News

Nottingham Architects, Research

Nottingham Architects: Gilbert Smith Doughty

Here’s another architect who was active around the same time as Watson Fothergill in Nottingham.

Gilbert Smith Doughty (1861-1909) came to my attention when I noticed that Fothergill was not the only architect to have his name carved on his buildings. Opposite Fothergill’s Nottingham and Notts Bank on Thurland Street you will find The Thurland Hall pub, and if the hanging basket is not too full you can find the name of the architect prominently displayed. There had been a pub here on the site of the Thurland Hall (home of The Earls of Clare) since the 1830s, but when the railway came through from the Victoria Station, the site was purchased and cleared.

Gilbert S. Doughty’s name on The Thurland Hall Pub, Pelham Street, Nottingham. Photo: Lucy Brouwer

Perhaps this “signature” was a little nod to Fothergill’s manner of claiming his work, or perhaps The Thurland Hall was a building of which Doughty was particularly fond. Indeed, the design had featured in The Building News and it was one of the first pubs outside London to be built by Levy & Franks, one of the very first pub chains in the country, who had pioneered the introduction of catering to public houses. They bought the site and rebuilt the pub between 1898-1900. Doughty had his office close to the original pub, at 17 Pelham Street.

The Thurland Hall from The Building News, 1902 (a print currently on sale on eBay)

Born in Lenton in 1861 to Edwin Doughty, a Lace manufacturer and his wife Annie Smith, Gilbert was the second of four children. He studied at Nottingham School of Art, and as early as age 19 he lists his profession as “architect” (in the 1881 Census when the family was living at Cavendish House, Cavendish Hill, Sherwood.) In 1880 and 1883 he won Queen’s Prizes for his designs and by 1884 the trade directories find him in an office at Tavistock Chambers on Beastmarket Hill. From 1887 he was a lieutenant in the Robin Hood Rifles, by then he had moved his office to 14 Fletcher Gate and continued to live with his father and family in Foxhall Lodge, a house he designed for them at the junction of Foxhall Road and Gregory Boulevard, opposite what was then The Forest Racecourse. (The building is currently Foxhall Business Centre).

Lieut. Gilbert S. Doughty eventually became a captain in the Robin Hood Rifles. This is an enlargement of a photo taken circa 1892 reprinted in Nottingham Evening Post, 1 June 1946. British Newspaper Archive.

The first major project (apart from houses) that there is evidence Doughty worked on was The Borough Club, on Queen’s Street. The building was demolished in the 1960s, but at the time of its design in 1893, it was newsworthy. Doughty took over the project from the Matlock architect George Edward Statham (who had worked on Smedley’s Hydro) Statham died suddenly of Scarlet Fever aged 39.

The Borough Club, next to Watson Fothergill’s building for Jessops. Photo: Flickr

Other work includes additions to CW Judge’s bakery at 59, Mansfield Road (work occasionally mistaken for that of Fothergill). In 1899 Doughty added a refreshment room (for a long time the building housed Encounters restaurant).

Rear view of CW Judge, Mansfield Road. Photo: Alan Murray Rust

The Northern Renaissance style of The Borough Club survives in some of Doughty’s other city centre work including 5-9 Bridlesmith Gate (1895) Built as a showroom for furniture shop Smart & Brown, the upper floors are now occupied by Waterstones.

The former Smart & Brown furniture store, now Fatface and Waterstones, Bridlesmith Gate, Nottingham. Photo: Lucy Brouwer

In a pinch, the central in the decoration of the Smart & Brown storefront might be Gilbert Smith Doughty! Photo: Lucy Brouwer
Smart & Brown circa 1926. Picture Nottingham

There are also two blocks of Flemish-inspired shops on Derby Road, but perhaps the most well known is the long gable range of City Buildings, Carrington Street (1896-7), with its prominent clock tower, a building known to many as the former Redmayne and Todd sports shop.

City Buildings, Carrington Street, recently renovated. Photo

Doughty lived at several addresses during his time in Nottingham, often buildings he had worked on, or close to them. In the 1901 census he and his wife May Edgcombe Rendle can be found as guests at the Portland Temperance Hotel on Carrington Street, opposite City Buildings (Incidentally, in the same census a former Fothergill assistant, architect John Rigby Poyser can be found in the Gresham Hotel, just the other side of the Carrington Street Bridge. More on these hotels in Alan Bates’ article for Nottingham Civic Society).

