Lawrence G Summers, Watson Fothergill in Nottingham

Inside Watson Fothergill’s Office part two

Having studied the building from the outside, the chance to have a look around inside the Offices of Watson Fothergill on George Street, Nottingham was too good to resist. Many thanks to Sarah Julian of BBC Radio Nottingham for giving me the opportunity and to the Bragas for letting me take a few quick photos and letting me talk to them about the building.

Following on from my previous blog about getting through the door to find a quote from Geoffrey Chaucer, here we go up stairs to find the offices that have been turned into a two bedroom flat.

A screen grab of the listing for rent.

Fothergill built his office on George Street in 1894-5 after having to vacate his previous set up on Clinton Street when the railway came through. Typically, he had been prepared for the move and bought the site on George Street. He demolished the previous building in readiness for building his office. Aged 54 at the time, he was a confident and mature architect, his office serves as a three dimensional portfolio, and a lot of his later work around Nottingham seems to have followed on from this construction. It demonstrates his capabilites to his wealthy Nottingham clients and showed them the quality to which his creations aspired.

Up to the first floor and I noticed a familiar name on the door! (Photo: Lucy Brouwer)

I managed to grab a few photos, but as well as being rather overwhelmed I was also talking to Sarah for the radio piece, so forgive the rather snatched images! Up on the first floor, the first thing that caught my eye was the nameplates on the internal doors. The larger of the two rooms bore the initials L.G. Summers (Fothergill’s assistant, co-architect but never partner, in the practice Lawrence George Summers who will be familiar to readers of this blog.)

On the other door, a suitably Gothic name plate. (Photo: Lucy Brouwer)

The owners pointed out that the door with Fothergill’s name on lead to the smaller of the two rooms, they deduced that this was so that, in a building heated by coal fires, the boss would have the warmer office. It is also the office on the turret side of the building.

The fireplace in Fothergill’s office looks likely to be original. Nice Gothic ballflower detail. (Photo: Lucy Brouwer)
The niche above Fothergill’s fireplace has some Gothic touches surviving and the ceiling was panelled. We weren’t sure about all the wallpaper! (Photo: Lucy Brouwer)

There was a sense in the room that it would have made a cosy place to work, there was a connecting door through to Summers’ office and then the landing between them and the small waiting room that has been extended into a modern kitchen.

Fireplace and parquet flooring in what would have been the small waiting room area at the back. (Photo: Lucy Brouwer)
Summers’ office has been turned into the lounge of the flat. This is the larger room at the front on the first floor. The fireplace was off-centre and we couldn’t agree if this was an original feature. (Photo: Lucy Brouwer)
The view out the back window of the cottages in Brewitt’s yard. The one closest on the left has been incorporated into the building to make the kitchen and bathroom. (Photo: Lucy Brouwer)
The landing window contained some more coloured glass and what seems to be a quote from ‘The Life of Christ’ by Frederick Farrar (1874) perhaps a book that Fothergill, who had his religious moments, had read and taken to heart? (Photo: Lucy Brouwer)
The staircase up to the second floor. No one seemed to know what the statue represents; it was left by the previous owner. The niche suggests there has always been some art there but was it this? Anyone know who the chap with the bells is? (Photo: Lucy Brouwer)
The room in the turret, you can just see a panel in the ceiling which would have allowed you to look up into the workings and see the herringbone structure. It was currently full of insulation, but perhaps imagine Fothergill showing clients the quality of the woodwork inside his tower! (Photo: Lucy Brouwer)
The door to the other room upstairs, the owner had been staying there so I didn’t get a picture of inside! Presumably Fothergill’s apprentices and assistants worked upstairs. They had a fireplace in every room. (Photo: Lucy Brouwer)
In the little room that had been made into the toilet, was this tiny window. The owners removed a pulley system that seems to have been for hauling bags of coal up to the top floor in order to heat the offices. (Photo: Lucy Brouwer)

It was tricky to get more photos and talk at the same time so there’s just a flavour of what the building was like inside and we didn’t get time to look in the shop downstairs or further into the yard.

The conversion seems to be sympathetic – the building was used as a solicitors office prior to being sold (at least twice) so it had been disused for quite sometime. The quality of the workmanship on the repairs is first rate. It was mentioned that Fothergill had made a sturdy structure with a stone or concrete foundation – without which, the damage that was inflicted in 2015 might have destroyed the front of the building. Bonsers have written about the restoration they carried out on their website.

