plan of the original house. Photo: Lucy Brouwer
Ian was keen to point out that The Red House exhibits some characteristics that bring to mind the Arts & Crafts movement – Fothergill’s attention to detail, fondness for decorative elements and good quality materials suggest at least a knowledge of William Morris and his Red House – now a National Trust property in Bexleyheath, on the outskirts of London. But “The Red House” is a common name for properties that are this colour – Fothergill’s fondness for the distinctive Mapperley Bricks might just as well be the origin of the name.
Characteristic Fothergill additions – leaded windows, decorative brickwork, nogging and a hint of polychrome. Photo: Lucy Brouwer
The chimney towers above the rest of the house, note Fothergill’s use of English Garden Wall bond for the brickwork. Photo: Lucy Brouwer.
Inside the house, there are some quirks of design like the decorative coving in the Fothergill drawing room, and a door that has a frame at an angle to accommodate the staircase. Fothergill appears to have moved the stairs from what was the front of the house to the back (except this is now used as the front!). It was hard to photograph and it would be useful to have the plans – if anyone with knowledge of Chilwell history knows where they might be, then please let us know!
The hall, where the original exterior wall and door have been moved to create the extension. The arch shows where the exterior wall originally stood. The unusual plasterwork panelling in the hall (which also goes upstairs) seems to be part of the work done when Fothergill extended the house. Photo: Lucy Brouwer
Tricky to see in a photo, but this door frame is angled so that it can fit behind the stairs…never seen one like it before! Photo: Lucy Brouwer
The chamfered corners in the living room are echoed in all the interiors that are part of Fothergill’s extension. Similar details exist in other houses he worked on. Photo: Lucy Brouwer
Some details on the porch, which was originally the front door. A buttress, cut out patterns in the wood and brick nogging above, all features familiar from other Fothergill buildings in Nottingham. Photo: Lucy Brouwer
Huge thanks to Ian Paul for inviting me to look at his house!
If you live in a Fothergill building, or if you have a house whose history you’d like to explore, then Lucy might be able to help with research – please fill in the form on the contact page to send a message. Tours will be back in 2022!
Thanks to everyone who has joined a Watson Fothergill Walk so far this summer, it’s been great to get back out there and explore Nottingham’s Victorian Architecture with you all.
It’s always pleasing when people say things like “I’ve walked past this a thousand times but never noticed it before!” or tell their own stories about the buildings.
Here are dates for walks in September 2021, click through for details and tickets:
I’m also doing a short taster walk for Heritage Open Days in partnership with Debbie Bryan’s shop in the Lace Market. tickets for this introduction to the architecture of the Lace Market are free but must be booked via Debbie Bryan’s website.
Lace Market Guided Tour 11 September, 2pm This is a shorter walk looking at the architecture around St Mary’s Gate including Thomas Chambers Hine’s Adams and Birkin Warehouses.
One of the great things about doing The Watson Fothergill Walk is that people sometimes invite me to explore inside the buildings…
I was lucky enough to be contacted by Jonathan from Woodlands, who looks after the building at Queen’s Chambers, it was a rare opportunity to take a look inside some of the flats while they were between occupants.
I didn’t get to go inside Flat 1 as it is presently occupied, but there is a virtual tour here (this is the only one of the flats that has wood panelling still extant.) However, I did get to look inside several of the other flats, including Flat 2 which has just been let (photos still available here).
All the flats I looked at were spacious and surprisingly quiet. Each has been kept as close as possible to the original layout and I was pleasantly surprised by how much of the original building remained.
Queen’s Chambers, which stands on the corner of Long Row and King Street where it opens out onto the Market Square, was commenced in 1896 and seems to have passed inspection in 1899. The date stone reads 1897, as the building was named to commemorate Queen Victoria’s 60th Jubilee – indeed there is a bust of Her Majesty just beneath the chimney on the King Street elevation.
Plans for the Queen Street elevation of Queen’s Chambers (courtesy Woodlands).
The building was commissioned as “four sale shops with offices and workrooms over” for Mr Edward Skipwith Esquire, of EW Skipwith, Wine and Spirit Merchants. I had, up to this point, assumed that Skipwith was still trading as a Wine and Spirit Merchant in the new building but further research leads me to make the assumption that it was built as a retirement investment, as suites of offices to be rented out.
Indeed, in 1899 Fothergill was advertising “Suites of Offices or Single Rooms to be Let”.
Nottingham Journal, 17 Feb 1899 (British Newspaper Archive).
Taking me around the building, Jonathan was keen to point out lots of details. From the coal cellar (now part of the White Rose charity shop) through the building, past the “Porter’s Lodge” (a concierge booth by the entrance), up the impressive central stairs to the flats and the tower at the top. (That involved a rather hair-raising climb up a pull-down ladder over the stairwell into the top room that just has windows for the view!). Here are some photos that I took inside:
I was particularly impressed by all the original windows and glass that remains in the building.
Huge thanks to Jonathan for showing me around and being so keen to share what he knows about the building.
You can learn more about the architecture of Watson Fothergill and the history of his buildings on the Watson Fothergill Walk, more dates coming soon!
Three Lions may belong on a shirt… but there are four lions at Nottingham Castle that I am particularly interested in…
The four stone lion sculptures found in the grounds of Nottingham Castle… Photos: Lucy Brouwer
As I mention on the Watson Fothergill Walk, these four stone lion sculptures originally adorned the tower of the Black Boy Hotel. On a visit to the newly reopened Nottingham Castle I found them in the grounds welcoming visitors. Each one has weathered to give it an individual character and their paws look almost as if they’re raising a toast!
Two of the lions at the top of step to Nottingham Castle. Photo: Lucy BrouwerYou can just see 2 of the lions on the corners of the tower, added to the hotel by Fothergill in 1897. Picture Nottingham.
Fothergill worked on the hotel over many years, coming back to rebuild and extend it on several occasions. On the tower, added in 1897, you can make out the lions, each a standard bearer with a shield – their poles are now long gone but you can see where they would have held them in their paws.
The Black Boy Hotel c.1939
The hotel was demolished in 1970 and replaced by Littlewoods (now Primark) on Long Row. The lions have been at the Castle ever since.
Read more about The Black Boy Hotel here, or join the Watson Fothergill Walk to learn all about the building, its architect and his work in Nottingham.
A look at the domestic architecture of Watson Fothergill and his chief assistant L.G. Summers in Mapperley Park, Sherwood Rise and Carrington (with tea and coffee available at Clawson Lodge and a chance to look around inside) 2 hours/ 3km.
A look at the domestic architecture of Watson Fothergill and his chief assistant L.G. Summers in Mapperley Park, Sherwood Rise and Carrington (with tea and coffee available at Clawson Lodge and a chance to look around inside) 2 hours/ 3km.
Watson Fothergill Walk – 27 June 2021, 10 am The original city centre walk, looking at the flamboyant Victorian architecture of Watson Fothergill, also known as Fothergill Watson! 2hrs/ 2km.
Tickets for all walks are £15 each and numbers are limited to 12 people per tour (for now!)
Lucy is also available during the week for private tours for small groups so please email if you have a group of friends or family who would enjoy discovering Nottingham from a new angle!