In 1902, Doughty lists his address as Greetwell, a house on the newly developed Manor Park estate in Ruddington (this land had been in the hands of the American industrialist Philo Laos Mills, for whom Doughty had worked on warehouses in the Lace Market, The Mills Building Plumtre Street, 39 Stoney Street and 47 Stoney Street.) Doughty’s contribution, Greetwell is still there although the house name does not survive.

Greetwell, Manor Park, Ruddington. Academy Architecture 1901, Source: Internet Archive
The Mills Building, Plumtre Street, Nottingham. Photo.

Doughty’s final Nottingham address in 1908 was a house he had built in 1905 on Private Road, Sherwood. Although the trade directories have yet another address for his office, in Prudential Buildings in the 1910 edition, by then Doughty and his wife had already left town.

How they came to be living in Prebend Mansions, Chiswick is not known, although this would have been close to his wife’s family in Brentford. This is the last known address of Gilbert Smith Doughty – he died suddenly in December 1909 in rather unfortunate circumstances.

After attempting to give a gift of a pair of gloves to a barmaid in The Roebuck pub on Chiswick High Road, Doughty was refused a drink of gin and angostura by the landlady and left the worse for drink. He was taken home and put to bed by the porter, but in the course of events hit his head on a mantlepiece (oh what irony as a design for a mantlepiece was one of his earliest achievements, gaining plaudits in 1879 while at Art School).

His wife found him dead and later at the inquest she noted that he was a heavy drinker and that the previous year he had “been sent away to a home for a time in consequence of his drinking habits”. In his article for the Civic Society, Alan Bates speculates that alcoholism might be the cause of Doughty’s somewhat patchy career, perhaps it was the reason for resigning his commission in the Robin Hoods in 1896, perhaps even the reason for the Doughty’s departure from Nottingham…?

You can read more about Gilbert Smith Doughty via The Nottingham Civic Society, where the venerable Ken Brand’s article is available in their archive. More work has been done by Alan Bates to fill in the gaps, a PDF featuring his article is available here.

Events

Looking at Fothergill in Mansfield

The next Watson Fothergill Virtual Walk event will be an illustrated online talk, via Zoom, on 8 February at 7pm. Ticket holders can watch live or have access to a recording after the event. Tickets are available on Eventbrite for £5 (plus a small booking fee).

Tickets for Fothergill’s Buildings in Mansfield

I’ve been working on this for a while, looking for stories about Fothergill’s family who lived in Mansfield and the buildings he designed for the town in the early part of his career. Several buildings still remain but they might not be as obvious as the ones we are familiar with in Nottingham City Centre.

Join me to look for traces of Fothergill in his home town and to learn about the family connections that lead to his career as an architect taking off in the 1870s… Fothergill’s Buildings in Mansfield, 7pm, 8 February 2022 This is an online event.

Fothergill Buildings Outside Nottingham, Research

Fothergill Outside Notts: Dunedin, Sydenham

A look at one of the few buildings that Fothergill worked on outside Nottinghamshire.

I was in the neighbourhood recently, so took the opportunity to have a closer look at an intriguing building. Dunedin, now called Burnage Court, on Lawrie Park Avenue in Syndenham, South London. It’s something of a mystery how Fothergill Watson came to work on additions to this house, but I’ve done some digging to see what I can find. (As this was in 1888, it was before his name change to Watson Fothergill.)

Dunedin, now Burnage Court, Sydenham. Photo: Lucy Brouwer

I took some photos from the road, and then I knocked on a couple of doors to see if there was anyone in. Huge thanks to Ritchye for talking to me and letting me have a little look around inside her flat. (It was on the market last year and photos are still online).

The date stone on the side of the building. The carved animal at the top looks a little like the one on the Fothergill villa on Mansfield Road, but I’m uncertain if these are original features. Photo: Lucy Brouwer

There is a date stone on the side of the house that matches the date in Fothergill’s 1888 diary when he records a visit “to Littleton’s house Sydenham about additions” (quoted in Darren Turner: Fothergill: A Catalogue of The Works of Watson Fothergill, new edition with photos now available).

Certainly the red brick parts of the house and some of the details seem recognisable as part of Fothergill’s oeuvre, but “additions” points to the fact that he was working to alter an existing property, perhaps in a similar way to the work done on St Andrews House in Nottingham, where he added sections to an existing Georgian house. 