I will be running more Watson Fothergill guided walks into July and August – you can find dates and details via my Eventbrite page where you can book tickets. Private tours can be arranged – get in touch with Lucy via the contact page.

Events, Lace Market, TC Hine, Thomas Chambers Hine

The Hine Hike: Evening Walk

I’m running another chance to join me for The Hine Hike: The buildings of Thomas Chambers Hine on Wednesday 5th June 2019, starting at 6pm. Tickets here.

The Hine Hike 5 June 2019

Thomas Chambers Hine, 1813-1899, was possbly Nottingham’s most prolific architect of the Victorian Age. His work across the 19th Century ranges from overseeing the development of The Park Estate, to building the biggest lace warehouses in the Lace Market, and includes the conversion of Nottingham Castle to England’s first provincial art gallery outside London.

The Adams Building, Lace Market, Nottingham (photo: Lucy Brouwer).
The Birkin Building, Lace Market, Nottingham (photo: Lucy Brouwer).

Explore the buildings of Thomas Chambers Hine “the father of the Midlands Architects” and his impact on the built environment of Nottingham city centre. This evening walk will take in a overview of the Park Estate, progress via Hine’s home and office on Regent Street towards Nottingham Castle. The walk will continue across the city centre to investigate some of Thomas Chambers Hine’s lesser known buildings and finish up with some of his large scale projects in the Lace Market.

This is a walk of 3km (1.9 miles) approximately 2 hours. The walk starts at Nottingham Playhouse and finishes in the Lace Market.

Next Hine Hike is 5 June, 2019, 6pm Tickets here.

Lawrence G Summers

Lawrence George Summers in Sherwood Rise & Mapperley Park

In my last few blogs I’ve been looking at the life and work of Lawrence George Summers who was Watson Fothergill’s assistant and an architect in his own right, albeit a somewhat less flamboyant one.

The last installment left off in New Basford, from where I walked back to Sherwood Rise. I passed Fothergill’s Norris Homes and further down Berridge Road at the corner with Cedar Road I found a large three storey block which originally comprised Five Dwellng Houses and a Shop (LGS16). Summers didn’t sign the drawings but there is evidence that he worked on them in 1902. The client was Mr George Hayes.

The corner of Berridge Road and Cedar Road, with traces of the 1902 building. Photo: Lucy Brouwer.
The shop front still visible on the corner of Cedar Road, but building heavily altered. Photo: Lucy Brouwer.

Over on the other side of Mansfield Road, into Mapperley Park can be found what is likely to be the latest building to be signed off by LG Summers. The house built for Mrs Eleanor Ellenberger (Watson Fothergill’s 4th daughter) on Thorncliffe Road (LGS29).

The house on Thorncliffe Road that LG Summers built for Fothergill’s daughter Eleanor Ellenberger. Photo: Lucy Brouwer.

The date stones are marked 1930. Given that plans were submitted in 1929 after Fothergill’s death in 1928, it can perhaps be assumed that the house was built with his inheritance.

The date stones 19 & 30 at Thorncliffe Road. Photo: Lucy Brouwer.

Of all the houses built by Summers that I’ve found so far, this last one seems to show the least of Fothergill’s influence, but by the 1920s fashions in architecture had moved on considerable from the Gothic and Vernacular styles that were interpretted in the work coming out of the George Street Office in the late 19th century.

Gables and varied roof lines still feature in Summers’ late work. Photo: Lucy Brouwer.
Unusual corner windows make a handsome feature on Mrs Ellenberger’s house. Photo: Lucy Brouwer.

In 1894 Eleanor Fothergill Watson Fothergill (as her maiden name became when her father had his moment at the deed poll) married the German-born (but naturalised British) violin teacher Georg Hieronymus Ellenberger (1862-1918). They lived in Nottingham at Lindum house (at the corner of Burns Street near All Saints Church from at least 1899) and towards then end of his life they lived in Ecceleshall, Sheffield.

https://josephjoachim.com/ Wilson, Peck & Co were a musical instrument and record shop (and piano manufacturer) with branches in Sheffield and Nottingham.