A little digging uncovered a few clues. Not least this painting by Impressionist painter Camile Pissarro…

Camille Pissarro The Avenue, Sydenham 1871 Oil on canvas, 48 × 73 cm Bought, 1984 NG6493 https://www.nationalgallery.org.uk/paintings/NG6493

Compare the view that Pissarro painted “en plein air” during his London exile during the Franco-Prussian war with the view down Lawrie Park Avenue today and St Bartholomew’s church is still easy to spot… I believe Dunedin, as it would have been before Fothergill’s additions, is the cream-coloured building near the centre of the picture.

A search of local blogs reveals that there was a house called Dunedin on the spot since around the 1860s and it was adjacent to Westwood House. The road was renamed Lawrie Park Avenue later. The clues from Fothergill’s diary entry start to make some sense.

The rest of Fothergill’s diary entry reads: “The mansion in the grounds called Westwood was built by Pearson 3 or 4 years ago. Bright red bricks with elaborate Royal and figure Carvings to all windows. The roof all of bright red tiles with turrets etc. This and the houses of the two sons lighted by electricity throughout.”

So, we have Mr Littleton, his two sons and a mansion called Westwood built by Pearson.

Mr Littleton was Henry Littleton (1823 – 1888), a music publisher who had risen in his profession to take over the Novello empire. (No relation to the performer Ivor Novello – who took the name for the stage as it was well known in musical circles). I delved into Michael Hurd’s exhaustive history of the firm, Vincent Novello & Co and Two Centuries of Soho by JH Cardwell. (available to browse on the Internet Archive).

Henry Littleton in later life, from Two Centuries of Soho by JH Cardwell 1898.

At his retirement about a year before his death, Henry had appointed his sons, Alfred Henry Littleton (1845-1914) and Augustus James Littleton (1854-1943) as directors of the firm which was then called Novello, Ewer & Co. Both sons had joined the firm aged 17, with Alfred eventually becoming the head of the firm and Augustus looking after the bookbinding and printing side of the enterprise.

Alfred H Littleton from The Musical Times 1911
Augustus Littleton as Falstaff (with sword) circa 1886, performing with the Irving Dramatic Club. (via Google images).

Henry Littleton purchased a farmhouse on the south slope of Sydenham’s West Hill in 1874, this was the first version of Westwood House. He engaged the architect John Loughborough Pearson to extend and remodel the house in red brick, with the air of a French Chateau. The house had “gables, turrets and tall chimneys sprouted everywhere. Spacious windows with heads of great composers set in stained glass medallions along with a coat of arms drummed up for Sir Henry de Littleton”. The effect was theatrical.

Westwood House was not only a “noble and imposing mansion with a carriage drive and ornamental lodge at the entrance” (as it was described when it was sold in 1895), it also boasted a teak panelled music salon. It opened in July 1881 and Henry Littleton used the house to host big names whose work he published, including Dvorak and Franz Liszt .

Frank Loughborough Pearson, the architect’s son, was to marry Alfred’s daughter Cecilia Littleton and go on to work on a headquarters for Novello and Co on Wardour Street. There is a very tenuous connection to Fothergill here: Pearson worked with sculptor Nathanial Hitch, who may also have worked on the friezes on the Nottingham and Notts bank HQ.

Augustus Littleton is cited as the source for photographs in several books of the period dealing with interior design and sculpture. Indeed, the rest of Fothergill’s 1888 diary entry concerns viewing a bust of Liszt that Augustus Littleton had in his drawing room, which is likely to have been a clay model for this sculpture by Boehm.

In the 1881 census, both Alfred and Augustus Littleton and their families are listed as living in the vicinity of West Hill. Alfred at The Avenue, Dunedin House and Augustus at Laurie Park Gardens. By 1891 all the Littleton family members seem to have left the area. Alfred was then residing in Hyde Park Gardens, but several of his children were born in Syndenham.

So, it’s difficult to confirm who commissioned the work on Dunedin, how Fothergill might have been connected to the wealthy Littleton brothers and for how long they might have stayed in the house (and, indeed, if they lived in it after Fothergill worked on it). The 1939 register indicates that the house had been turned into flats by that time, with some of it empty when the register was taken.

Westwood House was to suffer a more drastic fate… It was sold off and in 1899 became the Passmore Edwards Teachers’ Orphanage, it closed in 1939 and was demolished in 1952. There is now a housing estate and a care home named Westwood House on the site.

The front of Burnage Court. Photo: Lucy Brouwer

The back of the house. Photo: Lucy Brouwer

The house is now divided into 8 flats, one was recently on the market for rent, and one is occasionally available as accommodation via Airbnb.