Georg Ellenberger was a pupil of the violinist Joseph Joachim (a collaborator of Joannes Brahms) and was himself violin teacher to the young Hucknall-born Eric Coates around 1898. Coates would take the train from Hucknall to Nottingham for his lessons twice a week. Coates became a composer, and is probably best known for the Dam Busters March.

After Georg’s death, Eleanor appears to have returned to Nottingham. She died in 1946. It was her son, Brigadier George Fothergill Ellenberger who transcribed some of Fothergill’s family history notes (this typed document is held at the local studies library in Angel Row.)

I’ve announced some new dates for my city centre Watson Fothergill Walk in April and May – details and links to tickets here.

Lawrence G Summers

Lawrence George Summers’s Buildings in Sherwood, Carrington & New Basford.

In the last blog I found out some more about LG Summers’ family background. This time I’m going to take a look at some of his buildings.

Starting from Sherwood, I went for a wander to find some of the buildings designed by Lawrence George Summers which are still standing in Nottingham. Around the corner from the larger blocks of Fothergill houses on Mansfield Road is a small house on Bingham Road which has characteristics easily mistaken for Fothergill, a decorative turret and a vernacular gable with brick nogging in distinctive red bricks with black timber.

Bingham Road, Built 1921. Photo: Lucy Brouwer.

This garage is actually the work of Geoff Jordan who lives in a house by Summers next door! (Correction 2021 – LB)

Turret and gable at Bingham Road showing some familiar motifs. Photo: Lucy Brouwer.
Bingham Road house by LG Summers, 1921. Photo: Lucy Brouwer

The house on Bingham Road (LGS25) was built for Thomas M. Basnett, a retired plumber’s merchant in 1921. See my Carrington Crawl walk for more details.

A further foray into Carrington and eventually I find the next house on my list, on Herbert Road (LGS12). Little seems to be known about this, other than plans were approved in 1897 and the client was Mr J B Hughes.

Some interesting features in the roof line, the brick work and the windows make this house slightly more than initially meets the eye. Herbert Road, 1897. Photo: Lucy Brouwer.
The house on Herbert Road is one of several that seem to have been built around the same time, but each has its own idiocyncracies. Photo: Lucy Brouwer.
From the back the interesting roof layout is more apparent but the windows have been replaced. The lower roof in front belongs to next door. Herbert Road. Photo: Lucy Brouwer.

The next house on the trail was on Central Avenue (LGS22), not far away. This was built for Gilbert L Summers, LG’s nephew, in 1914. Summers marked his name on the application with “ARIBA”. After Fothergill retired LG signs off with his qualification. In the 1911 census Gilbert was living at 44 Central Avenue with his widowed father Frederick (LG’s brother), his sister Evelyn and his niece (LG’s sister Lola’s daughter) Clara Richardson lived-in as their housekeeper. (It was common practice that an unmarried female member of the extended family would live-in to provide domestic help to unmarried or widowed male relatives.)

Not many original features seem to survive in the house on Central Avenue. Photo: Lucy Brouwer.

Gilbert Lawrence Summers is listed in the 1911 census as a Sewing Machine Mechanic. Perhaps he was working in the family lace firm in New Basford. By 1939, when a register was taken, Gilbert appears to be living in Wiverton Road (around the corner from other Summers buildings in Berridge Road) with his wife Lily.

Many of Lawrence Summers’s buildings (at least the ones he signs off himself) were for members of his extended family in the New Basford area.

Over on Duke Street, a little further up the street from the site of the house where LG was born, are “Two Cottages” (LGS15). Built in 1899, these three storey houses stand out in a street that is now mostly light industrial buildings and modern additions.

The two cottages built by LG Summers on Duke Street. Photo: Lucy Brouwer.
The cottages on Duke Street on Picture Nottingham. It is wrongly attributed to Watson Fothergill (with their standard caption for his work).

At the time, Summers was signing himself as “Architect of Corporation Oaks”. In 1881 various members of the Summers family were living on Duke Street. The numbering of the houses has changed and perhaps the old family home was demolished. His sister Lola, Mrs Richardson, and her family were living at 2 Duke Street, and his father George Summers with second wife Louisa, plus Lawrence’s younger brothers Frederick and Alexander were next door at number 4. In the 1891 census LG is living with his brother Frederick and his family at number 4, while their father, George, is at number 2 with Louisa and their 9 year old son William. Did they subsequently move up Duke Street to the new cottages that LG designed with himself as the client? In 1910, Summers applied to extend the Duke Street houses into shops (LGS21), again he himself was the client, which suggested that members of the Summers family were indeed living in the cottages. As far as I can tell these are now the adjacent property which has been turned back into dwellings. The shape of the shop fronts remain, albeit much altered.

The extension, originally shops, on the corner of Duke Street and Gawthorne Street. Photo: Lucy Brouwer.

Lawrence’s youngest brother Alexander was still living in New Basford in 1901 and is listed on the census as a Pork Butcher and Shopkeeper, so perhaps the shop was his?

Following the road, past what are now mostly motor garages in older industrial buildings, some dated 1840s and some 1870s, an indication that this area was already industrial at the time the Summers family lived here when Lawrence was a child. His father’s lace business was almost certainly here.

Down at the bottom on Northgate, it is just possible to recognise the small two storey factory (LGS3), that Summers designed for James Allen in 1882.

Northgate factory premises. A fairly basic version of the lace top shop perhaps?
Photo: Lucy Brouwer.

At this time Summers is signing himself as “Architect, 11 South Parade Nottingham” (South Parade makes up the side of the Market Square that runs up the opposite side to Long Row). Summers was admitted to RIBA in 1881 but isn’t using letters after his name at this point. It is assumed he was in the Clinton Street office with Fothergill from around 1879, having also been articled as a pupil to Issac Charles Gilbert from 1869. (His studies at the Mechanics Institute and Nottingham School of Art were running concurrently).

Look out for the next installment of my blog as I carry on into Mapperley Park on the trial of LG Summers…

I hope to organise a walk featuring some of Fothergill and Summers buildings in and around Sherwood, Sherwood Rise and Mapperley Park later this year – sign up to my mailing list for the latest news or “like” the Facebook page.

Lawrence G Summers

More about Lawrence George Summers.

Some detective work looking for the rather elusive “architect’s assistant”.

I’ve been using some online archives to see if there is anything else out there about Lawrence G. Summers and after some digging I think I’ve come up with a few clues.

Starting with Ancestry.com (which is available to use for free in Nottinghamshire Libraries and is an invaluable starting point if you enjoy a bit of basic historical sleuthing), I found Summers in the census and tried to make a few dates add up. The problem with online research is that often transcription of handwriting (the speedy pen of the census taker, the scratchy hand of the baptismal registrar) is full of errors. I eventually tracked Summers down in the 1861 census – at age 6, living with his parents, brother and sister at 80 Duke Street, New Basford. (Later in his career Summers will be responsible for several building projects in Duke Street, more on these in the next blog.)

By 1871, the Summers family address has become 83 Duke Street, 16 year old Lawrence is already noted as an “architects clerk” and he has gained another younger brother. I’ve not had much luck with the 1881 census and finding L.G. in 1891 was a little harder as his name has been transcribed as “Laurence”, but he turns up living with his younger brother Frederick and his family, still on Duke Street. L.G. is 35 by now and is still noted as an architects clerk. His brother (and his father, who lives next door) are both listed as “Lace Warpers”. In a trade listing from 1899 Summers seems at last to have moved out and he is listed as “Architect’s Assistant” living at 8 Corporation Oaks (while brother Fred is now of “Summers and Son” and is still at Duke Street).

Corporation Oaks. http://www.ng-spaces.org.uk/exhibition-2016/3-the-walks/

All this tallies with what Darren Turner has compiled in his book. But what of Summers the man? Who was his wife? And why does he show up as living alone as a single man aged 56 in the Gresham Hotel on Carrington Street in the 1911 census? (This one was a challenge as the whole page has been very poorly transcribed with New Basford transposed to “New Brentford” and architect read as “servant”, making it look like Summers worked in the hotel.)

The Gresham Hotel next door to the Fothergill-designed bank on Carrington Street. https://www.nottinghampost.com/news/history/see-old-photos-carrington-street-1102622

To find out about a life, you often have to read about a person’s death, and so it is with Summers, the most that was ever written about him was after his funeral. When Summers died in September 1940, his death made the front pages of the local papers. The notices list the mourners (articles can be found on The British Newspaper Archive – also free to use inside Nottinghamshire Libraries) and from here I was able to narrow down the search. Summers’ wife is only ever refered to as “the widow” which seems to have been standard practice at the time. But luckily the familial relationships of the other people present were noted, so we can discover that Summers’ brother in law was a Mr Lewis Byng. More plugging away at Ancestry eventually stumps up the jackpot. Mrs Summers, nee Louise Martha Byng was married to Lawrence George Summers in 1927, when she was 56 and he was 73. This was a year after the death of her father, Joseph Tussaud Byng a banker with 12 children, and just a short time before the death of Watson Fothergill.