The building is not listed, and various alterations have been made over the years. A lot of coloured glass, which looks typical of Fothergill, remains. Looking closer at the photos, I think that Dunedin was originally made of yellow brick (typical of other houses in the area) and Fothergill added red brick elements, timber details and decorations, perhaps to compliment the adjacent Westwood House. The chimneys, the brick nogging, the timber cladding inside and the tower all make sense in this context.

If anyone knows any more about Dunedin, The Littleton family or Fothergill’s possible connections to South London please contact me. (Fothergill attended Mr Long’s School, Clapham Park School as a child and visited Upper Norwood with his wife in 1883. He later named some streets in a speculative development in Nottingham Clapham, Norwood, Brixton and Sydenham, so perhaps had some affection for the area?)

Watson Fothergill Virtual Walk will be back in 2021 and walking tours of Nottingham will resume in the Spring. Please ensure that you have joined the mailing list for updates!

Events, Online

Online talks in 2022: Explore Fothergill’s Buildings in Mansfield

Watson Fothergill Virtual Walk: Fothergill’s Buildings in Mansfield, 8 February 2022, 7 pm. Tickets £5 +booking fee

Thanks to everyone who has taken part in a Watson Fothergill Walk this year, also to all those who have sent messages about Fothergill’s buildings – I’ve written up reports of some visits on my blog, with more to come soon! If you live in a Fothergill or have memories of working in one of the buildings, do email me!

The architect Watson Fothergill, or as he was known until 1892, Fothergill Watson, was born in 1841 in Mansfield, Notts. He had many connections in his home town and some of his buildings can still be found there. 

I have been working on an introduction to these buildings in the form of a “Virtual Walk”, a new illustrated Zoom talk that will take place on 8 February 2022 at 7 pm, tickets £5 (plus booking fee). Join me to learn more about the buildings that remain and those that have been lost.

Tickets for Fothergill’s Buildings in Mansfield

Watson Fothergill Virtual Walk, 20 January 2022, 7 pm. Tickets £5 (plus booking fee).

Another chance to Zoom…

If you missed out on the original Watson Fothergill Virtual Walk, there will be another chance to join me for the Zoom version of my walking tour on 20 January 2022 at 7 pm. If you can’t attend these events “live” then a recording will be made available to ticket holders afterwards.

Tickets available here, £5 (plus booking fee). 

Gift Vouchers

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Gift vouchers now available

Gift Vouchers on sale

Meanwhile… in-person walks will be back in Spring 2022. If you’d like to cover the cost of a walk, or to purchase tickets as a gift, vouchers are delivered by email. 

Buy gift vouchers

Meanwhile if you haven’t already, make sure your email is on the mailing list to receive all the latest news and walk dates as soon as they’re finalised!

Inside, Research

The Red House, Cator Lane

Sometimes I’m lucky enough to be invited to explore Fothergill buildings. The latest of these was The Red House, on Cator Lane, Chilwell. 

From the road, The Red House has a distinctive chimney that stands out from the surrounding buildings… Photo: Lucy Brouwer

The Red House is listed in the Fothergill Catalogue as a “Minor Work”, as it was not originally built by the architect. However, the additions he made to the property are quite extensive.

With its very tall chimney and red bricks, The Red House stands out amid the 1930s suburban semis that make up the rest of the street. Indeed, for a long time the original house (then called Hill House) was the only building on this part of Cator Lane, it is visible on maps from around 1850 – it may have been built even earlier, around 1840 from the style of the windows in the original parts of the house.

The Red House from the back, which is now the front.. the porch is a modern addition. Photo: Lucy Brouwer
The “front” of The Red House, Fothergill’s extension includes the porch and landing above, the large bays over two floors, bay windows added to the original rooms and possibly the attic rooms. Photo: Lucy Brouwer

The plans for Fothergill’s alterations were submitted in October 1895, approved in November and presumably carried out shortly after. The extension is shown on the 1900 OS map of the area. After the work, the house is called “The Red House” on maps and it is apparently the only substantial dwelling on Cator Lane until about 1930. I’ve found advertisements in newspapers from 1933 offering houses for sale (for £550 per house) on The Red House Estate on Cator Lane, most of the houses nearby look as if they were built around this date. 

1933 advert in The Long Eaton Advertiser for The Red House Estate

Ian, the present owner of The Red House, gave me a tour and told me what he knows about the history of the building.  

The house had been a parsonage and the client for the extension work was Frederic Chatfield Smith (1824-1905) of Bramcote Hall, at one time an MP for the area and the head of Smiths Bank in Nottingham. However, Smith did not live in the house. 

The Plaque in Christ Church, Chilwell commemorating Smith. Source: Southwell & Nottingham Church History Project

There is a plaque commemorating Smith in the nearby Christ Church in Chilwell, he endowed the church but this wasn’t until 1903. He was known for his charitable work as his obituary in Nottingham Evening Post, 22 April 1905 notes:

“He manifested a warm interest in religious and philanthropic work, being an ever-generous subscriber to charitable and other institutions. He was a patron of the living of Bramcote with Attenborough, and he exercised discriminating influence in church matters.”

So did Frederick Chatfield Smith extend the house to encourage a new vicar to move to Chilwell? It seems that after the improvements the house remained as a small farm, with a quantity of pasture land and some animals. Ian has an advertisement that describes the house when it was offered for auction in the 1920s.

Auction notice for the house from circa 1921-22. Photo: Lucy Brouwer

I’ve found that in 1864, the house had been lived in by the then late Joseph Morris – cited in a marriage announcement for his sixth daughter Pattie.

In 1889, the householder was The Rev. James Crabtree – so it was presumably still a parsonage at this point. 

After the extension was added, I’ve found a few of the residents and some information:

Around 1898-1899 G.W. Baxter, his wife, son and daughters can be found at the house. Baxter and family rode with the Earl of Harrington’s hunt in 1898, and in April 1899 GW Baxter could be found selling a horse at the Black Boy Repository (behind the hotel?) in Nottingham. In November 1899, both he and his servants donated to the Shilling Fund. 

Brigadier General Charles Tyrell Shipley CB (1863-1933) was another resident of the Red House. I’ve found a couple of photographs of him: here in uniform and here as a younger man, and something of his war record, he seems to have had an illustrious military career, commanding the 46th North Midlands Division and according to his obituary in the Nottingham Evening Post (13 Nov 1933) he lived at The Red House “before the war” (WW1).

Newspaper classified ads are another way of discovering who lived in a house. Between 1915-1918, the Barnett family various posted notices for the sale of a Great Dane puppy, an appeal to find their lost Airedale bitch, Jessie, and a “wanted ad” for a Daily Help or a good cook-general. 

In both September 1919 and December 1921 the house was part of a selection of properties and land up for auction (in 1921 the tenant was cited as Mr W. Lucas). I believe the poster Ian showed me (pictured above) is from around this time.

23 Jan 1926, Nottingham Evening Post. (British Newspaper Archive). More Pigs For Sale from the Harrisons at The Red House.

Between 1923 and 1933 Kennedy William Harrison and his family were resident in the house  – for several years running they annually offer for sale a litter of pigs (there was a pigsty outside the house, which is still recognisable among the outbuildings) as well as a litter of retriever puppies and “50 second season fowls in full lay” (Present owner Ian’s lockdown project was to install a small coop with hens!). 

There are also reports of Mrs Harrison being involved in a motor bus accident in 1923 when a Barton Bros bus ran into a telegraph pole in Beeston. Despite being a “victim of the mishap” Mrs Harrison was “progressing satisfactorily” at the time of the report in the Beeston Gazette and Echo (6 October 1923). A company, Harrison and Hill Ltd, was formed in 1932, with Mr Harrison going into business with a certain Miss Gwendoline Hill in a firm of manufacturers and dealers of clothing and wearing apparel.

Between around 1933 and 1936, The Red House Estate was being developed on surrounding land off the newly created Brookland Drive. The builder Cecil C. Blythe advertises houses in local papers with tag lines including, “Have you visited The Red House Estate, Cator Lane? If not, why not?” the houses were “modern and labour saving” (Beeston Gazette and Echo, 4 Nov 1933). All these nuggets were found using the British Newspaper Archive.

Fothergill’s extension to The Red House. Photo: Lucy Brouwer
Fothergill’s extension protrudes from the square plan of the original house. Photo: Lucy Brouwer

Ian was keen to point out that The Red House exhibits some characteristics that bring to mind the Arts & Crafts movement – Fothergill’s attention to detail, fondness for decorative elements and good quality materials suggest at least a knowledge of William Morris and his Red House – now a National Trust property in Bexleyheath, on the outskirts of London. But “The Red House” is a common name for properties that are this colour – Fothergill’s fondness for the distinctive Mapperley Bricks might just as well be the origin of the name. 