Lawrence and Louise appear again in the 1939 register now living together at 59 Edwards Lane. Lawrence died the following year, in November 1940 and Louise lived on until 1955, until the age of 84.

Edwards Lane crica 1920 Picture Nottingham

Looking at the Ancestry entries for the Byng family, one name stood out as it had also come up in searches of the Newspaper Archive with reference to the theatre… one of Louise Byng’s younger (half-) brothers was Douglas Coy Byng and as it turns out he was on the stage… in fact he was a celebrated Pantomime Dame, singer, cabaret star and female impersonator famed for his double entrendres! Here he is talking about the panto dame tradition in 1982:

And here is a performance of a comic song!

Summers’ Brother in Law Douglas Byng had a long and illustrious show biz career, both he and L.G. Summers were at J.T. Byng’s funeral so perhaps they met?

Byng was instrumental in developing “glamour drag” and played upper class female comic characters.

Next time… more about L.G. Summers’ buildings in Nottingham. If you think you might be related to the Summers family who lived in New Basford it would be great to hear from you! The family turn up in a few family trees on Ancestry, so some cousins a few times removed might be out there…

Lawrence G Summers, Uncategorized

On the trail of Lawrence George Summers…

Research can be a tricky business. The internet offers the researcher plenty of opportunities to find pictures, archived material and other useful records… but it can also throw up its own new set of new mysteries.

For instance, the top returned result in a Google search for L.G. Summers, Watson Fothergill’s assistant and the man who carried on working at the George Street office after Fothergill retired, is a page at the Watson Fothergill website* that hasn’t been updated in a while. There’s lots of tantalising nuggets of information there, but to the researcher looking to dig deeper there is a frustrating lack of citations and references to sources.

This is Lawrence George Summers from http://www.watsonfothergill.co.uk/summers.htm and I don’t know where they got it from or when it was taken!

I’ve been looking for more information on Summers, looking for more about the man who seems to have been somewhat in the professional shadow of the more flamboyant Fothergill.

As I become more emersed in searching for all things to do with Nottingham architecture, I find myself running names through different search engines and websites. After finding a coffee cup that seems to be from The Black Boy Hotel on eBay (see previous blogpost) I check back from time to time to see what else might be out there. A while ago, a search for Lawrence G. Summers and a few variations on his name, threw up a link to some pictures that I hadn’t seen before. They were prints that were for sale and eventually I tracked them down to an online print gallery. 

Design for a church by Lawrence G. Summers. Lithograph from The Building News Mar 20, 1874.

Further variations on Summers’ name (L.G., Lawrence C. etc) returned more results and I couldn’t quite believe my luck. Compelled by curiosity and reasonable prices, I bought the prints. It turns out that they are lithograph pages from the trade publication The Building News and they are not copies.

Design For A Town Hall by Lawrence G. Summers.
Lithograph from The Building News, Dec 25, 1874.

On receipt of the lithographs I realised they were actually pages from the magazine and I was able to look up the accompanying articles. Archives of some of the issues are online. It turns out the designs were Summers’ winning entries in competitions.

From The Building News, Mar 20, 1874.

Tracing the lithographs to the relevent issues of The Building News in online archives reveals that Summers won the “National Silver Medal Prize” for his Church design, “The highest award in the kingdom”.

From The Building News, Dec 25, 1874

The town hall, also gained the Silver Medal in a prize from Kensington (from where architecture qualifications were dispensed). This appears to have been while Summers was a student at the Nottingham School of Art.

Excited about my finds, I did another search and discovered that the other lithograph in the set had been bought by someone (who I found on Twitter) who I think works at Nottingham Trent University, (perhaps even in the Nottingham School of Art building.)

The front elevation of Lawrence G. Summers design for a town hall. The Building News, Dec 25, 1874.

More on Summers in the next blog…

Meanwhile I treated myself to having the lithographs framed:

Somewhat wonky photos of the Nottingham-themed wall in my “office”.