Characteristic Fothergill additions – leaded windows, decorative brickwork, nogging and a hint of polychrome. Photo: Lucy Brouwer
The chimney towers above the rest of the house, note Fothergill’s use of English Garden Wall bond for the brickwork. Photo: Lucy Brouwer.

Inside the house, there are some quirks of design like the decorative coving in the Fothergill drawing room, and a door that has a frame at an angle to accommodate the staircase. Fothergill appears to have moved the stairs from what was the front of the house to the back (except this is now used as the front!). It was hard to photograph and it would be useful to have the plans – if anyone with knowledge of Chilwell history knows where they might be, then please let us know!

The hall, where the original exterior wall and door have been moved to create the extension. The arch shows where the exterior wall originally stood. The unusual plasterwork panelling in the hall (which also goes upstairs) seems to be part of the work done when Fothergill extended the house. Photo: Lucy Brouwer

Tricky to see in a photo, but this door frame is angled so that it can fit behind the stairs…never seen one like it before! Photo: Lucy Brouwer

The chamfered corners in the living room are echoed in all the interiors that are part of Fothergill’s extension. Similar details exist in other houses he worked on. Photo: Lucy Brouwer

Some details on the porch, which was originally the front door. A buttress, cut out patterns in the wood and brick nogging above, all features familiar from other Fothergill buildings in Nottingham. Photo: Lucy Brouwer

Huge thanks to Ian Paul for inviting me to look at his house!

If you live in a Fothergill building, or if you have a house whose history you’d like to explore, then Lucy might be able to help with research – please fill in the form on the contact page to send a message. Tours will be back in 2022!

Events

September Walks

Thanks to everyone who has joined a Watson Fothergill Walk so far this summer, it’s been great to get back out there and explore Nottingham’s Victorian Architecture with you all. 

It’s always pleasing when people say things like “I’ve walked past this a thousand times but never noticed it before!” or tell their own stories about the buildings.

Here are dates for walks in September 2021, click through for details and tickets:

Watson Fothergill Walk, 19 September 2pm. Tickets £15 each

https://www.eventbrite.co.uk/e/watson-fothergill-walk-architecture-of-victorian-nottingham-tickets-168409614691?aff=WFWebsite

The Carrington Crawl, 26 September 1pm. Tickets £15 each (Tea and coffee will be available at The Ukrainian Centre at the end of the walk for a small charge).

https://www.eventbrite.co.uk/e/watson-fothergill-walk-the-carrington-crawl-tickets-168410278677?aff=WFWebsite

I’m also doing a short taster walk for Heritage Open Days in partnership with Debbie Bryan’s shop in the Lace Market. tickets for this introduction to the architecture of the Lace Market are free but must be booked via Debbie Bryan’s website.

Lace Market Guided Tour 11 September, 2pm This is a shorter walk looking at the architecture around St Mary’s Gate including Thomas Chambers Hine’s Adams and Birkin Warehouses.

You can also book a private tour or an illustrated talk with Lucy for your group. Send an email from here.

Inside, Research, Watson Fothergill in Nottingham

Inside Queen’s Chambers

One of the great things about doing The Watson Fothergill Walk is that people sometimes invite me to explore inside the buildings…

I was lucky enough to be contacted by Jonathan from Woodlands, who looks after the building at Queen’s Chambers, it was a rare opportunity to take a look inside some of the flats while they were between occupants.

I didn’t get to go inside Flat 1 as it is presently occupied, but there is a virtual tour here (this is the only one of the flats that has wood panelling still extant.) However, I did get to look inside several of the other flats, including Flat 2 which has just been let (photos still available here).

All the flats I looked at were spacious and surprisingly quiet. Each has been kept as close as possible to the original layout and I was pleasantly surprised by how much of the original building remained.

Queen’s Chambers, which stands on the corner of Long Row and King Street where it opens out onto the Market Square, was commenced in 1896 and seems to have passed inspection in 1899. The date stone reads 1897, as the building was named to commemorate Queen Victoria’s 60th Jubilee – indeed there is a bust of Her Majesty just beneath the chimney on the King Street elevation.

Plans for the Queen Street elevation of Queen’s Chambers (courtesy Woodlands).

The building was commissioned as “four sale shops with offices and workrooms over” for Mr Edward Skipwith Esquire, of EW Skipwith, Wine and Spirit Merchants. I had, up to this point, assumed that Skipwith was still trading as a Wine and Spirit Merchant in the new building but further research leads me to make the assumption that it was built as a retirement investment, as suites of offices to be rented out.

Indeed, in 1899 Fothergill was advertising “Suites of Offices or Single Rooms to be Let”.

Nottingham Journal, 17 Feb 1899 (British Newspaper Archive).

Taking me around the building, Jonathan was keen to point out lots of details. From the coal cellar (now part of the White Rose charity shop) through the building, past the “Porter’s Lodge” (a concierge booth by the entrance), up the impressive central stairs to the flats and the tower at the top. (That involved a rather hair-raising climb up a pull-down ladder over the stairwell into the top room that just has windows for the view!). Here are some photos that I took inside:

I was particularly impressed by all the original windows and glass that remains in the building.

Huge thanks to Jonathan for showing me around and being so keen to share what he knows about the building.

You can learn more about the architecture of Watson Fothergill and the history of his buildings on the Watson Fothergill Walk, more dates coming soon!

All photos by Lucy Brouwer.
Research, TC Hine

Traces of TC Hine at Nottingham Castle

During my visit to the newly reopened Nottingham Castle I spotted a few clues that point to the architect who originally transformed the ruined Ducal Palace into the first municipal art gallery outside London.

But does anything remain of “The Midland Counties Art Museum at Nottingham”?

Nottingham’s not really a castle.. it’s a Renaissance Ducal Palace you know! Photo: Lucy Brouwer

Nottingham Castle’s new Rebellion Gallery does a dynamic job of telling the story of how Nottingham Castle as we know it has survived a turbulent history – from the demolition of the Norman fortress by Oliver Cromwell after the Civil War to the damage caused by protesters against the 1831 Reform Bill, when the Riot Act was read and the Duke of Newcastle’s Palace was torched – but what happened next?

Thomas Chambers Hine, prominent architect of Victorian Nottingham and the 5th Duke of Newcastle’s Surveyor of Estates, took it upon himself (along with his son George Thomas Hine) to transform the gutted shell of the building into a Public Museum and Gallery of Art and Science. All the woodwork – floors and staircases – had been destroyed in the fire so Hine added new stone staircases with cast-iron balustrades and the three floors of the palace were replaced with two, cutting through the old staterooms.

TC Hine’s staircase inside Nottingham Castle. Photo: Lucy Brouwer

The top lit picture gallery was modelled on the Grand Gallery of The Louvre.

Picture (by Hine?) of the Gallery space now on display at Nottingham Castle. Photo: Lucy Brouwer
The gallery as it is today, with the skylight still performing its function. Photo: Lucy Brouwer

The Midland Counties Art Museum At Nottingham was opened by Albert Edward, Prince of Wales (Later King Edward VII)and his wife, Princess Alexandra on 3rd July 1878 and the occasion was marked with a royal procession through The Park Estate.

Stained glass window (now part of the Visiting Exhibition Space – currently hosting ‘Hello, My Name Is Paul Smith’) commemorating the Royal Visit and the Castle’s Civil War associations. Photo: Lucy Brouwer

TC Hine had a fondness for local history and published a book to mark the occasion, it detailed each phase of the building’s history and was entitled: ‘Nottingham Its Castle, A Millitary Fortress, A Royal Palace, A Ducal Mansion, A Blackened Ruin, A Museum and Gallery of Art’. It was published in two editions, the first in 1876 and a second in 1879 with a supplement covering the Royal Visit.

TC Hine’s history of the Castle, now on display in the Castle! Photo: Lucy Brouwer

Thanks to Google Books you can browse the pages of the book and look at some of the illustrations. (A copy is also available at Bromley House Library). In the book, “a labour of love”, Hine recounts the history of the Castle through the reign of each successive English monarch, notes significant incidents in the history of Nottingham and even lays claim to be the person who found the spiral stairs leading to the cave known as Mortimer’s Hole. As he goes through a timeline of the years, he notes important events, population figures and makes note of the buildings being built in the town. The book is almost a scrapbook (which is how it is described in the exhibition) although it actually contains printed pictures that have been stuck into each copy rather than the plates being directly printed onto the pages.


Nottingham Castle as a ruin, 1876 from Nottingham, Its Castle…” by TC Hine. Source: Google Books.