*If this is your site, please get in touch!

Watson Fothergill in Nottingham

Light Industrial Buildings by Watson Fothergill.

After a good look around in Sherwood, I went for a further wander and caught a bus to Carlton to see if I could find the Brewery at Mar Hill (A71). Away from the bus route, deep into Carlton, I found the building. It was originally built for Mr Vickers, in 1899. It was convereted to residential use around 2005.

Mar Hill Primrose wide
Primrose Street side.

Mar Hill other side
From the other side, now a car park.

From what I can find online, the Carlton Brewery was a relatively short lived enterprised. The Vickers family held the licence at The Black’s Head pub close by in Carlton in the late 1800s.

“Brewing in Nottinghamshire” has an older picture of the building and states that the Carlton Brewery was short lived. With Mrs Vickers there in 1902 and Willam (her son?) there between 1904-1906. It was sold in 1904, 1906 and 1909. It became a laundry, then a print works and then it was used as a dye works owned by the Ilkeston Hosiery Finishing Company. The sequence of these changes is not entirely clear.

Along Primrose Street are also a series of 16 terraced houses built for brewery workers. It has been suggested that Fothergill also designed these but Darren Turner refutes this: The drawings survive in Nottinghamshire Archives but there is no stylistic evidence in the design, not documentary evidence on the surviving drawings to substansiate this rumour.

For more about buildings around Carlton, there is a U3A trail to follow, with some pictures of the other buildings.

Mar Hill Stair turret
Mar Hill Brewery now Sandpiper House, stair turret.

Mar Hill side
From the other side, later period Fothergill details, heavily cleaned up in conversion.

The other industrial building of Fothergill’s that survives in Nottingham is down on Castle Boulevard. I was down that way a few weeks ago, but because of the road it’s quite tricky to photograph. The Paper Warehouse (A59), on what was then Lenton Boulevard was built for Simons and Pickard, in 1893-94, the date stone reads 1894.

paper warehouse
The Paper Warehouse on Castle Boulevard.

Paper warehouse date stone
The date stone, 1894.

Paper warehouse from park side
Taken when the leaves were still on the trees, October 2018.

Paper warehouse towers
Brick patterns and finials, very Fothergill. All photos by Lucy Brouwer.

The rear of the building is on the canal side and has a more conventional warehouse look. This was one of the buildings for which Fothergill commissioned photographs from Bedford Lemere, and some of these can be found on Historic England’s website. There is another photo, taken from above, attached to the listing.

My next walk will be a little look around the Lace Market on 7 December 2018. Tickets are available here on Eventbrite.

If you’d like to keep in touch and hear about future walks, starting again in 2019, please sign up to my email mailing list.

Watson Fothergill in Nottingham

Fothergill Watson in Sherwood (slight return).

I took the opportunity to have another look at the Ukrainian Centre (A.K.A. Clawson Lodge A43) as the Sherwood Christmas Craft Fair was taking place. Not only did I see some charming work by local artists Corinna Rothwell and Eloise Renouf (among others), I also ate a nice little sour-dough pie from Small Food Bakery.

Mainly, I took a few more photos of Fothergill’s work on the house he built for Mr Doubleday (as mentioned in my earlier blog about Carrington.)

Clawson Lodge Gable
Clawson Lodge Gable

Clawson Lodge bay side
Clawson Lodge Bay Window

Clawson Lodge above door
Clawson Lodge above door

Clawson Lodge Window black
Clawson Lodge window detail

Inside was rather busy and has been significantly altered, the two downstairs rooms were full of crafy goings on so a bit difficult to see, but apart from the windows there doesn’t seem to be much in the way of original features. The house has been significantly extended and converted so, as with so many of these buildings, it remains the exterior that retains its original character.

Heading back towards Sherwood shops, I took the chance to photograph the terrace of four, three-storey houses on the corner of Bingham Road (A77). These are virtually the last project that Fothergill put his name to before he retired. They were built in 1906 with Fothergill as the client as he had previously bought up the land (next to some earlier houses he built on Mansfield Road. A46)

Bingham rd and next door
Loscoe Hill villas next door to Bingham Road houses on Mansfield Road. Date stone inbetween windows.

The timber clad gables are quite different to the earlier houses and look at lot more like the work that assistant architect Lawrence George Summers would continue to work on after Fothergill had left the office (see his later work in New Basford which is erroneously credited to Fothergill on Picture The Past etc.)

Bingham rd front
Mansfield Road view of the 1906 houses.

Bingham rd
Bingham Road view of the 1906 houses. Date carved into frame above doors. Now converted into flats.

Back in Sherwood, I went down Burlington Road to look for some slightly elusive, domestic Fothergills. This part of Nottingham is refered to as Cavendish Hill in the planning applications. The earlier Elberton House (A53) was built for Mr Gallimore, a clerk to Smith and Co’s Bank in 1890. Fothergill had worked on a branch of the bank in Long Eaton in 1889.  Additions were made to the villa dated 1911, and these are the last known (minor) works for a private client to be signed off under Fothergill’s own name.

Hardwick side
Villa, Cavendish Hill

Hartingdon hardwick Elberton
Side view of the Villa at Cavendish Hill

Close by is the Burlington Towers built in 1892 as a three-storey villa for Mr Lindley (A54) it has now been made into flats. UPDATE 18/11/18: I just received an email from the present owner of Burlington Towers, who has turned it back into one whole house. Apparently they were able to work from Fothergill’s drawings to get back to the original layout. There is a photo in the Bedford Lemere archive* from 1897 on Historic England’s website. (Elberton House also makes an appearance.)

Burlington face on
Burlington Towers with distinctive Fothergill affects.

Burlington light
Burlington Towers from the side. (all photos: Lucy Brouwer).

*It turns out this is the tip of the iceberg in terms of period photos of Fothergill buildings on the Historic England site, I will keep digging for more, but so far Fothergill’s own family home at Mapperely Road and the Sherwood Rise properties have been identified.

If you would like to engage my services for a walk or a talk about my Fothergill research please contact me. Meanwhile I’m leading a short walk in the Lace Market on 7 Decemeber with Debbie Bryan providing tea and mince pies post-tour. Tickets available from her website.

Uncategorized

Beauty In The Details: Christmas Edition!

I’m planning to do some more of my short walks in the Lace Market with Debbie Bryan in December. The walk takes place at 2pm on 7th December, with a look at the architecture and history of St Mary’s Gate. These tours will be similar to the Heritage Open Days tours that took place in September but this time will include tea or coffee and a warm mince pie at Debbie Bryan. You will also receive 10% off any other tea room orders on your visit.

Lucy Brouwer tour guide
Thanks to Katie at Debbie Bryan for the photo.

There will be a look at the Adams Building and other Thomas Chambers Hine work in the area, as well as Watson Fothergill’s Milbie House on Pilcher Gate. The whole thing should take around 45 minutes with time for tea and mince pies (and perhaps some creative Christmas Shopping) afterwards.

If this first one is popular we may add more dates in December.

Tickets are £10 each, available here from Debbie Bryan, or call into her shop on St Mary’s Gate.

Collaborators

Benjamin Creswick in London

A visit to London and I pulled in quite a few Victorian landmarks including Thomas Carlyle’s House,  using the last couple of days on my Art Fund Card (highly recommended if you visit a lot of museums).

Carlyle’s House features a bust of the writer on the front of the building, the portrait sculpted by Creswick after a design by C.F.A. Voysey.

Thomas Carlyle by Benjamin Creswick
Carlyle’s House, Chenye Row, Chelsea, London. (Photo: Lucy Brouwer)

Benjamin Creswick, as you will remember if you’ve been on the Watson Fothergill Walk or if you read my earlier blog, sculpted the terracottas on two of Watson Fothergill’s Nottingham Buildings. His masterpiece however is the fantastic frieze that resides on the front of the Worshipful Company of Cutler’s Hall near St Paul’s Cathedral. I took a detour after an excellent walking tour of the Square Mile of the City of London with London Walks to have a look, and it did not disappoint.

IMG_3209
Cutler’s Hall, Warwick Lane, St Paul’s, London (Photo: Lucy Brouwer)

 

IMG_3199
Details of the Creswick Frieze

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Close up of the figures

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Larger than the Nottingham work

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Detailed and well observed

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Modelled from life (Photos: Lucy Brouwer)

 

The Watson Fothergill Walks will be back in Spring 2019 – sign up to the mailing list for all the latest news HERE.