The deaths of notable personages are recorded and Hine describes buildings including the Nottingham Exchange, “standing as it does on the finest site in all England”, expressing the opinion that the building looked more like a “large retail establishment” than a public building fit to host the “Midland Counties Art Exhibition in connection with the South Kensington Museum”. He also describes the colonnades which distinguish Nottingham’s Market Place, even suggesting that they be developed as a feature, like the covered walkways of Bologna!

All in all, Hine’s book is a treasure trove of historical incidents and as he reaches years covered by his own lifetime, he notes the activities of other Nottingham architects as well as his own.

In summing up he compares the Castle, standing as it does upon a rock, to “the Acropolis at Athens or the Capitol of Rome”, and expresses the hope that ‘beauty and refinement “sweetness and light”‘ will arise from use of the Castle as a gallery and museum.

And so, we too must hope that in its latest incarnation, Nottingham Castle will continue to be such a beacon of “higher and nobler aspirations of the human mind.”

Closing paragraph of TC Hine’s ‘Nottingham, It’s Castle…” (source: Google Books)

To learn more about Thomas Chambers Hine and his buildings in Nottingham, join Lucy for her guided tour, The Hine Hike. The next date is 29 August 2021.

Tickets for this and all over events available on Eventbrite.

Research, Watson Fothergill in Nottingham

Four Lions at Nottingham Castle

Three Lions may belong on a shirt… but there are four lions at Nottingham Castle that I am particularly interested in…

The four stone lion sculptures found in the grounds of Nottingham Castle… Photos: Lucy Brouwer

As I mention on the Watson Fothergill Walk, these four stone lion sculptures originally adorned the tower of the Black Boy Hotel. On a visit to the newly reopened Nottingham Castle I found them in the grounds welcoming visitors. Each one has weathered to give it an individual character and their paws look almost as if they’re raising a toast!

Two of the lions at the top of step to Nottingham Castle. Photo: Lucy Brouwer

You can just see 2 of the lions on the corners of the tower, added to the hotel by Fothergill in 1897. Picture Nottingham.

Fothergill worked on the hotel over many years, coming back to rebuild and extend it on several occasions. On the tower, added in 1897, you can make out the lions, each a standard bearer with a shield – their poles are now long gone but you can see where they would have held them in their paws.

The Black Boy Hotel c.1939

The hotel was demolished in 1970 and replaced by Littlewoods (now Primark) on Long Row. The lions have been at the Castle ever since.

Read more about The Black Boy Hotel here, or join the Watson Fothergill Walk to learn all about the building, its architect and his work in Nottingham.

Tickets for forthcoming guided tours with tour guide Lucy Brouwer.

Events

August Walks

Here we go with some more walk dates for August 2021! Tickets for the following dates are now on sale, all tickets are £15 each.

Come and explore the architecture of Victorian Nottingham with tour guide Lucy Brouwer.

Watson Fothergill Walk, 1 August 2021, 10 am, £15

The Carrington Crawl, 15 August 2021, 1 pm, £15

Watson Fothergill Walk (Evening), 19 August 2021, 6 pm, £15

Watson Fothergill Walk, 22 August 2021, 2pm, £15 (now moved to 2pm start).

Hine Hike: The Buildings of Thomas Chambers Hine, 29 August 2021, 2pm, £15

Watson Fothergill Walk, 1 August 2021, 10 am, £15

Watson Fothergill Walk

The original city centre walk, looking at the flamboyant Victorian architecture of Watson Fothergill, also known as Fothergill Watson! 2hrs/ 2km.

Watson Fothergill Walk, 1 August 2021, 10 am, £15

Watson Fothergill Walk (Evening), 19 August 2021, 6 pm, £15

Watson Fothergill Walk, 22 August 2021, 2 pm, £15

The Carrington Crawl, 15 August 2021, 1 pm, £15

The Carrington Crawl

A look at the domestic architecture of Watson Fothergill and his chief assistant L.G. Summers in Mapperley Park, Sherwood Rise and Carrington (with tea and coffee available at Clawson Lodge and a chance to look around inside) 2 hours/ 3km.

The Carrington Crawl, 15 August 2021, 1 pm, £15

Hine Hike: The Buildings of Thomas Chambers Hine, 29 August 2021, 2pm, £15

Hine Hike

A look at some of the work of another architect who made a big impact on Victorian Nottingham – Thomas Chambers Hine. 2hrs/3km.

Hine Hike: The Buildings of Thomas Chambers Hine, 29 August 2021, 2pm, £15

Lucy is also available to conduct private tours for your group. Please email for more details.